An old fisherman of unknown origin arrives in a black boat. Taciturn and enigmatic, he takes on a woman and her twin boys. While he gives away nothing about his past, his undemanding companionship prompts the woman to narrate her turbulent life. Meanwhile, in a nearby village by the lake, Gomaa and his wife have found respite from the dreariness of their existence in the fantastic objects the sea churns up during gales. But when the waves cast up a chest that speaks in a language no one can comprehend, Gomaa is haunted by its voice. As the tumult of the lake drives a wedge between the couple, it turns two neighbors into close allies. But Karawia and Afifi too will be haunted by the siren song of the lake.In this lyrical novel, the stories of these various figures converge on the mercurial presence of the lake, which in the end proves the narrative's true hero. Clamor of the Lake won the 1995 Cairo International Book Fair Award for Best Novel of the Year.

As with his earlier works, Mohamed El-Bisatie's novel is set in the Egyptian countryside, about which he writes with such understanding. Episodic in form, it deals with a family Zaghloul the layabout father, Sakeena the long-suffering wife, and two young boys. The central theme of the book is hunger: the hunger of not knowing where one's next meal is coming from, and the universal hunger for sex and love. Sakeena's life revolves round trying to provide her family with the necessary daily loaves of bread that will stave off starvation. Labor-shy Zaghloul works on and off at one of the village's cafes, but prefers to spend his time listening in on conversations about subjects such as politics, which he would have liked to know more about, if only he had been an educated man. He is also intrigued by the stories told by young university students about their sexual exploits. Eventually chance presents him with a new job: to keep company with an elderly and over-fat man and help him on and off the mule he has to use for getting about. After looking in turn at the lives of the husband and the wife, the novel finally focuses on their elder son, who, although lacking the advantages of any sort of education, nonetheless shows more initiative than his father, and discovers his own way of contributing to the family bread larder. Despite its bleak title, Hunger is told with a lightness of touch and the writer's trademark wry humor.

In a fictional Gulf country, with its gleaming glass towers and imported greenery, the routine of day-to-day life is suddenly interrupted when the national football team qualifies for the World Cup. The Emir issues an edict ordering all native Emiratis to travel to France to support the team, leaving the country to the care of its imported labor. How do they handle such newly found freedom? As though steered by a perverse blend between Dante and Scheherazade, we descend layer by layer beneath the facade of modernity: from the colorful multilingual throngs rejoicing for the Emirati team to the hierarchies that underpin them, from the luxurious gardens and swimming pools into the darker secrets of the bedroom, from the rigid and inhibiting strictures of the present to a remote age of innocence. Three narratives interweave to form a tight and thought-provoking examination of the psychology of control. Drumbeat received the Sawiris Foundation Award for Egyptian Literature.

Set in a small village in the Egyptian Delta, El-Bisatie's finely tuned novella illustrates the social and sexual tensions in a community in which nothing is secret and where people's pasts haunt their present.

When Mussad catches the butcher's son Amer with his wife, the whole village knows and waits with bated breath for Mussad to exact his revenge. But something goes wrong. Mussad's ill-planned schemes are choked by an opaque veil of history--his wife's sexual past, the war-torn lives of their families, and the personal allegiances of his friends and enemies. The village women relive private desires and inner fears as the men take sides in the struggle, either to protect Amer from Mussad's wrath or to help Mussad track down and confront his nemesis.

In the words of Denys Johnson-Davies, "El-Bisatie is a writer's writer, which is to say a writer who makes no concession to the lazy reader. El-Bisatie stands back from his canvas and sketches his characters and events with a studied detachment. While there is drama in his stories it is never highlighted. The menace lurks almost unseen between the lines."