The aliens from Dort have lost their world and now they want Earth! It is the year 2000. In fifty years' time the planet Dort will collide with its sun and be destroyed. Ratta, the dictator of Dort has chosen Earth as a new home for his people. But first he is creating ten thousand disasters to wipe out all human life! Only Britain's best scientist, Professor Mike Dauntless, has the mind and spirit to stop Ratta from destroying humankind.

Enemies without! Enemies within! This fourth omnibus of The Rise and Fall of the Trigan Empire, a classic of the science-fiction genre, collects the stories published in Look and Learn from 1973 through to 1975. Don Lawrence's painted art continues to be a highlight of the series and, as Don Lawrence takes a sabbatical from the strip, Miguel Quesada and Philip Corke match his impressive work with their own style. The Trigan emperor and his nephew, Janno, continue to protect their citizens from treacherous politicians, foil assassination attempts by mercenary assassins, halt the despotic plans of delusional scientists, and resist alien invaders.

The second thrilling omnibus lost Sci-Fi classic from the sixties the New York times called "highly detailed visions of fantastic worlds" Among the distant stars, fractious tribes come together to found a mighty empire that will wage war against aggressive kingdoms, battle alien invaders, and conceive of incredible new technologies. This extraordinary volume continues to chart the glorious Rise and Fall of the Trigan Empire! A landmark in British comics history, painted by the legendary Don Lawrence in stunning, classic style, and springing from the grandiose pen of Mike Butterworth, this is an epic tale that creates a new far-future science fiction mythos that captured the imagination of a generation. Features an introduction from one-time Don Lawrence apprentice Chris Weston (The Filth).

The third thrilling omnibus of the lost Sci-Fi classic from the sixties that the New York Times noted had "highly detailed visions of fantastic worlds" This is the epic story of the Trigan Empire's rise and fall, and of how Trigo, often alone, had to fend off usurpers and monstrous threats to save his people. The lush painted comic art that Don Lawrence produced in this period would solidify him as one of the greatest comic book artists of all time. Collected within are all the Trigan Empire stories published in chronological order including the never before reprinted short stories not illustrated by Don Lawrence, to give you the complete saga of the Trigan Empire.

Celebrate the extraordinary work of Jose Gonzalez, an unparalleled master of horror illustration, with this gorgeous hardcover collection, presenting for the first time actual storyboard artwork spanning his years as the preeminent Vampirella artist! Eleven captivating and creepy tales appear in their entirety, stories ranging over ten years from Vampirella Magazine #15 (January 1972) to issue #112 (March 1983). Scanned in high-resolution color and printed at original size, Jose Gonzalez's Vampirella Art Edition preserves every detail of the artist's meticulous skill and hard work, a true treasure for longtime Vampi fans. Includes the following Jose Gonzalez Vampirella stories in their completion: Vampirella #15: "The Resurrection of Papa Voudou", written by Archie Goodwin Vampirella #16: "...And Be a Bride of Chaos", written by Archie Goodwin Vampirella #19: "Shadow Of Dracula", written by T Casey Brennan Vampirella #21: "Slithers in the Sand", written by Steve Englehart Vampirella #23: "The Blood Queen of Bayou Parish", written by Steve Englehart Vampirella #27: "Return Trip?", written by Josep Toutain Vampirella #28: "Curse of the MacDaemons", written by Mike Butterworth Vampirella #37: "She Who Waits", written by Archie Goodwin Vampirella #61: "An Eye for an Eye", written by Bill DuBay Vampirella #108: "Spawn of the Star Beast 6", written by Rich Margopoulos Vampirella #112: "The Walker of Worlds", written by Rich Margopoulos

This synthetic study has two primary tasks. The first is to elucidate the structure of the book of Zechariah. But in order to do this, a satisfactory method of analysis must be found. Thus the author begins by drawing up suitable literary criteria that will help to frame a reliable way of proceeding. The method is then tested on the book of Zechariah, and the results are compared with those of other biblical scholarship. Although this is a study in 'rhetorical criticism', it approaches the text from the standpoint of the authors' and redactors' intentions. The result is a convincing and wide-ranging analysis of the various and complex structural patterns of Zechariah.>