Rumours that a ghost stalks the dark passages and cellars of the Paris Opera House, wreaking havoc, have long been rife among staff and performers. This Phantom also haunts the imagination of the beautiful and talented singer Christine Daaé, appearing to her as the 'Angel of Music' - a disembodied voice, coaching her to sing as she never could before. When Christine is courted by a handsome young Viscount, the mysterious spectre, who resides in the murky depths of the building, is consumed by jealousy and seeks revenge.

With its pervading atmosphere of menace, tinged with dark humour, The Phantom of the Opera (1910) offers a unique mix of Gothic horror and tragic romance that has inspired film, stage and literature since its publication.

The Phantom of the Opera is Gaston Leroux's exquisite blend of Gothic horror and tragic romance, which formed the basis for a world-renowned stage musical. This Penguin Classics edition is translated with notes by Mireille Ribiere, and an introduction by Jann Matlock. When the new managers of the Paris Opera House ignore their predecessors' warnings about the hideous 'Opera ghost' stalking the theatre, it is a fatal mistake. The Phantom haunts the imagination of the beautiful and talented singer Christine Daae, appearing to her as the 'Angel of Music' - a disembodied voice, coaching her to sing as she never could before. When Christine is courted by a handsome young Viscount, the Phantom is consumed by jealousy and seeks revenge. And when Christine suddenly disappears after a triumphant singing performance, it becomes clear that the Phantom's time has come. With its pervading atmosphere of menace, tinged with dark humour, The Phantom of the Opera (1910) has inspired film, stage and literature since its publication, including Andrew Lloyd Webber's Phantom of the Opera, the most successful theatrical show of all time. Mireille Ribiere's highly readable and historically accurate translation captures the drive and drama of Leroux's vivid tale, and is accompanied by extensive notes and further reading. Jann Matlock's fascinating new introduction examines the Phantom's legacy and uncovers the real secrets hidden in the Paris Opera House. Gaston Leroux (1868-1927) was born in Paris, the son of a building contractor. His first novel was serialised in the late 1890s, and with the 1907 publication of The Mystery of the Yellow Room he launched his career as a pioneer of the French detective novel. The Phantom of the Opera (1910) has been Leroux's best-known novel in the English-speaking world ever since the resounding success of the 1925 silent film version. If you enjoyed The Phantom of the Opera, you might like Victor Hugo's Les Miserables, also available in Penguin Classics.

This volume focuses on the relationship between time, narrative and the fixed image. As such, it highlights renewed interest in the temporality of the fixed image, probably one of the most important trends in the formal and semiotic analysis of visual media in the past decade. The various essays discuss paintings, the illustrated covers of books, comics or graphic novels, photo-stories, postcards, television and video art, as well as aesthetic practices that defy categorization such as Chris Marker's masterpiece La Jetee. The range of works and practices examined is reflected in the different theoretical approaches and methods used, with an emphasis on semiology and narratology, and, to a lesser extent, aesthetics and psychoanalysis. The interest of this book, however, does not stem exclusively from the range and scope of the artefacts examined, or the methodological issues that are addressed; its fundamental importance rests in the contributors' readiness to question the differentiation between fixed and moving images which all too often provides a convenient, if not altogether convincing, starting point for image analysis. . The originality and value of the contribution that Time, Narrative and the Fixed Image/Temps, Narration et image fixe makes to the body of theoretical writing on visual media lies in this challenging and comprehensive approach.