'No punches pulled, no hilarities dodged, no meme unmangled. O Bunny you are sooo genius!' MARGARET ATWOOD. We call them Bunnies because that is what they call each other. Seriously. Bunny. Samantha Heather Mackey is an outsider in her small, highly selective MFA program at Warren University. In fact, she is utterly repelled by the rest of her fiction writing cohort - a clique of unbearably twee rich girls who call each other 'Bunny'. But then the Bunnies issue her with an invitation and Samantha finds herself inexplicably drawn to their front door, across the threshold, and down their rabbit hole. Blending sharp satire with fairytale horror, Bunny is a spellbinding trip of a novel from one of fiction's most original new voices. 'A brilliant, utterly unique peek into the dark side of female friendship' SUNDAY INDEPENDENT. 'Made me nod and cackle in terrified recognition' LENA DUNHAM. 'Hilarious and subversive, magical and knife-sharp' LAURA VAN DEN BERG. 'Cerebral and compulsively readable' VANITY FAIR. 'Enchanting and stunningly bizarre' PUBLISHERS WEEKLY.

From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Can she escape her mother’s fate—and find a connection that is more than skin deep?

For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse , the same lavish, culty spa her mother to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass.

Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, ROUGE explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, ROUGE holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

"Rouge is a fever dream—a brilliant, intense, unforgettable horror story about a beauty cult with a deeply moving mother-daughter story at its core. Mona Awad’s signature and singular imagination and black humor and empathy are on full display here, and her wild-ride of a tale is masterfully grounded in the emotional devastation of childhood and grief. I loved every word of this." —Laura Zigman, author of Small World "There is nobody else like Mona Awad, daring enough to plunge her hands—rings and all—into the viscera of story and discover an unsettling beauty within. ROUGE is her most magnetic work yet, a thrilling dystopian romp that knows that beneath the glossy, aspirational veneer of self-care lurks the same old gothic abyss." —Alexandra Kleeman, author of Something New Under the Sun "A brilliant, biting critique of western beauty standards as well as a soaring, phantasmagoric, Angela Carter-esque fairy tale about trauma and the loss of self. Rouge is deeply unsettling, funny, obsessive, and unlike anything I've read. A truly mesmerizing read." —Paul Tremblay, author of The Cabin at the End of the World and A Head Full of Ghosts  "Unsettling, whimsical, and moving, Rouge is an authentic, innovative kind of narrative magic that's both surreal and absolute. A striking novel of incandescence and heart." —Iain Reid, author of I'm Thinking of Ending Things From the critically acclaimed author of Bunny comes a horror-tinted, gothic fairy tale about a lonely dress shop clerk whose mother’s unexpected death sends her down a treacherous path in pursuit of youth and beauty. Can she escape her mother’s fate—and find a connection that is more than skin deep? For as long as she can remember, Belle has been insidiously obsessed with her skin and skincare videos. When her estranged mother Noelle mysteriously dies, Belle finds herself back in Southern California, dealing with her mother’s considerable debts and grappling with lingering questions about her death. The stakes escalate when a strange woman in red appears at the funeral, offering a tantalizing clue about her mother’s demise, followed by a cryptic video about a transformative spa experience. With the help of a pair of red shoes, Belle is lured into the barbed embrace of La Maison de Méduse, the same lavish, culty spa to which her mother was devoted. There, Belle discovers the frightening secret behind her (and her mother’s) obsession with the mirror—and the great shimmering depths (and demons) that lurk on the other side of the glass. Snow White meets Eyes Wide Shut in this surreal descent into the dark side of beauty, envy, grief, and the complicated love between mothers and daughters. With black humor and seductive horror, ROUGE explores the cult-like nature of the beauty industry—as well as the danger of internalizing its pitiless gaze. Brimming with California sunshine and blood-red rose petals, ROUGE holds up a warped mirror to our relationship with mortality, our collective fixation with the surface, and the wondrous, deep longing that might lie beneath.

"Jon Swift + Witches of Eastwick + Kelly 'Get In Trouble' Link + Mean Girls + Creative Writing Degree Hell! No punches pulled, no hilarities dodged, no meme unmangled! O Bunny you are sooo genius!" -Margaret Atwood, via Twitter "A wild, audacious and ultimately unforgettable novel." -Michael Schaub, Los Angeles Times "Awad is a stone-cold genius." -Ann Bauer, The Washington Post The Vegetarian meets Heathers in this darkly funny, seductively strange novel from the acclaimed author of 13 Ways of Looking at a Fat Girl. "We were just these innocent girls in the night trying to make something beautiful. We nearly died. We very nearly did, didn't we?" Samantha Heather Mackey couldn't be more of an outsider in her small, highly selective MFA program at New England's Warren University. A scholarship student who prefers the company of her dark imagination to that of most people, she is utterly repelled by the rest of her fiction writing cohort--a clique of unbearably twee rich girls who call each other "Bunny," and seem to move and speak as one. But everything changes when Samantha receives an invitation to the Bunnies' fabled "Smut Salon," and finds herself inexplicably drawn to their front door--ditching her only friend, Ava, in the process. As Samantha plunges deeper and deeper into the Bunnies' sinister yet saccharine world, beginning to take part in the ritualistic off-campus "Workshop" where they conjure their monstrous creations, the edges of reality begin to blur. Soon, her friendships with Ava and the Bunnies will be brought into deadly collision. The spellbinding new novel from one of our most fearless chroniclers of the female experience, Bunny is a down-the-rabbit-hole tale of loneliness and belonging, friendship and desire, and the fantastic and terrible power of the imagination. Named a Best Book of 2019 by TIME, Vogue, Electric Literature, and The New York Public Library

"A dazzling wild ride of a novel - daring, fresh, entertaining, and magical. Mona Awad is a powerful and poetic storyteller, telling us something new and profound here about the connection between suffering and elation. When I was away from this book, I longed to get back to it." - George Saunders, New York Times bestselling, Booker Prize-winning author of Lincoln in the Bardo "Wild and exhilarating and so fresh it takes your breath away, All's Well is an utterly delicious novel of pain and vitality, Shakespeare and the uncanny, and our own subtle moral failures when we brush up against the pain of others. Mona Awad's talent is so vital that it absolutely roars out of her. " - Lauren Groff, New York Times bestselling author of Fates and Furies "Tragic, macabre, and wicked. I laughed out loud the whole way through. One of the funniest books I've read in years." - Heather O'Neill, author of The Lonely Hearts Hotel "Really funny ... The satirical targets, all brilliantly hit, include useless physios, entitled students, internet advertising and - for all you romantics out there - love!" Wendy Holden in the Daily Mail Miranda Fitch's life is a waking nightmare. The accident that ended her burgeoning acting career left her with excruciating, chronic back pain, a failed marriage, and a deepening dependence on painkillers. And now she's on the verge of losing her job as a college theater director. Determined to put on Shakespeare's All's Well That Ends Well, the play that promised, and cost, her everything, she faces a mutinous cast hellbent on staging Macbeth instead. Miranda sees her chance at redemption slip through her fingers. That's when she meets three strange benefactors who have an eerie knowledge of Miranda's past and a tantalizing promise for her future: one where the show goes on, her rebellious students get what's coming to them, and the invisible, doubted pain that's kept her from the spotlight is made known. With prose Margaret Atwood has described as "no punches pulled, no hilarities dodged...genius," Mona Awad has concocted her most potent, subversive novel yet. All's Well is the story of a woman at her breaking point and a formidable, piercingly funny indictment of our collective refusal to witness and believe female pain.

'A beautiful, necessary book' ROXANE GAY 'Echoes of Margaret Atwood's The Edible Woman' IRISH TIMES Lizzie doesn't like the way she looks. Though she dates guys online, she's afraid to send pictures: no-one wants a fat girl. So Lizzie starts to lose weight. With punishing drive she counts almonds consumed and pounds dropped, navigating double-edged validation from her mother, her friends, her husband and her own reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In this darkly funny, deeply resonant novel, Mona Awad delivers a tender and moving depiction of a young woman whose life is hijacked by her struggle to conform. 'Luminous... Full of sharp insight and sly humour' KATHERINE HEINY 'Honest, searing and necessary' ELLE

-Stunning...As you watch Lizzie navigate fraught relationships -- with food, men, girlfriends, her parents and even with herself -- you'll want to grab a friend and say: 'Whoa. This. Exactly.'- --Washington Post -A hilarious, heartbreaking book.- --People Named one of the best books of the year by NPR, The Atlantic, Time Out New York, and The Globe and MailGrowing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks--even though her best friend Mel says she's the pretty one. She starts dating guys online, but she's afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In her brilliant, hilarious, and at times shocking debut, Mona Awad simultaneously skewers the body image-obsessed culture that tells women they have no value outside their physical appearance, and delivers a tender and moving depiction of a lovably difficult young woman whose life is hijacked by her struggle to conform. As caustically funny as it is heartbreaking, 13 Ways of Looking at a Fat Girl introduces a vital new voice in fiction. FINALIST FOR THE GILLER PRIZE WINNER OF THE AMAZON CANADA FIRST NOVEL AWARD NAMED ONE OF THE MOST ANTICIPATED BOOKS OF 2016 BY ELLE, BUSTLE, AND THE GLOBE AND MAIL NAMED ONE OF THE BEST BOOKS OF THE MONTH BY THE HUFFINGTON POST, BUSTLE AND BOOKRIOT FINALIST FOR THE COLORADO BOOK AWARD FOR LITERARY FICTION

A hilarious, deeply resonant and at times shocking novel about the harmful beauty standards imposed on women. A must-read for fans of Lena Dunham, Roxane Gay and Caitlin Moran. Growing up in the suburban hell of Misery Saga (a.k.a. Mississauga), Lizzie has never liked the way she looks - even though her best friend Mel says she's the pretty one. She starts dating guys online, but she's afraid to send pictures, even when her skinny friend China does her makeup: she knows no one would want her if they could really see her. So she starts to lose weight. With punishing drive, she counts almonds consumed, miles logged, pounds dropped. She fights her way into coveted dresses. She grows up and gets thin, navigating double-edged validation from her mother, her friends, her husband, her reflection in the mirror. But no matter how much she loses, will she ever see herself as anything other than a fat girl? In her brilliant, hilarious and at times shocking debut, Mona Awad simultaneously skewers the body image-obsessed culture that tells women they have no value outside their physical appearance, and delivers a tender and moving depiction of a lovably difficult young woman whose life is hijacked by her struggle to conform. As caustically funny as it is heart-breaking, 13 Ways of Looking at a Fat Girlintroduces a vital new voice in fiction.