In the third volume of Milton Shain’s history of antisemitism in South Africa, he traces and unpacks hostile attitudes towards Jews and irrational fantasies that accompany them in apartheid and post-apartheid South Africa.

Author and actor Milton Schorr's second novel, A Man Of The Road, tells the story of Little Mikey, a young boy from the mythical West Coast town of Freeburg, who must one day set out on an epic cross-country hitch-hiking journey to Africa’s greatest city: Goldtown.

On his dangerous way he encounters characters from all sections of South African society, and from each he learns an aspect of what it is to truly be free, to live life as ‘A Man Of The Road.’

The 1930s and 40s were tumultuous decades in South Africa’s history. The economy declined sharply in the wake of the Wall Street crash, giving rise to a huge number of poor whites and the growth of a militant and aggressive Afrikaner nationalism that often took its lead from the Nazis in Germany.

A Perfect Storm reveals how the right-wing’s malevolent message moved from the margins to the centre of political life; how antisemitism seeped into mainstream political life with real and lasting consequences. Milton Shain, South Africa’s leading scholar of modern Jewish history, brings into sharp relief the ‘Jewish Problem’, detailing the rise of influential organisations such as the Grey Shirts and the New Order, which fanned the flames of antisemitism. He devotes considerable attention to the Ossewa-Brandwag, which, by 1941, constituted the largest yet mobilisation of Afrikaners.

The National Party itself contributed to the climate of hostility to Jews. It was instrumental in ensuring that only few of the Jewish refugees from Nazi Germany and elsewhere were permitted as immigrants. The National Party contributed to the prevailing climate of Jew-baiting. Indeed, some of its worst offenders were accorded high office after 1948 when the National Party came to power.

On May 4, 1968, Dancer's Image crossed the finish line at Churchill Downs to win the 94th Kentucky Derby. Yet the jubilation ended three days later for the owner, the jockey and the trainers who propelled the celebrated thoroughbred to victory. Amid a firestorm of controversy, Dancer's Image was disqualified after blood tests revealed the presence of a widely used anti-inflammatory drug with a dubious legal status. Over forty years later, questions still linger over the origins of the substance and the turmoil it created. Veteran turfwriter and noted equine law expert Milt Toby gives the first in-depth look at the only disqualification in Derby history and how the Run for the Roses was changed forever.

‘I wanted to be who I felt I was. Broken. A wreck. A nobody.’

There’s a moment where life happens. It’s the moment just before making a good decision, or a bad one. For Milton Schorr, just such a moment took place at the age of seventeen, when he found himself squatting on his haunches in a Cape Town flat with a heroin needle in his arm.

A friend sat with him, his thumb on the plunger, and a decision was to be made. Let the heroin slip inside, and take the road the drug offered, or turn away, and find a new life not defined by the endless quest for oblivion.

For Schorr, the path was already set, as it had been at his first taste of shoplifting, porn, cigarettes, alcohol, marijuana, Mandrax, LSD, Ecstasy and sex. No decision is separate from any other, each one is a continuation of all that have gone before, and it is only by a monumental reckoning with the self that the course can be altered.

This book is the story of Milton Schorr’s life as a drug addict, both in active addiction and recovery. Today, two decades sober, he relates the pivotal points in his own journey toward death, and back to life.

Documentary exploring the gypsy traveller community with a focus on their tradition of fighting as a way of resolving conflicts between different families. The film takes a look at the gypsy children who are taught to fist fight from a very young age and the fathers who insist on training them.