This important collection of writings is about, and by, women connected with social and political movements between 1799-1870. It also records the attitudes of the great radical reformers to the role of women in society and documents the vast cultural changes brought about by industrialisation.
The collection draws together the following key material:
Volume I contains an extensive collection of writings from 19th century periodicals, reflecting the high point of working class women's involvement in radical movements.
Volume II focuses on the writings of Frances Wright, an important figure in radical circles in both Britain and the US.
Volume III illustrates the debates of the period surrounding marriage, sexuality and family. Included are writings by Frances Morrison, Robert Dale Owen, William Cobbett and William Lovett.
Volume IV reprints J. D. Milne's 'Industrial Employment of Women'. This important but neglected text argues for the direct engagement of women in all areas of industrial life.
This collection will appeal to anyone with an interest in women's history and Victorian studies.

Between 1838 and 1852, the leading Chartist newspaper, the Northern Star, published over 1000 poems written by more than 350 poets - as the readership of the Northern Star numbered hundreds of thousands, these poems were amongst the most widely read of the Victorian era. This 2009 book offers a complete record of all the poems published. It asks a simple question: why did the writing and reading of poetry play such an important role in Chartism's struggle to secure fundamental democratic rights? It answers this question by analysing the interplay between politics, aesthetics and history in the aftermath of the Newport insurrection (1839), during the mass strikes of 1842 and the year of European revolutions (1848). Additionally, the book theorizes poetry's political agency and examines the critical history of Chartist poetry.

Between 1838 and 1852, the leading Chartist newspaper, the Northern Star, published over 1000 poems written by more than 350 poets - as the readership of the Northern Star numbered hundreds of thousands, these poems were amongst the most widely read of the Victorian era. This book offers a complete record of all the poems published. It asks a simple question: why did the writing and reading of poetry play such an important role in Chartism's struggle to secure fundamental democratic rights? It answers this question by analysing the interplay between politics, aesthetics and history in the aftermath of the Newport insurrection (1839), during the mass strikes of 1842 and the year of European revolutions (1848). Additionally, the book theorizes poetry's political agency and examines the critical history of Chartist poetry.

Justice is back In her hometown of Chicago, she is trying to live a normal life for once. But as demons from her past start to rear their ugly heads, she is forced to confront them head on. Beneath her shrewd business persona lies a dangerous woman who will stop at nothing for revenge. Will she be willing to risk everything she has worked so hard to establish for one last showdown with the woman who killed her brother, or will she let her demons rest? Carlos, a vicious drug dealing murderer from Charlotte is out to get rich by any means necessary. Although his treacherous ways hardens his heart, he still can't stop thinking about the one woman he truly cares about (Justice). Although he accuses Justice and her brother of the robbery that sends him on a bloody rampage, he is somewhat relieved once he finds out she is innocent. He vows to make amends with her, but a vengeful enemy stands in his way Tandora, the Dominican drug dealer from New Jersey finally has Charlotte on lock Nothing or no one will stand in her way of becoming the queen bitch of the Queen City. When she hears that Justice has resurfaced, she knows a showdown is inevitable When they finally meet face to face after two years, its kill or be killed. Sapphire recovers from her coma and remembers everything that happened that fateful night. Yet she tells the detectives nothing. She changes her life and learns that "forgiveness" is epic She holds no grudges toward the men who attacked her . . . or does she? As these lives intertwine, you will be on the edge of your seat to see who makes it out alive

Meet Justice, a half-black, half-Filipino goddess whose appetite for a quick dollar is insatiable. Having moved from Chi-town to Charlotte, North Carolina at an early age, Justice and her younger brother, Monk decide to take the streets of the Queen City by storm. All is well, and their hustle is fruitful until Justice's ex-boyfriend, Carlos (a vicious drug dealer), is robbed and all fingers point toward Justice and Monk. Subsequently, a war ensues between Monk and Carlos' clique of dealers and killers. No one is exempt from the bloodbath Life begins to spiral out of control for Justice, and she swears off hustlers and is determined to find a guy with a legitimate job to settle down with. She meets JT, a handsome businessman who becomes her every fantasy. JT rescues her from a deadly and cruel world, and Justice thinks she has moved into a safe haven, only to find out that she has actually landed in a snake pit She decides that her only escape is to leave Charlotte behind altogether. However, this may leave Monk with no one to watch his back. Justice refuses to leave without punishing all those that caused her harm, but her past soon catches up with her. She is confronted with a bare truth that explodes her world into a million tiny pieces. As her thirst for money grows, so does her appetite for revenge. However, she soon realizes that some thirsts can NEVER be quenched