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This book examines social change in Africa through the lens of hip
hop music and culture. Artists engage their African communities in
a variety of ways that confront established social structures,
using coded language and symbols to inform, question, and
challenge. Through lyrical expression, dance, and graffiti, hip hop
is used to challenge social inequality and to push for social
change. The study looks across Africa and explores how hip hop is
being used in different places, spaces, and moments to foster
change. In this edited work, authors from a wide range of fields,
including history, sociology, African and African American studies,
and political science explore the transformative impact that hip
hop has had on African youth, who have in turn emerged to push for
social change on the continent. The powerful moment in which those
that want change decide to consciously and collectively take a
stand is rooted in an awareness that has much to do with time.
Therefore, the book centers on African hip hop around the context
of "it's time" for change, Ni Wakati.
Opens a fresh conversation on the study of the Mau Mau rebellion
and Kenyan history by arguing that Mau Mau was a nationalist
movement rather than a Kikuyu war. Through a critical examination
of the Mau Mau oath used to initiate and unite fighters, The Power
of the Oath opens a fresh conversation on the study of Mau Mau and
Kenyan history. It argues for a historiographical shift inthe
framing of the Mau Mau rebellion as a Kikuyu war. Instead, Mickie
Mwanzia Koster suggests that Mau Mau was a nationalist movement,
embraced by non-Kikuyu communities like the Kamba ethnic group.
Incorporating a creative blendof primary sources, including
testimonies from ex-Mau Mau participants, survey analysis, archival
data, Mau Mau court cases, ceremonial reenactments, and folklore,
The Power of the Oath demonstrates how and why the movement was
spread, embraced, and internalized. Mwanzia Koster traces the
evolution and structure of the Mau Mau oath, examining the British
criminalization of the oath, its gendered use, and the purification
associated with it, in order to reveal how Mau Mau unfolded in
Kenya. Mickie Mwanzia Koster is associate professor of history at
the University of Texas, Tyler.
This book explores the key milestones in education, gender, and
policy that Kenya has achieved since independence, the challenges
of this experience, and the future prospects. This edited
collection of chapters also aims to illuminate the lessons learned
from the experiences of the postcolonial period as well as
postulate on the way forward. Through this exploration of the
Kenyan experience since independence, the authors present an
optimistic view that despite the many obstacles and challenges, the
country still has promising prospects as a nation.
This book explores the journey that Kenya has travelled as a nation
since its independence on December 12, 1963. It seeks to advance
understanding of the country's major milestones in the postcolonial
period, the challenges and the lessons that can be learned from
this experience, and the future prospects.
This book explores the key milestones in education, gender, and
policy that Kenya has achieved since independence, the challenges
of this experience, and the future prospects. This edited
collection of chapters also aims to illuminate the lessons learned
from the experiences of the postcolonial period as well as
postulate on the way forward. Through this exploration of the
Kenyan experience since independence, the authors present an
optimistic view that despite the many obstacles and challenges, the
country still has promising prospects as a nation.
This book explores the journey that Kenya has travelled as a nation
since its independence on December 12, 1963. It seeks to advance
understanding of the country's major milestones in the postcolonial
period, the challenges and the lessons that can be learned from
this experience, and the future prospects.
This book examines social change in Africa through the lens of hip
hop music and culture. Artists engage their African communities in
a variety of ways that confront established social structures,
using coded language and symbols to inform, question, and
challenge. Through lyrical expression, dance, and graffiti, hip hop
is used to challenge social inequality and to push for social
change. The study looks across Africa and explores how hip hop is
being used in different places, spaces, and moments to foster
change. In this edited work, authors from a wide range of fields,
including history, sociology, African and African American studies,
and political science explore the transformative impact that hip
hop has had on African youth, who have in turn emerged to push for
social change on the continent. The powerful moment in which those
that want change decide to consciously and collectively take a
stand is rooted in an awareness that has much to do with time.
Therefore, the book centers on African hip hop around the context
of "it's time" for change, Ni Wakati.
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