When, after twenty-six years of marriage, Margaret Crowley’s husband leaves her for a younger man, she has to rethink her priorities and consider her options: as a free agent, with no ‘appurtenances’, how best to turn that freedom into a meaningful future rather than a mulling over the past?

Opting to leave behind her support system of family and friends, she moves to a seaside town with her dog, Benjy, intent upon a simple, uncluttered existence. But simplicity, it seems, can be a complicated affair. When the charismatic young Jimmy Prinsloo-Mazibuko enters her life and her home, apparently intent upon establishing himself as a general-purpose handyman and cook, she finds herself torn between distrust and attraction. Is he merely the helpful, cheerful young man he seems, or is there a darker purpose to his assistance?

As in his award-winning Lost Ground, Heyns situates his novel in contemporary South Africa, with a lively cast of characters: Margaret’s forthright best friend, Frieda, her loose-limbed son, Carl, her exasperated daughter, Celia, and, most insistently of all, her opinionated ‘domestic’, Rebecca. Friends and family, it seems, are not to be left behind at will. And new acquaintances may not be what they seem.

Daan van der Walt, a Latin-quoting, God-fearing former Kalahari farmer, visits his estranged son in China for the first time.

When he has a vertigo attack soon after his arrival, his son drops him off at a Buddhist monastery. Under the guidance of Master Yang, an obstreperous Daan is made to practice Tai Chi to recover his balance, both physically and spiritually. He soon finds himself on a difficult path (the Dao of the title) to come to terms with his feelings of remorse and guilt. He sets out to write his Historia, or confessions, in the form of letters to his deceased wife and imaginary observations to his beloved dog.

An unusual, often very funny, novel whose fields of reference include Roman and Greek mythology, Christian theology, Chinese history and Daoism.

An astounding debut by an octogenarian author; translated by Michiel Heyns.

When Natasha, a novice writer from South Africa, is nominated for a major British literary prize, Terence, a young university lecturer, undertakes to introduce her to the sights of London.

However, London and its literary cliques are a far cry from Natasha’s Karoo hometown: through no fault of her own, she is disqualified, and their affair ends in tragedy. Terence, whose best friend accuses him of suffering from a Good Samaritan complex, now takes an interest in a rough sleeper and his dog that he meets outside a tube station.

This turns out to be a complex undertaking. As the ghosts of his past relationships are visited upon him, Terence is forced to reconsider the meaning of human connections – how our lives touch, and are touched by, others.

Michiel Heyns’s Each Mortal Thing shows us the metropolis through fresh eyes, calculates the cost of acts of kindness, and speaks to the grace that friendship can bestow on us.

Na 'n onthutsende oproep vertrek Karl Hofmeyr teesinnig om sy broer, Iggy, wie se kop skynbaar uitgehaak het, te hulp te snel. Karl – heavy-metal-fan de luxe – se reis word vertraag deur sy kompulsiewe obsessies. Maria Volschenk word op 'n dag oorval deur 'n groot leegte. Sy reis na die Wes-Kaap om haar seun te sien en haar suster te selfdood uiteindelik te konfronteer. Die twee verhaallyne vloei saam op 'n onwaarskynlike stadsplaas. Iewers in Kaapstad, waar Karl se broer in 'n bitter tweestryd gewikkel is met die sninistere Josias Brandt.

When zoologist Magrieta Prinsloo is put on the wrong antidepressant, her head comes unstuck. She insults the head of her department, and impulsively resigns from her job. She accepts a position at the Bureau for Continuing Education, with the inscrutable Markus Potsdam as her boss. When he disappears one morning, matters become very complicated. Winterbach's extraordinary gift as a novelist, and uncanny understanding of the human psyche, are again as evident as ever.

LONGLISTED FOR THE 2020 INTERNATIONAL BOOKER PRIZE At the end of the eighteenth century, a giant strides the Cape Colony frontier. Coenraad de Buys is a legend, a polygamist, a swindler and a big talker; a rebel who fights with Xhosa chieftains against the Boers and British; the fierce patriarch of a sprawling mixed-race family with a veritable tribe of followers; a savage enemy and a loyal ally. Like the wild dogs who are always at his heels, he roams the shifting landscape of southern Africa, hungry and spoiling for a fight. This is his story; the story of his country, and of our blood-soaked history.

J.M. Coetzee: a life in writing is the first biography of Nobel laureate J.M. Coetzee. A global publishing event of the rarest kind, the book has been written with the full cooperation of Coetzee, who granted the author interviews and put him in touch with family, friends, and colleagues who could talk about events in Coetzee's life. For the first time, Coetzee allowed complete access to his private papers and documents, including the manuscripts of his 16 novels. J.C. Kannemeyer has also made a study of the enormous body of literature on Coetzee, and through archival research has unearthed further information not previously available. The book deals in depth with Coetzee's origins, early years, and first writings; his British interlude from 1962-1965; his time in America from 1965-1971; his 30 years back in South Africa, when he achieved international recognition and won the Booker prize; and his Australian years since 2002, during which time he won the Nobel Prize in Literature. J.M. Coetzee: a life in writing is a major work that corrects many of the misconceptions about Coetzee, and that illuminates the genesis and implications of his novels.This magisterial biography will be an indispensable source for everybody concerned with Coetzee's life and work.