Starting in the 15th century, a fear of witchcraft and alternative practices grew into a hysteria. Because witches were suspected to be devil worshippers, they were considered heretics to the Christian church. Consequently, the Christians launched a crusade against these women and men. Matthew Hopkins was not only among the greatest supporters of this crusade, but also one of the most active participants. In just over a year, Matthew Hopkins, a self-proclaimed "Witchfinder General", killed over one hundred people. While the witch hunt hysteria infected much of the 17th century society in England, there were still those who opposed the accusations and discrimination against witches. After being criticized for his work, Hopkins decided to publish a guide to witch hunting, including methods to discover a witch, how to torture them into a confession, and how to prosecute them. Along with outlines of torture methods, such as sleep deprivation and forced physical activity, The Discovery of Witches also addressed the questions and concerns raised by those who did not support Hopkins. Under the guise of being a man of God, Hopkins claimed to have been sent on a divine mission to manipulate other religious groups into joining his cause. As Hopkin's practices brought him lucrative success, he rose to a short-lived power, but his published doctrine spread his influence for years after his death. The Discovery of Witches by Matthew Hopkins is a short text of immeasurable insight. Though now recognized as zealot propaganda, The Discovery of Witches depicts a chilling perspective of a heinous time in history, including the concerns of those who opposed it. While Hopkin's work immortalizes a fascinating yet repulsive historical movement, it also invites readers to reflect on the ways the spirit of his manipulation is still present in modern society. This edition of The Discovery of Witches by Matthew Hopkins features an eye-catching cover deign and is printed in an easy-to-read font, making it both readable and modern.

What does it mean to live a life of completeness? And how far must one go to understand the pain of others? Is change truly possible? This is the story that proves that it is. In what could be described as equal parts self-help book and a novelistic guide to spiritual awakening, Siddhartha has been hailed as prolific and unlike any other. Growing up, Siddhartha never experienced true pain. He was sheltered, as many are, turning a blind eye when the hardships of daily life made itself visible to the peasantry around him. Awakening from a hazy reverie that has shielded Siddhartha from the inevitable, he vows to make a change. With the hope of finding a deeper and resounding life's purpose, Siddhartha, a young man living in the ancient Indian kingdom of Kapilavastu, embarks on a journey of self-discovery and actualization. Accompanied by his best friend Govinda, the pair abandon the comfort of their old life by trading their material possessions for what they hope will be eternal enlightenment. Ridding themselves completely of the comforts of their previous life, the duo vow to a life of attempted purity. In a world where suffering is inevitable, Siddhartha hopes that by experiencing the pain so many face, only then will he find the true meaning of life. Siddhartha, written by German author Hermann Hesse in 1951, is a tale of self-discovery and spiritual awakening. The novel as a whole explores the totality of the human experience, of what it means to abandon the parameters of comfort and routine in search for a higher calling.

Doctor Manette, a prominent French Doctor, must flee Paris in the midst of the chaos that has ensued in what became known as the Reign of Terror. Fearing further persecution from his 18 maddening years of imprisonment in the Bastille of Paris, Doctor Manette hurriedly leaves France to be with the daughter he's never met. Opening with the famous lines, "It was the best of times, it was the worst of times..." Charles Dickens', A Tale of Two Cities is perhaps one of the most celebrated and popular novels of its time. Weaving together the narratives of vastly different but equally profound characters against the backdrop of political revolution and strife, A Tale of Two Cities is a tale of human perseverance. Throughout the novel, Charles Dickens is able to portray the hardships of each social class during the trying times of the French Revolution in a way that is both profoundly elegant and heartbreaking at the same time. Becoming known as the perhaps the epitome of Dickensian writing and style, A Tale of Two Cities measures the boundaries of human will in the fight for what is right during a time when that just might cost your life.

Songs of Jamaica (1912) is a poetry collection by Claude McKay. Published before the poet left Jamaica for the United States, Songs of Jamaica is a pioneering collection of verse written in Jamaican Patois, the first of its kind. As a committed leftist, McKay was a keen observer of the Black experience in the Caribbean, the American South, and later in New York, where he gained a reputation during the Harlem Renaissance for celebrating the resilience and cultural achievement of the African American community while lamenting the poverty and violence they faced every day. "Quashie to Buccra," the opening poem, frames this schism in terms of labor, as one class labors to fulfill the desires of another: "You tas'e petater an' you say it sweet, / But you no know how hard we wuk fe it; / You want a basketful fe quattiewut, / 'Cause you no know how 'tiff de bush fe cut." Addressing himself to a white audience, he exposes the schism inherent to colonial society between white and black, rich and poor. Advising his white reader to question their privileged consumption, dependent as it is on the subjugation of Jamaica's black community, McKay warns that "hardship always melt away / Wheneber it comes roun' to reapin' day." This revolutionary sentiment carries throughout Songs of Jamaica, finding an echo in the brilliant poem "Whe' fe do?" Addressed to his own people, McKay offers hope for a brighter future to come: "We needn' fold we han' an' cry, / Nor vex we heart wid groan and sigh; / De best we can do is fe try / To fight de despair drawin' night: / Den we might conquer by an' by- / Dat we might do." With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Songs of Jamaica is a classic of Jamaican literature reimagined for modern readers.

Mirroring Nella Larsen's Passing, The Blacker the Berry: A Novel of Negro Life is the fantastic debut of Wallace Thurman. A Black boy could get along but a Black girl would never know anything but sorrow and disappointment. Emma Lou was born black. Abandoned by her father at birth, she is subjected to skin bleaching by her mother, hoping to make her child more desirable. Learning that she is unwanted in white society but also ostracized within her own, Emma Lou navigates a harsh and unrelenting world as she tries to come to terms with her life and love herself in the skin she's in. Professionally typeset with a beautifully designed cover, this edition of The Blacker the Berry: A Novel of Negro Life is a reimagining of a Harlem Renaissance staple for the modern reader.

Harlem Shadows (1922) is a poetry collection by Claude McKay. Published at the height of the Harlem Renaissance, Harlem Shadows earned praise from legendary poet and political activist Max Eastman for its depictions of urban life and the technical mastery of its author. As a committed leftist, McKay-who grew up in Jamaica-captures the life of Harlem from a realist's point of view, lamenting the poverty of its African American community while celebrating their resilience and cultural achievement. In "The White City," McKay observes New York, its "poles and spires and towers vapor-kissed" and "fortressed port through which the great ships pass." Filled him with a hatred of the inhuman scene of industry and power, forced to "muse [his] life-long hate," he observes the transformative quality of focused anger: "My being would be a skeleton, a shell, / If this dark Passion that fills my every mood, / And makes my heaven in the white world's hell, / Did not forever feed me vital blood." Rather than fall into despair, he channels his hatred into a revolutionary spirit, allowing him to stand tall within "the mighty city." In "The Tropics in New York," he walks past a window filled with "Bananas ripe and green, and ginger-root, / Cocoa in pods and alligator pears," a feast of fresh tropical fruit that brings him back, however briefly, to his island home of Jamaica. Recording his nostalgic response, McKay captures his personal experience as an immigrant in America: "My eyes grew dim, and I could no more gaze; / A wave of longing through my body swept, / And, hungry for the old, familiar ways, / I turned aside and bowed my head and wept." With a beautifully designed cover and professionally typeset manuscript, this edition of Claude McKay's Harlem Shadows is a classic of Jamaican literature reimagined for modern readers.