'The most dazzling biography of a female writer to have come my way for a decade...' - Financial Times 'To be savoured for its vivid and sympathetic recreation of the tragic life and brilliant times of the gifted Mary Shelley' - Times Literary Supplement 'Brilliant and enthralling' - Independent On Sunday 'Wonderfully vivid' - Spectator The definitive and richly woven biography of Mary Shelley, in celebration of the 200th anniversary of Frankenstein The creator of the world's most famous outsider became one herself . . . There is no more dramatic scene in literary history than the stormy night by Lake Geneva when Byron, Claire Clairmont, Polidori and the Shelleys met to talk of horror and the unexplained. From that emerged Frankenstein, a monster who has haunted imaginations for two hundred years. Miranda Seymour illustrates the rich and unexplored life of Mary Shelley. Everything from her childhood to her tempestuous relationship with Percy Shelley; Seymour brings to life the brilliant mind that created Frankenstein through unexplored and intriguing sources. The Mary Shelley we meet here is a woman we can engage with and understand. Her world, so rich in its settings and its cast of characters, seems drawn from a novel. She, at its centre, is flawed, brave, generous, and impetuous, a woman whose dark and brilliant imagination gave us a myth which seems ever more potent in our own era.

'An absolute belter of a biography' MARINA HYDE A Times Literary Non-Fiction Book of the Year 2022 An LA Times Best Book of the Year 2022 An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys's experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic 'Rhys woman' whose personality - vulnerable, witty, watchful and angry - was often mistaken, and still is, for a self-portrait. Many details of Rhys's life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it's a shock to discover that no biographer - until now - has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys's mind and her work for the rest of her life. Luminous and penetrating, Seymour's biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil - and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

A Sunday Times Book of the Year Shortlisted for The Pol Roger Duff Cooper Prize 'This magnificent, highly readable double biography...brings these two driven, complicated women vividly to life' The Financial Times 'A gripping saga of a double-biography' Daily Mail 'A masterful portrait' The Times 'Vastly enjoyable' Literary Review 'Deeply absorbing and meticulously researched' The Oldie In 1815, the clever, courted and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict, as nobody would do for another century, the dawn today of our modern computer age. When Ada died - like her father, she was only 36 - great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unsuspectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

In 1931, City Lightsintroduced Charlie Chaplin's new female star to the world. The film - defiantly silent in the age of talkies - was an immediate and international hit. The actress who played the romantic lead had never been on screen or stage before. Chaplin's film turned her into the most famous girl in the world. Virginia Cherrill was the beautiful daughter of an Illinois rancher, who ran away to live through some of Hollywood's wildest years. She was the adoring first wife who broke Cary Grant's heart when she left him; who turned down the gloriously eligible Maharajah of Jaipur to befriend his wife and rescue her from purdah. Virginia Cherrill presided, during the thirties, over one of England's loveliest houses, as the Countess of Jersey. Everybody sought her friendship. All that eluded her was love. And when she found it, she gave up all she had to marry a handsome and penniless Polish flying ace, whose dream it was to become a cowboy. In this glorious, and undiscovered story of Hollywood, international high society, wartime drama and romance, Miranda Seymour works from unpublished sources to recapture the personality of a woman so vividly enchanting that none could resist her. This is the story of Cinderalla in reverse: of the poor girl who won everything - and gave up all for love. Breathtakingly romantic, exquisitely written, this is the stuff that dreams are made of . . .

A New York Times Notable Book of the Year and a Washington Post Best Book of 2001, Mary Shelley has been called a harrowing life, wonderfully retold (The Washington Post). This splendid biography (The New Yorker) gracefully moves through the dramatic life of the woman behind history's most legendary monster. A daughter of Mary Wollstonecraft, author of the daring A Vindication of the Rights of Woman, and the radical philosopher William Godwin, Mary Shelley grew up amid the literary and political avant-garde of early-nineteenth-century London. She escaped to Europe at seventeen with the married poet Percy Bysshe Shelley, causing a great scandal. On a famous night of eerie thunderstorms, in a villa near Lord Byron's on Lake Geneva, they told ghost stories and tales of horror, giving birth to the idea of Frankenstein, a monster who has haunted imaginations for nearly two hundred years. The Mary we meet here, brilliantly brought to life by Seymour from previously unexplored sources, is brave, generous, and impetuous. Struck by tragedy, she lost three of her four children, and when she was only twenty-four, Shelley drowned off the coast of Italy. As Henry Carrigan of Library Journal said, this is one of the finest and most significant literary biographies of recent years. Miranda Seymour's biography of Mary Shelley provides a thoughtfully considered, lifelike portrait of a complex, often misunderstood character. -- Merle Rubin, Los Angeles Times [Miranda Seymour] has vivid narrative gifts and a perceptive understanding of the main personalities. -- Claude Rawson, The New York Times Book Review Mary Shelley is the most dazzling biography of a female writer to have come my way for a decade. -- Jackie Wullschlager, Financial Times

In 1815, the clever, courted, and cherished Annabella Milbanke married the notorious and brilliant Lord Byron. Just one year later, she fled, taking with her their baby daughter, the future Ada Lovelace. Byron himself escaped into exile and died as a revolutionary hero in 1824, aged 36. The one thing he had asked his wife to do was to make sure that their daughter never became a poet. Ada didn't. Brought up by a mother who became one of the most progressive reformers of Victorian England, Byron's little girl was introduced to mathematics as a means of calming her wild spirits. Educated by some of the most learned minds in England, she combined that scholarly discipline with a rebellious heart and a visionary imagination. As a child invalid, Ada dreamed of building a steam-driven flying horse. As an exuberant and boldly unconventional young woman, she amplified her explanations of Charles Babbage's unbuilt calculating engine to predict-as nobody would do for another century-the dawn of the modern computer age. When Ada died-like her father, she was only 36-great things seemed still to lie ahead for her as a passionate astronomer. Even while mired in debt from gambling and crippled by cancer, she was frenetically employing Faraday's experiments with light refraction to explore the analysis of distant stars. Drawing on fascinating new material, Seymour reveals the ways in which Byron, long after his death, continued to shape the lives and reputations both of his wife and his daughter. During her life, Lady Byron was praised as a paragon of virtue; within ten years of her death, she was vilified as a disgrace to her sex. Well over a hundred years later, Annabella Milbanke is still perceived as a prudish wife and cruelly controlling mother. But her hidden devotion to Byron and her tender ambitions for his mercurial, brilliant daughter reveal a deeply complex but unexpectedly sympathetic personality. Miranda Seymour has written a masterful portrait of two remarkable women, revealing how two turbulent lives were often governed and always haunted by the dangerously enchanting, quicksilver spirit of that extraordinary father whom Ada never knew.

'An absolute belter of a biography' MARINA HYDE A Times Literary Non-Fiction Book of the Year 2022 An LA Times Best Book of the Year 2022 An intimate, revealing and profoundly moving biography of Jean Rhys, acclaimed author of Wide Sargasso Sea. An obsessive and troubled genius, Jean Rhys is one of the most compelling and unnerving writers of the twentieth century. Memories of a conflicted Caribbean childhood haunt the four fictions that Rhys wrote during her extraordinary years as an exile in 1920s Paris and later in England. Rhys's experiences of heartbreak, poverty, notoriety, breakdowns and even imprisonment all became grist for her writing, forming an iconic 'Rhys woman' whose personality - vulnerable, witty, watchful and angry - was often mistaken, and still is, for a self-portrait. Many details of Rhys's life emerge from her memoir, Smile Please and the stories she wrote throughout her long and challenging career. But it's a shock to discover that no biographer - until now - has researched the crucial seventeen years that Rhys spent living on the remote Caribbean island of Dominica; the island which haunted Rhys's mind and her work for the rest of her life. Luminous and penetrating, Seymour's biography reveals a proud and fiercely independent artist, one who experienced tragedy and extreme poverty, alcohol and drug dependency, romantic and sexual turmoil - and yet was never a victim. I Used to Live Here Once enables one of our most excitingly intuitive biographers to uncover the hidden truth about a fascinatingly elusive woman. The figure who emerges for Seymour is powerful, cultured, self-mocking, self-absorbed, unpredictable and often darkly funny. Persuasive, surprising and compassionate, this unforgettable biography brings Jean Rhys to life as never before.

A biography and family memoir by turns hilarious and heart-wrenching, Miranda Seymour's Thrumpton Hall is a riveting, frequently shocking, and ultimately unforgettable true story of the devastating consequences of obsessive desire and misplaced love."Dear Thrumpton, how I miss you tonight." When twenty-one-year-old George Seymour wrote these words in 1944, the object of his affection was not a young woman but the beautiful country house in Nottinghamshire that he desired above all else. Miranda Seymour would later be raised at Thrumpton Hall--her upbringing far from idyllic, as life revolved around her father's odd capriciousness. The house took priority over everything, even his family--until the day when George Seymour, in his golden years, began dressing in black leather and riding powerful motorbikes around the countryside in the company of surprising friends.For fans of Downton Abbey--the show's creator, Julian Fellowes, called it "brilliant, original, and intensely readable"--Thrumpton Hall is a poignant and memorable true story of family.

Published to coincide with the centenary of his birth, this biography of the poet Robert Graves has been written with the co-operation of his family and with access to private papers and photographs.;From his distinguished exploits in World War I, described in his memoir, "Goodbye to All That", to his relationships with women - most notably the American poet and essayist, Laura Riding - Graves's life was one of extremes. Miranda Seymour's interviews and correspondence with many people who have not previously discussed Graves in public help to contribute to a complex portrait of a troubled man and a creative artist.;Seymour is the author of "Ottoline Morrell: Life on the Grand Scale".

Martin Lynch-Gibbon believes he can possess both a beautiful wife and a delightful lover.But when his wife, Antonia, suddenly leaves him for her psychoanalyst, Martin is plunged into an intensive emotional re-education. He attempts to behave beautifully and sensibly. Then he meets a woman whose demonic splendour at first repels him and later arouses a consuming and monstrous passion. As his Medusa informs him, 'this is nothing to do with happiness'.