There are surprising omissions in the translated body of Spanish Golden Age literature, including in the body of work by Miguel de Cervantes. We have many highly competent translations of Don Quixote, but until now not a single English version of his play The Gallant Spaniard. Although Cervantes’s dramatic works have always attracted less attention than his narrative fiction, there has been significant critical interest in this play in recent years, do in no small part to its unique portrayal of Christian-Muslim relations. Critics have argued persuasively of the value of The Gallant Spaniard in the service of a more general understanding of Cervantes in his last years, specifically on his views of this dichotomy. This edition, translated by Phillip Krummrich, consists of a critical introduction and a full verse translation of the play with notes.

There are surprising omissions in the translated body of Spanish Golden Age literature, including in the body of work by Miguel de Cervantes. We have many highly competent translations of Don Quixote, but until now not a single English version of his play The Gallant Spaniard. Although Cervantes’s dramatic works have always attracted less attention than his narrative fiction, there has been significant critical interest in this play in recent years, do in no small part to its unique portrayal of Christian-Muslim relations. Critics have argued persuasively of the value of The Gallant Spaniard in the service of a more general understanding of Cervantes in his last years, specifically on his views of this dichotomy. This edition, translated by Phillip Krummrich, consists of a critical introduction and a full verse translation of the play with notes.

Translated by P. A. Motteux With an Introduction and Notes by Stephen Boyd, University College, Cork Cervantes' tale of the deranged gentleman who turns knight-errant, tilts at windmills and battles with sheep in the service of the lady of his dreams, Dulcinea del Toboso, has fascinated generations of readers, and inspired other creative artists such as Flaubert, Picasso and Richard Strauss. The tall, thin knight and his short, fat squire, Sancho Panza, have found their way into films, cartoons and even computer games. Supposedly intended as a parody of the most popular escapist fiction of the day, the 'books of chivalry', this precursor of the modern novel broadened and deepened into a sophisticated, comic account of the contradictions of human nature. On his 'heroic' journey Don Quixote meets characters of every class and condition, from the prostitute Maritornes, who is commended for her Christian charity, to the Knight of the Green Coat, who seems to embody some of the constraints of virtue. Cervantes' greatest work can be enjoyed on many levels, all suffused with a subtle irony that reaches out to encompass the reader, and does not leave the author outside its circle. Peter Motteux's fine eighteenth-century translation, acknowledged as one of the best, brilliantly succeeds in communicating the spirit of the original Spanish.

Part of Penguin's beautiful hardback Clothbound Classics series, designed by the award-winning Coralie Bickford-Smith, these delectable and collectible editions are bound in high-quality, colourful, tactile cloth with foil stamped into the design. Don Quixote has become so entranced by reading romances of chivalry that he determines to become a knight errant and pursue bold adventures, accompanied by his squire, the cunning Sancho Panza. As they roam the world together, the aging Quixote's fancy leads them wildly astray, tilting at windmills, fighting with friars, and distorting the rural Spanish landscape into a fantasy of impenetrable fortresses and wicked sorcerers. At the same time the relationship between the two men grows in fascinating subtlety. Often considered to be the first modern novel, Don Quixote is a wonderful burlesque of the popular literature its disordered protagonist is obsessed with.

Miguel de Cervantes Saavedra (1547-1616) was a Spanish novelist, poet, and playwright, best known for Don Quixote, considered the first modern novel. This volume contains a Latvian translation.