This title was first published in 2001. By examining the way the ruling Nationalist Party (KMT) dominated Taiwan's three mainstream television stations before the introduction of political reform in the mid-1980s, the book provides an insightful investigation of how the media can be used as an instrument of both political power and emancipation. This new approach challenges many accepted assumptions about Taiwan's political development, such as the sacrifice of democracy for stability and wealth and recognizes that threats to society often originate within the state itself, rather than from external forces. However, the development of public television also broadened the political agenda, allowing the Taiwanese population to express its will through collective activities and to exercise the power of (civil) society. Taiwan is an exciting case study with which to explore the post-Cold War understanding of Critical Security. A fascinating look at one of the world's most rapidly developing nations, this book makes a striking contribution to a fresh area of political thought.

Asia represented the "hottest" theatre of the Cold War, with several declared and undeclared wars always in progress. Examining the Asian dimension of this struggle, this volume describes and analyzes a range of clandestine activities from intelligence and propaganda to special operations and security support. It draws on documents declassified after the end of the Cold War.

Asia represented the hottest theatre of the Cold War, with several declared and undeclared wars always in progress. Examining the Asian dimension of this struggle, this volume describes and analyzes a range of clandestine activities from intelligence and propaganda to special operations and security support. It draws on documents declassified after the end of the Cold War.

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.