With the abolition of the transatlantic slave trade in 1808, many African Americans began calling for "a day of publick thanksgiving" to commemorate this important step toward freedom. During the ensuing century, black leaders built on this foundation and constructed a distinctive and vibrant tradition through their celebrations of the end of slavery in New York State, the British West Indies, and eventually the United States as a whole. In this revealing study, Mitch Kachun explores the multiple functions and contested meanings surrounding African American emancipation celebrations from the abolition of the slave trade to the fiftieth anniversary of U.S. emancipation. Excluded from July Fourth and other American nationalist rituals for most of this period, black activists used these festivals of freedom to encourage community building and race uplift. Kachun demonstrates that, even as these annual rituals helped define African Americans as a people by fostering a sense of shared history, heritage, and identity, they were also sites of ambiguity and conflict. Freedom celebrations served as occasions for debate over black representations in the public sphere, struggles for group leadership, and contests over collective memory and its meaning. Based on extensive research in African American newspapers and oration texts, this book retraces a vital if, often overlooked, tradition in African American political culture and addresses important issues about black participation in the public sphere. By illuminating the origins of black Americans' public commemorations, it also helps explain why there have been increasing calls in recent years to make the "Juneteenth" observance of emancipation an American - not just an African American - day of commemoration.

First Martyr of Liberty explores how Crispus Attucks's death in the 1770 Boston Massacre, often cited as the first man to die in the American Revolution, led to his achieving mythic significance in African Americans' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks's career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man's actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered-variously as either a hero or a villain-and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

First Martyr of Liberty explores how Crispus Attucks's death in the 1770 Boston Massacre led to his achieving mythic significance in African Americans' struggle to incorporate their experiences and heroes into the mainstream of the American historical narrative. While the other victims of the Massacre have been largely ignored, Attucks is widely celebrated as the first to die in the cause of freedom during the era of the American Revolution. He became a symbolic embodiment of black patriotism and citizenship. This book traces Attucks's career through both history and myth to understand how his public memory has been constructed through commemorations and monuments; institutions and organizations bearing his name; juvenile biographies; works of poetry, drama, and visual arts; popular and academic histories; and school textbooks. There will likely never be a definitive biography of Crispus Attucks since so little evidence exists about the man's actual life. While what can and cannot be known about Attucks is addressed here, the focus is on how he has been remembered-variously as either a hero or a villain-and why at times he has been forgotten by different groups and individuals from the eighteenth century to the present day.

Election 2008 made American history, but it was also the product of American history. Barack Obama, Hillary Clinton, and Sarah Palin smashed through some of the most enduring barriers to high political office, but their exceptional candidacies did not come out of nowhere. In these timely and accessible essays, a distinguished group of historians explores how the candidates both challenged and reinforced historic stereotypes of race and sex while echoing familiar themes in American politics and exploiting new digital technologies. Contributors include Kathryn Kish Sklar on Clinton's gender masquerade; Tiffany Ruby Patterson on the politics of black anger; Mitch Kachun on Michelle Obama and stereotypes about black women's bodies; Glenda E. Gilmore on black women's century of effort to expand political opportunities for African Americans; Tera W. Hunter on the lost legacy of Shirley Chisholm; Susan M. Hartmann on why the U.S. has not yet followed western democracies in electing a female head of state; Melanie Gustafson on Palin and the political traditions of the American West; Ronald Formisano on the populist resurgence in 2008; Paula Baker on how digital technologies threaten the secret ballot; Catherine E. Rymph on Palin's distinctive brand of political feminism; and Elisabeth I. Perry on the new look of American leadership.