The Qumran discoveries have demonstrated that much of the earliest interpretation of Hebrew Scripture was accomplished through rewriting: production of revised editions of biblical books, or composition of new works drawing heavily upon Scripture for their organization and content. This study advances our understanding of the nature and purpose of such rewriting of Scripture by examining the compositional methods and interpretive goals of the five Reworked Pentateuch manuscripts from Qumran Cave 4 (4Q158, 364 367). This analysis, along with a comparison of the 4QReworked Pentateuch manuscripts to the Samaritan Pentateuch and the Temple Scroll, provides a clearer picture of how early Jewish communities read, transmitted, and transformed their sacred textual traditions.

In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which both rabbinic Judaism and early Christianity eventually emerged.

In this book, Molly Zahn investigates how early Jewish scribes rewrote their authoritative traditions in the course of transmitting them, from minor edits in the course of copying to whole new compositions based on prior works. Scholars have detected evidence for rewriting in a wide variety of textual contexts, but Zahn's is the first book to map manuscripts and translations of biblical books, so-called 'parabiblical' compositions, and the sectarian literature from Qumran in relation to one another. She introduces a new, adaptable set of terms for talking about rewriting, using the idea of genre as a tool to compare and contrast different cases. Although rewriting has generally been understood as a vehicle for biblical interpretation, Zahn moves beyond that framework to demonstrate that rewriting was a pervasive textual strategy in the Second Temple period. Her book contributes to a powerful new model of early Jewish textuality, illuminating the rich and diverse culture out of which both rabbinic Judaism and early Christianity eventually emerged.