The mass protests that shook France in May 1968 were exciting, dangerous, creative and influential, changing European politics to this day. Students demonstrated, workers went on general strike, factories and universities were occupied. At the height of its fervour, it brought the entire national economy to a halt. The protests reached such a point that political leaders feared civil war or revolution. Fifty years later, here are the eye-opening oral testimonies of those young rebels. By listening to the voices of students and workers, as opposed to those of their leaders, May '68 appears not just as a mass event, but rather as an event driven by millions of individuals, achieving a mosaic human portrait of France at the time. This book reveals the legacy of the uprising: how those explosive experiences changed both those who took part, and the course of history. May Made Me will record these moments before history moves on yet again.

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" "Liberties sure is needed in these times." In a short time since its launch, Liberties - A Journal of Culture and Politics, a quarterly, has become essential reading for those engaged in the cultural and political issues and causes of our time. The writers in Liberties offer deep experience from across borders, national identities, political affiliations and artistic achievements. As the introductory essay in the inaugural edition noted, "At this journal we are betting on what used to be called the common reader, who would rather reflect than belong and asks of our intellectual life more than a choice between orthodoxies." Each issue of Liberties features original in-depth essays and compelling new poetry from some of the world's most significant writers, artists, and scholars, as well as introducing new talent, to inspire and impact the intellectual and creative lifeblood of today's culture and politics. This spring issue of Liberties includes: Giles Kepel on the Murder of Samuel Paty; Ingrid Rowland's Long Live the Classics!; Vladimir Kara-Murza Surviving Putin's Poisons; Paul Starr on Reckoning with National Failure from Covid; Becca Rothfeld on Today's Sanctimony Literature; Enrique Krauze explores What is Latin America?; William Deresiewicz on Why Great Visual Art Forces Us to Think; Benjamin Moser on Rediscovering Frans Hals; David Nirenberg on What We Can Learn from Earlier Plagues; Agnes Callard's view of Romance without Love, Love without Romance; Mitchell Abidor looks back to "Social Media" in 1895 to Understand a Crowd's "Wisdom"; The Tallis Scholars' Peter Phillips on the Secrets of Josquin; David Thomson on Movies' Poetic Desire; Poetry from Henri Cole, Chaim Nachman Bialik, and Paul Muldoon; and, Leon Wieseltier (editor) asks "Where Are the Americans?" and Celeste Marcus (managing editor) writes for a Pluralistic Heart.

'Tantalizing prose' - TLS Jean Jaures was the celebrated French Socialist Party leader, assassinated in 1914 for trying to use diplomacy and industrial action to prevent the outbreak of war. Published just a few years before his death, his magisterial A Socialist History of the French Revolution has endured for over a century as one of the most influential accounts of the French Revolution ever to be published. Written in the midst of his activities as leader of the Socialist Party and editor of its newspaper, L'Humanite, Jaures intended the book to serve as both a guide and an inspiration to political activity; even now it can serve to do just that. Jaures's verve, originality and willingness to criticise all players in this epic drama make this a truly moving addition to the shelf of great books on the French Revolution. Now available for the first time in paperback, Mitchell Abidor's abridged translation of Jaures's original six volumes makes this exceptional work truly accessible to an Anglophone audience.

The first book by the great French radical historian Maurice Dommanget (1888–1976) to be translated into English, this book is an engaging, sympathetic telling of the life and works of Sylvain Maréchal (1750–1803), an unjustly forgotten figure of the French Revolutionary era. Maréchal was not only a militant atheist and opponent of royalty, but, as the author of the Manifesto of the Equals he laid the groundwork for modern communism. With an introduction by Jean-Numa Ducange.