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These nineteen essays introduce the rich and until now largely
unexplored tradition of women's experimental fiction in the
twentieth century. The writers discussed here range from Gertrude
Stein to Christine Brooke-Rose and include, among others, Virginia
Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce
Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate
the breadth of their research, first in their introduction to the
volume, in which they outline the history of the reception of
women's experimental fiction, and analyze and categorize the work
not only of the writers to whom essays are devoted but of a number
of others, too; and second in an extensive and wonderfully useful
bibliography."--Emma Kafalenos, The International Fiction Review
"After an introduction that is practically itself a monograph,
eighteen essayists (too many of them distinguished to allow an
equitable sampling) take up three generations of
post-modernists."--American Literature "The editors see this volume
as part of the continuing feminist project of the recovery and
foregrounding of women writers.' Friedman and Fuchs's substantive
introduction excellently synthesizes the issues presented in the
rest of the volume."--Patrick D. Murphy, Studies in the
Humanities
Originally published in 1992.
The Princeton Legacy Library uses the latest print-on-demand
technology to again make available previously out-of-print books
from the distinguished backlist of Princeton University Press.
These paperback editions preserve the original texts of these
important books while presenting them in durable paperback
editions. The goal of the Princeton Legacy Library is to vastly
increase access to the rich scholarly heritage found in the
thousands of books published by Princeton University Press since
its founding in 1905.
These nineteen essays introduce the rich and until now largely
unexplored tradition of women's experimental fiction in the
twentieth century. The writers discussed here range from Gertrude
Stein to Christine Brooke-Rose and include, among others, Virginia
Woolf, Jean Rhys, Jane Bowles, Marguerite Young, Eva Figes, Joyce
Carol Oates, and Marguerite Duras. "Friedman and Fuchs demonstrate
the breadth of their research, first in their introduction to the
volume, in which they outline the history of the reception of
women's experimental fiction, and analyze and categorize the work
not only of the writers to whom essays are devoted but of a number
of others, too; and second in an extensive and wonderfully useful
bibliography."--Emma Kafalenos, The International Fiction Review
"After an introduction that is practically itself a monograph,
eighteen essayists (too many of them distinguished to allow an
equitable sampling) take up three generations of
post-modernists."--American Literature "The editors see this volume
as part of the continuing feminist project of the 'recovery and
foregrounding of women writers.' Friedman and Fuchs's substantive
introduction excellently synthesizes the issues presented in the
rest of the volume."--Patrick D. Murphy, Studies in the Humanities
Originally published in 1989. The Princeton Legacy Library uses the
latest print-on-demand technology to again make available
previously out-of-print books from the distinguished backlist of
Princeton University Press. These editions preserve the original
texts of these important books while presenting them in durable
paperback and hardcover editions. The goal of the Princeton Legacy
Library is to vastly increase access to the rich scholarly heritage
found in the thousands of books published by Princeton University
Press since its founding in 1905.
Thanks to an increasingly interconnected global economy, the role
of study abroad in twenty-first-century education has expanded.
Student participation continues to grow as disciplinary offerings
broaden; meanwhile, programs face persistent challenges to maximize
access, strengthen language learning and multicultural awareness,
reduce research bias, ensure funding, and maintain safety and
security. Designed as a resource for use in creating and conducting
courses and programs overseas, Study Abroad: Traditions and New
Directions presents a diverse picture of options for study abroad.
Contributors' experiences teaching in Asia, Africa, Europe, the
Caribbean, and Central America inform analyses of global trends,
recommendations for enhanced learning, and course models that can
be adapted for a variety of programs and locations. Essays discuss
current policies, procedures, and formats including language
immersion, interdisciplinary studies, mentored research,
professional training abroad, service learning, and institutional
partnerships.
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