The work you are about to read is far more than a cookbook. Eat, Drink, and Be Kinky will have a broad, engaging appeal not only to serious gourmands but also to alcoholics and sex perverts as well. In fact, I think of this book as sort of a culinary version of James Joyce's Ulysses. McGovern's masterwork, to my mind, compares quite favorably with Tolstoy's Anna Karenina. For one thing, it's shorter.
From the Introduction by Kinky Friedman

Written by Mike McGovern, one of the Kinkster's legendary Village Irregulars, Eat, Drink, and Be Kinky is a feast of wit, wisdom, and some damn good recipes as featured in, drawn from, and inspired by the novels of Kinky Friedman, private dick extraordinaire and culinary mastermind.

When Richard Kinky "Big Dick" Friedman was only a little Kinky, growing into his Texas jeans and ten-gallon hat, he had two choices at mealtime -- take it or leave it. But the years have been kind to the Kinkster, and thanks to a successful career first as a singer/songwriter and more recently a bestselling author, Kinky has become a connoisseur of good wine, good food, and the best cigars (that he still prefers bad women just goes to show that some things never change).

With a choice from a full menu of everything from appetizers and soups to desserts and libations, the reader is invited to indulge in the best of Kinky cuisine, including:

Downtown Judy's Tortilla Soup with Chili Puree
Fried-Egg Sandwich a Go-Go
Saddle Up Burritos
Teri and Chinga Chavin's Ol' Ben Lucas Swordfish Stew
Son of Chicken McGovern
Steve Rambam's Jailhouse Chili
Frankie Lasagna
Beer Bread
Jack Daniel's Tiramisu
Crunchy Coconut Banana Cake

The book also features the world according to Kinky -- selections of wit and wisdom from all twelve of his novels on everything from life and death, love and sex, religion and God, food and wine, and the state of the onion.

Whether you're a fan of Kinky's music, a devotee of his novels, or just a lover of good cookin' and good eatin', Eat, Drink, and Be Kinky wilt be sure to satisfy your appetite.

For the last twenty years, the West African nation of Guinea has exhibited all the characteristics that have correlated with civil wars in other countries, and Guineans themselves regularly talk about the inevitability of war tearing their country apart. Yet the country has narrowly avoided civil conflict again and again. In A Socialist Peace?, Mike McGovern asks how this was possible, how a nation could beat the odds and evade civil war. All six of Guinea's neighbors have experienced civil war or separatist insurgency in the past twenty years. Guinea itself has similar makings for it. It is rich in resources, yet its people are some of the poorest in the world. Its political situation is polarized by fiercely competitive ethnic groups. Weapons flow freely through its lands and across its borders. And, finally, it is still recovering from the oppressive regime of Sekou Toure. Yet it is that aspect which McGovern points to: while Toure's reign was hardly peaceful, it was successful often through highly coercive and violent measures at establishing a set of durable national dispositions, which have kept the nation at peace. Exploring the ambivalences of contemporary Guineans toward the afterlife of Tour 's reign as well as their abiding sense of socialist solidarity, McGovern sketches the paradoxes that can undergird political stability.

For the last twenty years, the West African nation of Guinea has exhibited all the characteristics that have correlated with civil wars in other countries, and Guineans themselves regularly talk about the inevitability of war tearing their country apart. Yet the country has narrowly avoided civil conflict again and again. In A Socialist Peace?, Mike McGovern asks how this was possible, how a nation could beat the odds and evade civil war. All six of Guinea's neighbors have experienced civil war or separatist insurgency in the past twenty years. Guinea itself has similar makings for it. It is rich in resources, yet its people are some of the poorest in the world. Its political situation is polarized by fiercely competitive ethnic groups. Weapons flow freely through its lands and across its borders. And, finally, it is still recovering from the oppressive regime of Sekou Toure. Yet it is that aspect which McGovern points to: while Toure's reign was hardly peaceful, it was successful often through highly coercive and violent measures at establishing a set of durable national dispositions, which have kept the nation at peace. Exploring the ambivalences of contemporary Guineans toward the afterlife of Tour 's reign as well as their abiding sense of socialist solidarity, McGovern sketches the paradoxes that can undergird political stability.

The conflict in Cote d'Ivoire has the characteristics of Shakespearean drama - the key figures are larger than life, each with a fatal flaw, and the self-destructive path each is following is clearly visible to all but themselves. Mike McGovern's book gives full play to the vibrant personalities involved, from Felix Houphouet-Boigny, 'The Ram', who cannily managed Ivorian politics for the country's first 33 years of independence, to the contemporary First Lady Simone Gbagbo. However, the analysis is of the dynamics in place that give certain predictability to the actions of each of the key figures in the drama. Does the conflict in Cote d'Ivoire derive from 'real' problems such as inter-ethnic competition within a shrinking economy, or is it in some way a series of man-made disasters, a kind of grotesque misunderstanding created out of hate-filled rhetoric? The answer proposed throughout is that since the 1990s politicians in Cote d'Ivoire have concentrated on perfecting the art of 'instrumentalising realities', or manipulating and amplifying existing tensions and resentments, and turning them into political capital.