Nationalising the Crusades contributes greatly to new and increasing discussion on the crusades and draws together cutting-edge research by numerous expert contributors that opens up new national contexts for further comparison and also offers methodological variety through dynamic case studies. This advanced text is at the forefront of current historical debate and is an invaluable source for researchers and high level students, giving them the tools and understandings needed to follow and participate in ongoing discourse surrounding the Crusades and the history of memory and modern memorialisation of the medieval period.

This book investigates the uses of crusader medievalism - the memory of the crusades and crusading rhetoric and imagery - in Britain, from Walter Scott's The Talisman (1825) to the end of the Second World War. It seeks to understand why and when the crusades and crusading were popular, how they fitted with other cultural trends of the Victorian and Edwardian eras, how their use was affected by the turmoil of the First World War and whether they were differently employed in the interwar years and in the 1939-45 conflict. Building on existing studies and contributing the fruits of fresh research, it brings together examples of the uses of the crusades from disparate contexts and integrates them into the story of the rise and fall crusader medievalism in Britain.

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting, and much needed area of investigation. This new volume explores the ways in which significant crusading figures have been employed as heroes and villains, and by whom. Each chapter analyses a case study relating to a key historical figure including the First Crusader Tancred; 'villains' Reynald of Chatillon and Conrad of Montferrat; the oft-overlooked Queen Melisende of Jerusalem; the entangled memories of Richard 'the Lionheart' and Saladin; and the appropriation of St Louis IX by the British. Through fresh approaches, such as a new translation of the inscriptions on the wreath laid on Saladin's tomb by Kaiser Wilhelm II, this book represents a significant cutting-edge intervention in thinking about memory, crusader medievalism, and the processes of making heroes and villains. The Making of Crusading Heroes and Villains is the perfect tool for scholars and students of the crusades, and for historians concerned with the development of reputations and memory.

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting and much needed area of investigation. Perceptions of the Crusades from the Ninetenth to the Twenty-First Century explores the ways in which the crusades have been used in the last two centuries, including the varying deployment of crusading rhetoric and imagery in both the East and the West. It considers the scope and impact of crusading memory from the nineteenth and into the twentieth century, engaging with nineteenth-century British lending libraries, literary uses of crusading tales, wartime postcard propaganda, memories of Saladin and crusades in the Near East and the works of modern crusade historians. Demonstrating the breadth of material encompassed by this subject and offering methodological suggestions for continuing its progress, Perceptions of the Crusades from the Ninetenth to the Twenty-First Century is essential reading for modern historians, military historians and historians of memory and medievalism.

Engaging the Crusades is a series of volumes which offer windows into a newly-emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting and much needed area of investigation. The Crusades in the Modern World evaluates a broad range of contemporary uses of the crusades and crusading to answer key questions about crusading today and how the crusades are understood. Each chapter demonstrates how perceptions of the crusades are deployed in causes and conflicts which mark the present, exploring the ways in which those perceptions are constructed and received. Throughout the book there is a focus on the use of crusading rhetoric and imagery to frame and justify violence, including crusading discourses employed by both Islamic fundamentalists and far-right terrorists, and the related deployment of 'Reconquista' rhetoric by populist movements in Europe. The use of the crusades for building national identity is also a recurring theme, while chapters on academic engagement with the crusades and on the ways in which Wikipedia articles on the crusades are created and contested highlight the ongoing production of knowledge about crusading. The Crusades in the Modern World is ideal for scholars of the crusades as well as for military historians and historians of memory.

This book investigates the uses of crusader medievalism - the memory of the crusades and crusading rhetoric and imagery - in Britain, from Walter Scott's The Talisman (1825) to the end of the Second World War. It seeks to understand why and when the crusades and crusading were popular, how they fitted with other cultural trends of the Victorian and Edwardian eras, how their use was affected by the turmoil of the First World War and whether they were differently employed in the interwar years and in the 1939-45 conflict. Building on existing studies and contributing the fruits of fresh research, it brings together examples of the uses of the crusades from disparate contexts and integrates them into the story of the rise and fall crusader medievalism in Britain.

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting, and much needed area of investigation. This new volume explores the ways in which significant crusading figures have been employed as heroes and villains, and by whom. Each chapter analyses a case study relating to a key historical figure including the First Crusader Tancred; 'villains' Reynald of Chatillon and Conrad of Montferrat; the oft-overlooked Queen Melisende of Jerusalem; the entangled memories of Richard 'the Lionheart' and Saladin; and the appropriation of St Louis IX by the British. Through fresh approaches, such as a new translation of the inscriptions on the wreath laid on Saladin's tomb by Kaiser Wilhelm II, this book represents a significant cutting-edge intervention in thinking about memory, crusader medievalism, and the processes of making heroes and villains. The Making of Crusading Heroes and Villains is the perfect tool for scholars and students of the crusades, and for historians concerned with the development of reputations and memory.

Engaging the Crusades is a series of volumes which offer windows into a newly-emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting and much needed area of investigation. The Crusades in the Modern World evaluates a broad range of contemporary uses of the crusades and crusading to answer key questions about crusading today and how the crusades are understood. Each chapter demonstrates how perceptions of the crusades are deployed in causes and conflicts which mark the present, exploring the ways in which those perceptions are constructed and received. Throughout the book there is a focus on the use of crusading rhetoric and imagery to frame and justify violence, including crusading discourses employed by both Islamic fundamentalists and far-right terrorists, and the related deployment of 'Reconquista' rhetoric by populist movements in Europe. The use of the crusades for building national identity is also a recurring theme, while chapters on academic engagement with the crusades and on the ways in which Wikipedia articles on the crusades are created and contested highlight the ongoing production of knowledge about crusading. The Crusades in the Modern World is ideal for scholars of the crusades as well as for military historians and historians of memory.

Engaging the Crusades is a series of volumes which offer windows into a newly emerging field of historical study: the memory and legacy of the crusades. Together these volumes examine the reasons behind the enduring resonance of the crusades and present the memory of crusading in the modern period as a productive, exciting and much needed area of investigation. Perceptions of the Crusades from the Ninetenth to the Twenty-First Century explores the ways in which the crusades have been used in the last two centuries, including the varying deployment of crusading rhetoric and imagery in both the East and the West. It considers the scope and impact of crusading memory from the nineteenth and into the twentieth century, engaging with nineteenth-century British lending libraries, literary uses of crusading tales, wartime postcard propaganda, memories of Saladin and crusades in the Near East and the works of modern crusade historians. Demonstrating the breadth of material encompassed by this subject and offering methodological suggestions for continuing its progress, Perceptions of the Crusades from the Ninetenth to the Twenty-First Century is essential reading for modern historians, military historians and historians of memory and medievalism.