Every life, and every land and people, has reasons for lament and complaint. This collection of essays explores the biblical foundations and the contemporary resonances of lament literature. This new work presents a variety of responses to tragedy and a world out of joint are explored. These responses arise from Scripture, from within the liturgy of the church, and from beyond the church; in contemporary life (the racially conflicted land of Aotearoa- New Zealand, secular music concerts and cyber-space). The book thus reflects upon theological and pastoral handling of such experience, as it bridges these different worlds. It brings together in conversation specialists from different fields of academy and church to provide a resource for integrating faith and scholarship in dark places.

Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of Lamentations, distinguishing between exegesis that reads Lamentations as a theodicy, in defense of God, and those that read it as an anti-theodicy, in defense of Zion. Rather than reductively adopting either of these approaches, this book advocates a dialogic approach to Lamentations, reading to hear the full polyphony of pain, penitence, and protest.

Bier proposes here a strong new understanding of the Book of Lamentations, drawing on Bakhtinian ideas of multiple voices to analyse the poetic speaking voices within the text; examining their theological perspectives, and nuancing the interaction between them. Bier scrutinises interpretations of Lamentations, distinguishing between exegesis that reads Lamentations as a theodicy, in defense of God, and those that read it as an anti-theodicy, in defense of Zion. Rather than reductively adopting either of these approaches, this book advocates a dialogic approach to Lamentations, reading to hear the full polyphony of pain, penitence, and protest.