Rather than perish in Nazi-occupied Poland, more than a million Jews escaped to the Soviet Union. There they suffered deprivation in Siberian gulags and "Special Settlements" and then, once "liberated", journeyed to the Soviet Central Asian Republics. The majority lived out the war in Uzbekistan and Kazakhstan; some of them continued to Iran. The story of their suffering has rarely been told. Following in the footsteps of her father, one of a thousand refugee children who travelled to Iran and later to Palestine, Dekel fuses memoir with historical investigation in this account of the all-but-unknown Jewish refuge in Muslim lands. Along the way, Dekel reveals the complex global politics behind this journey, discusses refugee aid and hospitality, and traces the making of collective identities that have shaped the post-war world-the histories nations tell and those they forget.

Rather than perish in Nazi-occupied Poland, more than a million Jews escaped to the Soviet Union. There they suffered deprivation in Siberian gulags and "Special Settlements" and then, once "liberated", journeyed to the Soviet Central Asian Republics. The majority lived out the war in Uzbekistan and Kazakhstan; some of them continued to Iran. The story of their suffering has rarely been told. Following in the footsteps of her father, one of a thousand refugee children who travelled to Iran and later to Palestine, Dekel fuses memoir with historical investigation in this account of the all-but-unknown Jewish refuge in Muslim lands. Along the way, Dekel reveals the complex global politics behind this journey, discusses refugee aid and hospitality, and traces the making of collective identities that have shaped the post-war world-the histories nations tell and those they forget.

The Universal Jew analyzes literary images of the Jewish nation and the Jewish national subject at Zionism's formative moment. In a series of original readings of late nineteenth-century texts--from George Eliot's "Daniel Deronda "to Theodor Herzl's "Altneuland "to the bildungsromane of Russian Hebrew and Yiddish writers--Mikhal Dekel demonstrates the aesthetic and political function of literary works in the making of early Zionist consciousness. More than half a century before the foundation of the State of Israel and prior to the establishment of the Zionist political movement, Zionism emerges as an imaginary concept in literary texts that create, facilitate, and naturalize the transition from Jewish-minority to Jewish-majority culture. The transition occurs, Dekel argues, mainly through the invention of male literary characters and narrators who come to represent "exemplary" persons or "man in general" for the emergent, still unformed national community.
Such prototypical characters transform the symbol of the Jew from a racially or religiously defined minority subject to a "post-Jewish," particularuniversal, and fundamentally liberal majority subject. "The Universal Jew "situates the "Zionist moment" horizontally, within the various intellectual currents that make up the turn of the twentieth century: the discourse on modernity, the crisis in liberalism, Nietzsche's critique of the Enlightenment, psychoanalysis, early feminism, and fin de "siecle "interrogation of sexual identities. The book examines the symbolic roles that Jews are assigned within these discourses and traces the ways in which Jewish literary citizens are shaped, both out of and in response to them. Beginning with an analysis of George Eliot's construction of the character Deronda and its reception in Zionist circles, the "Universal Jew "ends with the self-fashioning of male citizens in fin de siecle and post-statehood Hebrew works, through the aesthetics oftragedy. Throughout her readings, Dekel analyzes the political meaning of these nascent images of citizens, uncovering in particular the gendered arrangements out of which they are born.