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The study aims primarily at exploring the images of Swahili women
as depicted in taarab songs in Zanzibar and factors that shape
these images at different epochs or points in time. A secondary
concern of the book is to highlight the history of taarab songs in
Zanzibar and to identify the relationship between this art of songs
and the Egyptian song. The author adopted a holistic approach,
concentrating on sung lyrics. The analysis is descriptive and
utilizes perspectives of literary theories of orature as well as
insights from gender, cultural, structural, and functional
theories.
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