New Directions is proud to present Fleur Jaeggy's strange and mesmerizing essays about the writers Thomas De Quincey, John Keats, and Marcel Schwob. A renowned stylist of hyper-brevity in fiction, Fleur Jaeggy proves herself an even more concise master of the essay form, albeit in a most peculiar and lapidary poetic vein. Of De Quincey's early nineteenth-century world we hear of the habits of writers: Charles Lamb "spoke of 'Lilliputian rabbits' when eating frog fricassse"; Henry Fuseli "ate a diet of raw meat in order to obtain splendid dreams"; "Hazlitt was perceptive about musculature and boxers"; and "Wordsworth used a buttery knife to cut the pages of a first-edition Burke." In a book of "blue devils" and night visions, the Keats essay opens: "In 1803, the guillotine was a common child's toy." And poor Schwob's end comes as he feels "like a 'dog cut open alive'": "His face colored slightly, turning into a mask of gold. His eyes stayed open imperiously. No one could shut his eyelids. The room smoked of grief." Fleur Jaeggy's essays-or are they prose poems?-smoke of necessity: the pages are on fire.

For a brief moment in 1940 the lives of a young Spanish militant and a reclusive academic of German and Jewish heritage are thrown together. Along with thousands of others across Europe, both men have fled their homeland in the face of fascist persecution. Yet, until the day their paths converge on a remote mountain pass between France and Spain, their experience of war has been vastly different. Based on true events of Benjamin's life, and ranging from Paris' Left Bank to the prison camps of southern France, The Angel of History explores how the history we think we know is not a series of events but rather a constellation of countless individual lives. And although every story is unique, each is founded on the same human desire - to be remembered.