Ageing population and rapid urbanisation are the two major demographic shifts in today's world. Architectural designs and urban policies have to deal with issues of an ever larger elderly population living in the cities, especially in old urban neighbourhoods, while also taking into consideration the evolving lifestyles and wellbeing of the diverse elderly demographic. Being able to continue living in these existing urban neighbourhoods would thus require necessary interventions, both to adapt the changing needs of the ageing population and to improve the deteriorating environment for better liveability. Creative Ageing Cities discusses the participation and contribution of the ageing population as a positive and creative force towards urban design and place-making, particularly in high-density urban contexts, as observed in a collection of empirical cases found in rapidly ageing Asian cities. This book is the first to bring together multidisciplinary scholastic research on ageing and urban issues from across top six ageing cities in Asia: Singapore, Seoul, Tokyo, Taipei, Hong Kong, and Shanghai. Through these case studies, this book gives a good overview of diverse challenges and opportunities in the various Asian urban contexts and offers a new perspective of an ageing and urban design framework that emphasises multi-stakeholder collaboration, inter-generational relations and the collective wisdom of older people as a source of creativity.

In this anthology with contributions about architecture, media, and infrastructure technology, the authors investigate in what multifaceted way architecture and information is in tune with contemporary technology, and in what way we live with them. The book is divided into following parts: BREEDING (medialising matter), BREATHING (transcending language), and INHABITING (making things inhabitable). The compilation of various text contributions creates a lexicon of 'naturing affairs' and is written for readers who look for an inspiring overview of our medialised environments.

A cultural turn took place in Korea during the 1990s, amid the economic prosperity driven by state-led industrialization and the collapse of the military dictatorship due to democratization movements. Cultural critiques, emerging as an alternative to social movements, proliferated to assert the freedom and autonomy of individuals against regulatory systems and institutions. The nation was hit by the Asian financial crisis in 1997, and witnessed massive economic restructuring including layoffs, stakeouts, and a prevalence of contingent employment. As a result, the entire nation had to find new engines of economic growth while experiencing a creative destruction. At the center of this national transformation, Seoul has sought to recreate itself from a mega city to a global city, equipped with cutting-edge knowledge industries and infrastructures. By juxtaposing the cultural turn and cultural/creative city-making, Entrepreneurial Seoulite interrogates the formation of new citizen subjectivity, namely the enterprising self, in post-Fordist Seoul. What kinds of logic guide individuals in the engagement of new urban realities in rapidly liberalized Seoul-culturally and economically? In order to explore this query, Mihye Cho draws on Weber's concept of "the spirit of capitalism" on the formation of a new economic agency focusing on the re-configuration of meanings, and seeks to capture a transformative moment detailing when and how capitalism requests a different spirit and lifestyle of its participants. Likewise, this book approaches the enterprising self as the new spirit of post-Fordist Seoul and explores the ways in which people in Seoul internalize and negotiate this new enterprising self.

The Atlas of Fantastic infrastructures deals with the characterization of architecture, media and digital infrastructure. In concrete terms, it deals with the materiality of buildings and the intangibility of data. While technical or functional studies often tend to "flatten" the multiplex phenomena, the author speculatively propose four abstract prisms: 1) AFFAIR WITH PHANTOMS - who do we want to meet in a digitally mediated space, and what kind of conversation/activity will we have?; 2) PARA-DESIRE - where do our surreal desires live, and what are their strategies?; 3) MEDIATED SPACE CATALOGUE - what kinds of data, information, things, spaces and places are available in the world, and how our activities blend them?; 4) GIFTS OF THE GARDENS - how can an idea enter physical reality, and what are the pathways of such becomings? The author examines buildings and projects by Toyo Ito, Philippe Rahm, Olafur Eliasson, Greg Lynn, MVRDV, Electroland, Troika, NOX, Rafael Lozano-Hemmer and others.