Acclaimed 1970s British thriller starring Michael Caine as a hardened gangster returning to his hometown in search of the truth behind his brother's death. Though originally from Newcastle, Jack Carter (Caine) has made his name in London as a tough enforcer for the crime boss, Gerald Fletcher (Terence Rigby). On hearing of his brother's death, Carter returns to Newcastle for his funeral and to investigate his suspicion that his sibling may have been murdered. After visiting local gangster Cyril Kinnear (John Osborne), Carter is threatened and advised to head back to London. Jack refuses and descends further and further into the city's underworld as his investigations begin to pay off. His search is merciless, unrelenting and fraught with danger and it becomes clear that he will stop at nothing to exact his own brand of justice.

On The Fly In The Bay has all the essential information for aspiring saltwater fly fishermen to learn the basics--where to go, when to go and how to find the fish. Also included is information on casting, fly tying and safety. Fly fishing the salt can be intimidating to the newcomer. On The Fly In The Bay makes the learning curve manageable and provides information that will make the novice feel more comfortable.

Michael Klinger was the most successful indpendent producer in the British film industry over a 20 year period from 1960 to 1980, responsible for 32 films, including classics such as Repulsion (1965) and Get Carter (1971). Despite working with many famous figures- including actors Michael Caine, Peter Finch, Lee Marvin, Roger Moore, Mickey Rooney and Susannah York; directors Claude Chabrol,Mike Hodges and Roman Polanski and author Wilbur Smith- Klinger's contribution to British cinema has been almost largely ignored. This definitive book on Micheal Klinger, largely based on his previously unseen personal papers, examines his origins in Sixties Soho 'sexploitation' cinema and 'shockumentaries' through to major international productions including Gold (1974) and Shout at the Devil (1976). It reveals how Klinger deftly combined commercial product-the hugely popular 'Confessions' series (1974-78)- with artistic, experimental cinema that nurtured young talent, including Polanski and Hodges, Peter Colinson, Alastair Reid, Linda Hayden and Moshe Mizrahi, the Israeli director of Rachel's Man (1975). Klinger's career is contextualised through a reassessment of the British film industry during a period of unprecedented change and volatility as well as highlighting the importance of his Jewishness. The Man Who Got Carter offers a detailed analysis of the essential but often misunderstood role played by the producer.