Representing Vulnerabilities in Contemporary Literature includes a collection of essays exploring the ways in which recent literary representations of vulnerability may problematize its visibilization from an ethical and aesthetic perspective. Recent technological and scientific developments have accentuated human vulnerability in many and different ways at a cross-national, and even cross-species level. Disability, technological, and ecological vulnerabilities are new foci of interest that add up to gender, precarity and trauma, among others, as forms of vulnerability in this volume. The literary visualization of these vulnerabilities might help raise social awareness of one's own vulnerabilities as well as those of others so as to bring about global solidarity based on affinity and affect. However, the literary representation of forms of vulnerability might also deepen stigmatization phenomena and trivialize the spectacularization of vulnerability by blunting readers' affective response towards those products that strive to hold their attention and interest in an information-saturated, global entertainment market.

Representing Vulnerabilities in Contemporary Literature includes a collection of essays exploring the ways in which recent literary representations of vulnerability may problematize its visibilization from an ethical and aesthetic perspective. Recent technological and scientific developments have accentuated human vulnerability in many and different ways at a cross-national, and even cross-species level. Disability, technological, and ecological vulnerabilities are new foci of interest that add up to gender, precarity and trauma, among others, as forms of vulnerability in this volume. The literary visualization of these vulnerabilities might help raise social awareness of one's own vulnerabilities as well as those of others so as to bring about global solidarity based on affinity and affect. However, the literary representation of forms of vulnerability might also deepen stigmatization phenomena and trivialize the spectacularization of vulnerability by blunting readers' affective response towards those products that strive to hold their attention and interest in an information-saturated, global entertainment market.

A contemporary dramatic take on a 4,000-year-old Sanskrit epic that is foundational to Indian culture. The Mahabharata is a pivotal text in Indian culture, and there is no shortage of English translations. But dramatic renderings have been few and incomplete. Toronto’s Why Not Theatre is remedying this with a once-in-a-generation contemporary translation and dramatization; seven hours long, with a traditional Indian meal (Khana) in the middle, the premiere performance features an all–South Asian cast. With warring clans and devious revenge, the Mahabharata tells the story of an ancient family feud with philosophical and spiritual themes that are no less urgent today: In times of division, how do we find wholeness? Are we destined to repeat the mistakes of our ancestors? Can we build a new world? Contains the full text of the play alongside interviews with the creators, historical context for the epic, a glossary, and a genealogy. "Ravi Jain and Miriam Fernandes’s contemporary take on the Mahabharata is one of the most beautiful emotional journeys I have had the privilege to witness. It is inspiring, mind broadening, and speaks to all the senses. It even brings you back to the origins of theatre itself, when people would gather in the quarries around a bonfire to tell stories. With their tasteful use of technology, dance, and opera, the 4,000-year-old Sanskrit poem comes to life and feels more universal than ever. A captivating theatre experience, from the first flame to the last pixel." – Robert Lepage "In their stunning rendition of the great Indian epic Mahabharata, Ravi Jain and Miriam Fernandes brilliantly reverse the whole concept of what Bertolt Brecht famously advised theatre directors: to make the familiar, unfamiliar. Jain and Fernandes have turned the unfamiliar into the familiar. The 4,000-year-old saga most Indians grew up with is made accessible to a contemporary audience the world over. No mean feat. ‘The play, true to its source, crosses all boundaries of culture, class, and geography. Its timeless storytelling and evocative stage design is transformed into a saga for the world, with its fundamental emotions of human nature – power, hate, jealousy, greed, and lust. To be gob-smacked by this innovation would be an understatement. Immerse yourself in this take on the Mahabharata and travel with it in time into the past, present, and future of humanity." – Deepa Mehta

This book constitutes the thoroughly refereed post-proceedings of the satellite events of the10th International Conference on the Semantic Web, ESWC 2013, held in Montpellier, France, in May 2013. The volume contains 44 papers describing the posters and demonstrations, 10 best workshop papers selected from various submissions and four papers of the AI Mashup Challenge. The papers cover various aspects on the Semantic Web.

What if we could love the planet as much as we love one another? "Warm, wise, and overflowing with generosity, this is a love story so epic it embraces all of creation. Yet another reminder of how blessed we are to be in the struggle with elders like David and Tara." - Naomi Klein and Avi Lewis What You Won't Do for Love is an inspiring conversation about love and the environment. When artist Miriam Fernandes approached the legendary eco-pioneer David Suzuki to create a theatre piece about climate change, she expected to write about David's perspective as a scientist. Instead, she discovered the boundless vision and efforts of Tara Cullis, a literature scholar, climate organizer, and David's life partner. Miriam realized that David and Tara's decades-long love for each other, and for family and friends, has only clarified and strengthened their resolve to fight for the planet. What You Won't Do for Love transforms real-life conversations between David, Tara, Miriam, and her husband Sturla into a charmingly novel and poetic work. Over one idyllic day in British Columbia, Miriam and Sturla take in a lifetime of David and Tara's adventures, inspiration, and love, and in turn reflect on their own relationships to each other and the planet. Revealing David Suzuki and Tara Cullis in an affable, conversational, and often comedic light, What You Won't Do For Love asks if we can love our planet the same way we love one another.

This book constitutes the refereed proceedings of the 16th International Semantic Web Conference, ESWC 2019, held in Portoroz, Slovenia. The 39 revised full papers presented were carefully reviewed and selected from 134 submissions. The papers are organized in three tracks: research track, resources track, and in-use track and deal with the following topical areas: distribution and decentralisation, velocity on the Web, research of research, ontologies and reasoning, linked data, natural language processing and information retrieval, semantic data management and data infrastructures, social and human aspects of the Semantic Web, and, machine learning.

The two-volume set LNCS 10587 + 10588 constitutes the refereed proceedings of the 16th International Semantic Web Conference, ISWC 2017, held in Vienna, Austria, in October 2017. ISWC 2017 is the premier international forum, for the Semantic Web / Linked Data Community. The total of 55 full and 21 short papers presented in this volume were carefully reviewed and selected from 300 submissions. They are organized according to the tracks that were held: Research Track; Resource Track; and In-Use Track.

The two-volume set LNCS 10587 + 10588 constitutes the refereed proceedings of the 16th International Semantic Web Conference, ISWC 2017, held in Vienna, Austria, in October 2017. ISWC 2017 is the premier international forum, for the Semantic Web / Linked Data Community. The total of 55 full and 21 short papers presented in this volume were carefully reviewed and selected from 300 submissions. They are organized according to the tracks that were held: Research Track; Resource Track; and In-Use Track.