Author Biography:
Franz Pöchhacker is Associate Professor of Interpreting Studies in the Department of Translation and Interpreting at the University of Vienna. Miriam Shlesinger is Senior Lecturer in Translation and Interpreting Studies in the Department of Translation and Interpreting of Bar-Ilan University, Israel.

Imagine your own home surrounded by roadblocks and tanks, your water turned off and the cashpoints empty. What would you do next? A young journalist, recently married with a new baby, is seeking a quieter life away from the city and has bought a large new house in his parent's hometown, an Arab village in Israel. Nothing is as they remember: everything is smaller, the people petty and provincial and the villagers divided between sympathy for the Palestinians and dependence on the Israelis. Suddenly and shockingly, the village becomes a pawn in the power struggles of the Middle East. When Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly tense, our hero is forced to confront what it means to be human in an inhuman situation.

Over the last seven years Etgar Keret has had plenty of reasons to worry. His son, Lev, was born in the middle of a terrorist attack in Tel Aviv. His father became ill. And he has been constantly tormented by nightmarish visions of the Iranian president Ahmadinejad, anti-Semitic remarks both real and imagined, and, perhaps most worrisome of all, a dogged telemarketer who seems likely to chase him to the grave. Emerging from these darkly absurd circumstances is a series of funny, tender ruminations on everything from his three-year-old son's impending military service to the terrorist mindset behind Angry Birds. Moving deftly between the personal and the political, the playful and the profound, The Seven Good Years takes a life-affirming look at the human need to find good in the least likely places, and the stories we tell ourselves to make sense of our capricious world.

Winner of the 2018 Sapir Prize. You need to bribe someone into giving you weed? Don't worry, just step into this court room and call the defendant a murderer. You're a rich, lonely man and you want the joy of company? Don't worry, just buy up people's birthdays, and you'll have friends calling every day. You need to get girls into bed? Don't worry, your writer friend will write you a very persuasive story. You're standing on the edge of a very high building, with all of your wretched sorrows? Don't worry, fly already! In these 22 short stories, wild capers reveal painful emotional truths, and the bizarre is just another name for the familiar. Wickedly funny and thrillingly smart, Fly Already is a collage of absurdity, despair and love, written by veteran commentator on the circus farce that is life.

The Interpreting Studies Reader is the definitive guide to the growing area of interpreting studies. Spanning the multiple and diverse approaches to interpreting, it draws together the key articles in the field and puts them in their thematic and social contexts. This is a comprehensive and up-to-date overview of interpreting studies and the new directions the subject is taking in the twenty-first century. Features include:
· an introductory essay reviewing the evolution of interpreting studies
· organization into seven thematic sections, each with an editors' introduction
· a comprehensive bibliography and suggestions for further reading.
The Interpreting Studies Reader is an invaluable introduction and reference for students, researchers and practitioners.

Bringing up a child, lying to the boss, placing an order in a fast-food restaurant: in Etgar Keret's new collection, daily life is complicated, dangerous, and full of yearning. In his most playful and most mature work yet, the living and the dead, silent children and talking animals, dreams and waking life coexist in an uneasy world. Overflowing with absurdity, humor, sadness, and compassion, the tales in" Suddenly, a Knock on the Door" establish Etgar Keret--declared a "genius" by "The New York Times"--as one of the most original writers of his generation.

In his debut, Dancing Arabs, Sayed Kashua used his "wickedly double-edged eye ... to deliver an on-the-ground sense of being an Arab in Israel that you .. couldn't get from any news report" (Seattle Post-Intelligencer), establishing him as one of the most daring voices of the Middle East. In his searing new novel, a young Arab journalist returns to his hometown--an Arab village within Israel--where his already vexed sense of belonging is forced to crisis when the village becomes a pawn in the never-ending power struggle that is the Middle East. Hoping to reclaim the simplicity of life among kin, the prodigal son returns home to find that nothing is as he remembers: everything is smaller, the people are petty and provincial. But when Israeli tanks surround the village without warning or explanation, everyone inside is cut off from the outside world. As the situation grows increasingly dire, the village devolves into a Drawinian jungle, where paranoia quickly takes hold and threatens the community's fragile equilibrium. With the enduring moral and literary power of Camus and Orwell, Let It Be Morning offers an intimate, eye-opening portrait of the conflicted allegiances of the Israeli Arabs, proving once again that Sayed Kashua is a fearless, prophetic observer of a political and human quagmire that offers no easy answers.

Etgar Keret is an ingenious and original master of the short story. Radical, witty and always unusual, declared a 'genius' by the New York Times, Keret brings all of his prodigious talent to bear in this bestselling collection. A man barges into a writer's house and, holding a gun to his head, demands that he tell him a story, something to take him away from the real world. A pathological liar discovers one day that all the lies he tells come true. A young woman finds a zip in her boyfriend's mouth, and when she opens it he unfolds to reveal a completely different man inside. Suddenly, a Knock on the Door is at once Keret's most mature and most playful work yet, and establishes him as one of the great international writers of our time.