All six episodes from the third season of the Welsh crime drama series starring Philip Madoc as DCI Noel Bain, who relies more on instinct than scientific evidence to track down criminals. Episodes are: 'Shadow Falls', 'Box', 'The Inner Life of Strangers', 'Colour Blind', 'Sound Bites', 'Engineer', 'Blood and Water' and 'The Little House in the Forest'.

A funny, warm and timely meditation on identity and belonging, following the scenic route along the England–Wales border: Britain’s deepest faultline. There is a line on the map: to one side Wales, small, rugged and stubborn; the other England, crucible of the most expansionist culture the world has ever seen. It is a line that has been dug, debated, defined and defended for twenty centuries. The Land of Lost Content is a personal journey through the places, amongst the people, and across the divides of the border between England and Wales. Taking in some of our loveliest landscapes, and our darkest secrets, this is a region of immeasurable wonder and interest. It is there that the deepest roots and thorniest paradoxes of Britishness lie. The border between the countries, even as a concept, is ragged, jagged and many-layered. Garlanded author Mike Parker has adored and explored these places his entire life. Born in England but settled in Wales, he finds himself typical of many in being pulled in both directions. His journey is divided into three legs, corresponding with the watersheds of the three great border rivers: the Dee in the north, the Severn in the centre, the Wye in the south. Neither quite England nor Wales, the furzy borderland he uncovers — the March — is another country. A hefty schlep from everywhere, these are A. E. Housman’s ‘blue remembered hills’ — his ‘land of lost content’ — and ours too. Picking apart the many notions and clichés of Englishness, Welshness and indeed Britishness, Mike Parker plays with the very idea of borders, our fascination with them, our need for them, and our response to their power. In his hands, England–Wales border is revealed to be a border within us all, and it is fraying, fast.

Stonehenge is one of the world’s most famous monuments. Who built it, how and why are questions that have endured for at least 900 years, but modern methods of investigation are now able to offer up a completely new understanding of this iconic stone circle. Stonehenge’s history straddles the transition from the Stone Age to the Bronze Age, though its story began long before it was built. Serving initially as a burial ground, it evolved over time into a sacred place for gathering, feasting and building, and was remodelled several times as different peoples arrived in the area along with new technologies and customs. In more recent centuries it has found itself the centre of excavations, political protests and even conspiracy theories, embedding itself in the consciousness of the modern world. In this book Mike Parker Pearson draws on two decades of research, the results of recent excavations and cutting-edge scientific analyses to uncover many of the secrets that this prehistoric stone circle has kept for 5,000 years. In doing so, he paints the most comprehensive picture yet of the history of Stonehenge, from its origins up to the 21st century, and reveals how in some ways trying to explain its power of attraction in the present is harder than explaining its purpose in the ancient past.

Our knowledge about Stonehenge has changed dramatically as a result of the Stonehenge Riverside Project (2003-2009), led by Mike Parker Pearson, and included not only Stonehenge itself but also the nearby great henge enclosure of Durrington Walls. This book is about the people who built Stonehenge and its relationship to the surrounding landscape. The book explores the theory that the people of Durrington Walls built both Stonehenge and Durrington Walls, and that the choice of stone for constructing Stonehenge has a significance so far undiscovered, namely, that stone was used for monuments to the dead. Through years of thorough and extensive work at the site, Parker Pearson and his team unearthed evidence of the Neolithic inhabitants and builders which connected the settlement at Durrington Walls with the henge, and contextualised Stonehenge within the larger site complex, linked by the River Avon, as well as in terms of its relationship with the rest of the British Isles. Parker Pearson's book changes the way that we think about Stonehenge; correcting previously erroneous chronology and dating; filling in gaps in our knowledge about its people and how they lived; identifying a previously unknown type of Neolithic building; discovering Bluestonehenge, a circle of 25 blue stones from western Wales; and confirming what started as a hypothesis - that Stonehenge was a place of the dead - through more than 64 cremation burials unearthed there, which span the monument's use during the third millennium BC. In lively and engaging prose, Parker Pearson brings to life the imposing ancient monument that continues to hold a fascination for everyone.

'My name is Mike and I am a map addict. There, it's said '

Mike Parker, presenter of Radio 4 s On the Map, celebrates the richness of all things maps in this fantastic, critically-acclaimed read.

Have you ever got through an entire day without referring to some kind of navigational aide, be it checking the A-Z, touring the globe on Google Earth, planning a walk or navigating a shopping centre? Maps are everywhere and they are, according to self proclaimed map-addict Mike Parker, the unsung heroes of life. Here he sings their song, celebrating everything cartographic.

With a mix of wry observation and hard fact, the offbeat and the completely pedantic, Parker wages a one-man war against the moronic blandishments of the Sat Nav age. He combines cartographic history and trivia with memoir and oblique observation to create a highly readable expose of the world of maps. Only here can you find out which area has officially been named by the OS as the most boring square kilometre in the land and whether Milton Keynes was really built to pagan alignment.

Confessing that his own impressive map collection was founded on a virulent teenage shoplifting habit Parker ponders how a good leftie can be so gung-ho about British cartographic imperialism and establishes himself as defender and saviour of British cartography in the internet age."

A funny, warm and timely meditation on identity and belonging, following the scenic route along the England–Wales border: Britain’s deepest faultline. There is a line on the map: to one side Wales, small, rugged and stubborn; the other England, crucible of the most expansionist culture the world has ever seen. It is a line that has been dug, debated, defined and defended for twenty centuries. All the Wide Border is a personal journey through the places, amongst the people, and across the divides of the border between England and Wales. Taking in some of our loveliest landscapes, and our darkest secrets, this is a region of immeasurable wonder and interest. It is there that the deepest roots and thorniest paradoxes of Britishness lie. The border between the countries, even as a concept, is ragged, jagged and many-layered. Garlanded author Mike Parker has adored and explored these places his entire life. Born in England but settled in Wales, he finds himself typical of many in being pulled in both directions. His journey is divided into three legs, corresponding with the watersheds of the three great border rivers: the Dee in the north, the Severn in the centre, the Wye in the south. Neither quite England nor Wales, the furzy borderland he uncovers — the March — is another country. A hefty schlep from everywhere, these are A. E. Housman’s ‘blue remembered hills’ — his ‘land of lost content’ — and ours too. Picking apart the many notions and clichés of Englishness, Welshness and indeed Britishness, Mike Parker plays with the very idea of borders, our fascination with them, our need for them, and our response to their power. In his hands, England–Wales border is revealed to be a border within us all, and it is fraying, fast.

Mike Parker, bestselling author of Map Addict, is back with a very full, intelligent and witty exploration into a glorious and passionate British subject - footpaths and the history of land ownership. Mike discovers how these paths have become part of our cultural landscape and why, at the tender age of 44, he suddenly finds himself at a crossroads. Provocative, funny and personal, this book celebrates Britain's unique and extraordinary network of footpaths. It examines their chequered and surprisingly turbulent history, from the Enclosures Acts of the eighteenth century to the 1932 Mass Trespass on Kinder Scout in Derbyshire; and from the hard-won post-war establishment of great National Trails like the Pennine Way to the dramatic latter-day battles by the likes of Nicholas van Hoogstraten and Madonna to keep ramblers off their land. The story ranges far and wide, to all corners of the country and beyond, and is filled with the many characters that Mike engages with along the way - the poets and artists, farmers and ramblers, landowners and Rights of Way officers and campaigners, historians, archivists and anyone else who crosses his path (or even tries to block it).

The archaeology of death and burial is central to our attempts to understand vanished societies. Through the remains of funerary rituals we can learn not only about the attitudes of prehistoric people to death and the afterlife, but also about their way of life, their social organisation and their view of the world. This ambitious new book reviews the latest research in this huge and important field, and describes the sometimes controversial interpretations that have led to rapid advances in our understanding of life and death in the distant past. It provides a unique overview and synthesis of one of the most revealing fields of research into the past, It creates a context for several of archaeology's most breath-taking discoveries, from Tutankhamen to the Ice Man, and will find a keen market among archaeologists, historians and others who have a professional interest in, or general curiosity about, death and burial.

A multi-layered memoir of love, acceptance, finding home and the redemptive power of nature.

In 2006, Mike Parker and his partner Peredur were witnesses at the civil partnership of their friends Reg and George, the first in the small Welsh town of Machynlleth. Years later, when Reg and George died within a few weeks of each other, Mike and Peredur discovered that they had been left their home: a whitewashed ‘house from the children’s stories’, buried deep within the hills.

On the Red Hill is the story of Rhiw Goch, ‘the Red Hill’, and its inhabitants, but also the story of a remarkable rural community and a legacy that extends far beyond bricks and mortar. It is a story that celebrates the turn of the year’s wheel, of ever-changing landscapes, and of the family found in the unlikeliest of places.

This first of two volumes presents the archaeological evidence of a long sequence of settlement and funerary activity from the Beaker period (Early Bronze Age c. 2000 BC) to the Early Iron Age (c. 500 BC) at the unusually long-occupied site of Cladh Hallan on South Uist in the Western Isles of Scotland. Particular highlights of its sequence are a cremation burial ground and pyre site of the 18th–16th centuries BC and a row of three Late Bronze Age sunken-floored roundhouses constructed in the 10th century BC. Beneath these roundhouses, four inhumation graves contained skeletons, two of which were remains of composite collections of body parts with evidence for post-mortem soft tissue preservation prior to burial. They have proved to be the first evidence for mummification in Bronze Age Britain. Cladh Hallan's remarkable stratigraphic sequence, preserved in the machair sand of South Uist, includes a unique 500-year sequence of roundhouse life in Late Bronze Age and Iron Age Britain. One of the most important results of the excavation has come from intensive environmental and micro-debris sampling of house floors and outdoor areas to recover patterns of discard and to interpret the spatial use of 15 domestic interiors from the Late Bronze Age to the Early Iron Age. From Cladh Hallan’s roundhouse floors we gain intimate insights into how daily life was organized within the house - where people cooked, ate, worked and slept. Such evidence rarely survives from prehistoric houses in Britain or Europe, and the results make a profound contribution to long-running debates about the sunwise organisation of roundhouse activities. Activity at Cladh Hallan ended with the construction and abandonment of two unusual double-roundhouses in the Early Iron Age. One appears to have been a smokery and steam room, and the other was used for metalworking.

Stonehenge is one of the world's most famous monuments. Who built it, how and why are questions that have endured for at least 900 years, but modern methods of investigation are now able to offer up a completely new understanding of this iconic stone circle. Stonehenge's history straddles the transition from the Stone Age to the Bronze Age, though its story began long before it was built. Serving initially as a burial ground, it evolved over time into a sacred place for gathering, feasting and building, and was remodelled several times as different peoples arrived in the area along with new technologies and customs. In more recent centuries it has found itself the centre of excavations, political protests and even conspiracy theories, embedding itself in the consciousness of the modern world. In this book Mike Parker Pearson draws on two decades of research, the results of recent excavations and cutting-edge scientific analyses to uncover many of the secrets that this prehistoric stone circle has kept for 5,000 years. In doing so, he paints the most comprehensive picture yet of the history of Stonehenge, from its origins up to the 21st century, and reveals how in some ways trying to explain its power of attraction in the present is harder than explaining its purpose in the ancient past.

Tyrfingr. Its appearing portends the end of the world...or the beginning of a new age. Some believe it to be a grimoire, a book of ancient evil with the power to divide the truth from lies, light from darkness, bone from marrow, the soul from the spirit. Some say it even has the power to raise the dead back to life. Others claim it to be the marvelous Sword of Light - the sword that could only be drawn from its resting place on the Corner Stone beneath the Dome of the Rock by the hand of the true king, who will himself return from the dead to deliver mankind at its darkest hour. One thing is sure - whoever holds Tyrfingr rules the world. Two men long for its power. Only one can pull it from the Stone.

When The Adventures of Tom Sawyer first appeared in 1876 it was a dismal failure, selling fewer than 24,000 copies during its first year on the market. It wasn't until Mark Twain published his masterpiece, The Adventures of Huckleberry Finn that Tom Sawyer truly gained an audience, perhaps due to the rapscallion's brief appearance in that novel.

Tom Sawyer, perhaps even more than Peter Pan, is the icon for eternal boyhood. Whether playing hooky from school, exploring the depths of a cavern, romancing a fair maiden, hunting for buried treasure or even attending his own funeral, Tom is an endearing composite of brash American confidence, unbridled enthusiasm and fresh-faced naivety, and he is certainly one of Mark Twain's most memorable characters.

Although Twain gained his initial reputation as a newspaper reporter, his was a storyteller at heart, winning fans with his sparkling wit and keen observations of human nature in such popular tales as "The Celebrated Jumping Frog of Calavaras County" and "A Connecticut Yankee In King Arthur's Court." It is fitting that Twain himself should be a primary character in bringing Tom's story to life on the stage in playwright, Mike Parker's, delightful adaptation, Mark Twain Presents The Adventures of Tom Sawyer.

Signed or indie; beginner or seasoned pro; whether you are an artist, author, actor, promoter, or even a church hosting an event - you have something, or someone, that needs to be promoted.

That someone might even by you

Whether your platform is national or local, chances are the lion's share of the promotional activity will be on your shoulders. In today's ultra-competitive marketplace, Christian creatives must be heavily involved in in promoting themselves and their works.

You CAN build your business and develop your career...without selling your soul