When an ageing, impoverished nobleman decides to style himself "Don Quixote" and embarks upon a series of daring endeavours, it is clear that his ability to distinguish between reality and the fantasy world of literary romance has broken down. His exploits turn into comic misadventures, in which everyday objects are transformed into the accoutrements of chivalry, peasant girls become princesses and windmills are mistaken for formidable giants, leading the hero and his squire Sancho Panza into the realms of absurdity and humiliation. Renowned for its comical set pieces, Don Quixote is a profound meditation on the relationship between truth and fiction and the morality of deception, as well as the foundation stone of the modern novel.

The second volume of Don Quixote is much darker than the first, picking up the story where Volume I left off and taking us to Don Quixote's death. Don Quixote battles cats, puppets and the famous Knight of the Mirrors. He plunges head first into the legendary Cave of Montesinos and seeks to disenchant his imaginary truelove Dulcinea del Toboso, who is imprisoned there. Meanwhile Sancho Panza is finally given an island to rule over by the Duke and Duchess who, like many characters Quixote and Sancho meet in Vol II, have read Vol I. The Duke and Duchess play endless cruel tricks on our heroes and slowly our heroes’ madness and foolishness becomes painfully apparent. On his deathbed Quixote becomes Alonso once more, he finally denies the existence of Giants, Knights, Damsels and to Sancho’s horror he denies there ever was a Don Quixote de la Mancha. Sancho begs that they should ride out one more time, but it is too late Alonso Quixana is dead.

In a sleepy village, a retired gentleman is consumed with tales of chivalry. Seeing no impediments, such as logic, propriety or sanity, to fulfilling his dreams, this would-be hero reinvents himself as the Knight-Errant, Don Quixote. He sets out across the arid open country in search of adventures accompanied only his dim-witted squire, Sancho Panza.

Widely regarded as one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza. Together they journey through sixteenth-century Spain in search of adventure, taking on spirits, evil enchanters and giants in a quest to perform acts of valour worthy of Dulcinea, his lady love.

A masterpiece of world fiction and a brilliant satire on traditional romances, Don Quixote by Miguel de Cervantes is not only the world’s first modern novel – it is also an uproarious comedy that continues to delight readers today.

This Macmillan Collector’s Library edition of Don Quixote is translated by the acclaimed J. M. Cohen and features an afterword by writer and journalist Ned Halley.

Designed to appeal to the booklover, the Macmillan Collector’s Library is a series of beautiful gift editions of much-loved classic titles. Macmillan Collector’s Library are books to love and treasure.

Don Quixote, originally published in two parts in 1605 and 1615, stands as Cervantes' belated but colossal literary success. A work which has achieved mythic status, it is considered to have pioneered the modern novel. Don Quixote, a poor gentleman from La Mancha, Spain, entranced by the code of chivalry, seeks romantic honor through absurd and fantastic adventures. His fevered imagination turns everyday objects into heroic opponents and stepping stones to greater glory; each exploit serves as a comic, yet disturbing commentary on the psychological struggle between reality and illusion, fact and fiction. This celebrated translation by Charles Jarvis offers a new introduction and notes which provide essential background information.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

This Norton Critical Edition includes: Burton Raffel's masterful translation ("Indeed, Raffel seems to have created a Cervantine English" - Javier Herrero, University of Virginia), lightly revised by Diana de Armas Wilson and including the translator's note. A revised and expanded introduction as well as revised and expanded explanatory footnotes by Diana de Armas Wilson. A rich selection of contextual materials, including related writings by Cervantes and his contemporaries as well as a modern account of Don Quijote's influence over five centuries. Fifteen critical essays-seven of them new to the Second Edition-thematically organised to maximise classroom discussion. The new essays are by Ilan Stavans, Anne J. Cruz, Paul Michael Johnson, Pablo Garcia-Pin~ar, Anthony J. Cascardi, Barbara Fuchs and Andres Lema-Hincapie. A chronology and a selected bibliography.

WITH AN INTRODUCTION BY HAROLD BLOOM. Widely regarded as the world's first modern novel, and one of the funniest and most tragic books ever written, Don Quixote chronicles the famous picaresque adventures of the noble knight-errant Don Quixote de La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. Unless you read Spanish, you've never read Don Quixote.

Complete and unabridged, "Don Quixote" is the epic tale of the man from La Mancha and his faithful squire, Sancho Panza. Their picaresque adventures in the world of seventeenth-century Spain form the basis of one of the great treasures of Western literature.
In a new translation that "comes closest, among the modern translations, to the simple, intimate, direct style that characterizes Cervantes' narrative,"* "Don Quixote" is a novel that is both immortal satire of an outdated chivalric code and a biting portrayal of an age in which nobility was a form of madness.
*John J. Allen, Professor Emeritus of Spanish, University of Kentucky and Past President of the Cervantes Society of America

‘Didn’t I tell you they were only windmills? And only someone with windmills on the brain could have failed to see that!’

Don Quixote has become so entranced by reading romances of chivalry that he determines to become a knight errant and pursue bold adventures, accompanied by his squire, the cunning Sancho Panza. As they roam the world together, the aging Quixote’s fancy leads them wildly astray. At the same time the relationship between the two men grows in fascinating subtlety. Often considered to be the first modern novel, Don Quixote is a wonderful burlesque of the popular literature its disordered protagonist is obsessed with.

John Rutherford’s landmark translation does full justice to the energy and wit of Cervantes’s prose. His introduction discusses the traditional works parodied in Don Quixote, as well as issues surrounding literary translation.

Voted greatest book of all time by the Nobel Institute

Edith Grossman's definitive English translation of the Spanish masterpiece. Widely regarded as one of the funniest and most tragic books ever written, Don Quixote chronicles the adventures of the self-created knight-errant Don Quixote of La Mancha and his faithful squire, Sancho Panza, as they travel through sixteenth-century Spain. You haven't experienced Don Quixote in English until you've read this masterful translation.This P.S. edition features an extra 16 pages of insights into the book, including author interviews, recommended reading, and more.

Edith Grossman, celebrated for her brilliant translation of Don Quixote, offers a dazzling new version of another Cervantes classic The twelve novellas gathered in Exemplary Novels reveal the extraordinary breadth of Cervantes's imagination: his nearly limitless ability to create characters, invent plots, and entertain readers across continents and centuries. The assemblage of characters (eloquent witches, talking dogs, Gypsy orphans, and an array of others), the twisting plots, and the moral heart at the core of each short tale proved instantly irresistible to readers. Love is the overarching theme. Now, as when it was published in Spain in 1613, the book brings readers pure entertainment, but also a subtle artistry that invites deeper investigation. Edith Grossman's translation brings this timeless classic to English-language readers in an edition that will delight those already familiar with Cervantes's work as well as those about to be enchanted for the first time. Roberto Gonzalez Echevarria's illuminating introduction to the volume serves as both an appreciation of Cervantes's brilliance and a critical guide to the novellas and their significance.

Don Quixote may just be the silliest knight-errant in all of Spain! Along with his 'trusty steed' Rocinante and his patient squire Sancho, he insists on gallivanting around the country in search of noble deeds. Cervantes' ludicrious eponymous hero is brought to life in this hilarious retelling, overflowing with misplaced and madcap heroism. TreeTops Greatest Stories offers children some of the worlds best-loved tales in a collection of timeless classics. Top children's authors and talented illustrators work together to bring to life our literary heritage for a new generation, engaging and delighting children. The books are carefully levelled, making it easy to match every child to the right book. Each book contains inside cover notes to help children explore the content, supporting their reading development. Teaching notes on Oxford Owl offer cross-curricular links and activities to support guided reading, writing, speaking and listening.

Best known today as the author of "Don Quixote"--one of the most beloved and widely read novels in the Western tradition--Miguel de Cervantes Saavedra (1547-1616) was a poet and a playwright as well. After some early successes on the Madrid stage in the 1580s, his theatrical career was interrupted by other literary efforts. Yet, eager to prove himself as a playwright, shortly before his death he published a collection of his later plays before they were ever performed.With their depiction of captives in North Africa and at the Ottoman court, two of these, "The Bagnios of Algiers" and "The Great Sultana," draw heavily on Cervantes's own experiences as a captive, and echo important episodes in "Don Quixote." They are set in a Mediterranean world where Spain and its Muslim neighbors clashed repeatedly while still remaining in close contact, with merchants, exiles, captives, soldiers, and renegades frequently crossing between the two sides. The plays provide revealing insights into Spain's complex perception of the world of Mediterranean Islam.Despite their considerable literary and historical interest, these two plays have never before been translated into English. This edition presents them along with an introductory essay that places them in the context of Cervantes's drama, the early modern stage, and the political and cultural relations between Christianity and Islam in the early modern period.

"Don Quixote looms so wonderfully above the skylines of literature, a gaunt giant on a lean nag, that the book lives and will live through his sheer vitality...The parody has become a paragon."-Vladimir Nabokov "A more profound and powerful work than this is not to be met with...The final and greatest utterance of the human mind."- Fyodor Dostoyevsky Miguel de Cervantes' Don Quixote is regarded not only as the first modern novel, but also as one of the most important works of fiction ever produced. The subtle and hopeful irony, resplendent variety of characters and its thoroughly entertaining sense of adventure and friendship has dazzled readers for more than four hundred years. It was published in Spain in two volumes, first in 1605 then followed by the second in 1615. Cervantes' use of realism and everyday language in Don Quixote was revolutionary at the time, and its influence on the development of literature may only be surpassed by the work of Shakespeare. In the opening of this extraordinary book, Alonso Quijano, a noble living in sixteenth-century Spain, has become consumed with the act of reading, and subsequently assumes the identity of the chivalrous knights that he loves to read about. Transformed into Don Quixote, he embarks on his first ill-fated journey as a "knight". The defeated Quixote returns home, to only prepare himself better for the next adventure of delusion. On his second journey Quixote has enlisted the peasant Sancho Panza to appropriate the role of his squire. Although the duo is ridiculously mismatched in every sense, their inextricable bond is one of the most fascinating of friendships ever created on paper. Between their disordered adventures -of battling windmills and herds of sheep and endless mishaps- are the stories of those who are encountered on the journey. The book eventually becomes a hall of mirrors, and Cervantes explores preconceptions of narrative, reliability, and morality that are strikingly modern. Ultimately, Quixote's preposterous fantasies become haunting as the reader of this book will surely begin to question what is real and what is not. The story of Don Quixote has been adapted into numerous forms, including opera, musicals, ballets, music and film. With an eye-catching new cover, and professionally typeset manuscript, this edition of Don Quixote is both modern and readable.

Originally published in two parts in 1605 and 1615 and often considered "the first modern novel," Miguel de Cervantes's Don Quixote is undoubtedly the most influential work in the Spanish literary canon. In this groundbreaking graphic adaptation, cultural commentator Ilan Stavans and illustrator Roberto Weil reimagine Cervantes's masterpiece in ways that are both faithful and whimsically irreverent. In these pages, Stavans and Weil pay tribute to Cervantes's novel as well as its complex resonances in the centuries since its publication. The dauntless "mad knight" Don Quixote and his hapless squire, Sancho Panza, encounter the infamous windmills, contend with disbelieving peasants and noblemen, and seek relentlessly for Quixote's imaginary love, Dulcinea. They also confront their own creators and adapters-Cervantes, Salvador Dali, Franz Kafka, and Stavans and Weil themselves-and try to make sense out of the madness of drones, taxicabs, and their own literary immortality. The result is an ambitious and compelling graphic novel that reveals Don Quixote as un libro infinito-a work that reflects the past, present, and future of the human condition. Available in both English and Spanglish editions, this inspired and audacious interpretation of one of the greatest novels ever written is sure to be savored by generations to come.