Assertive, tough, and idealistic, the Weatherwomen-members of the Weather Underground Organization (WUO) from the late 1960s-were determined to stamp out sexism and social injustice. They asserted that militancy was necessary in the pursuit of a socialist revolution that would produce gender, racial, and class equality. This book excavates their long buried history and reclaims the voices of the Weatherwomen. The Weatherwomen's militant feminism had many facets. It criticized the role of women in the home, was concerned with the subordination of women to men, attacked the gender pay gap, and supported female bodily integrity. The Weatherwomen also refined their own feminist ideology into an intersectional one that would incorporate multiple identity perspectives beyond the white, American, middle-class perspective. In shaping a feminist vision for the WUO, the Weatherwomen dealt with sexism within their own organization and were dismissed by some feminist groups of the time as inauthentic. This work strives to recognize the WUO's militant feminist efforts, and the agency, autonomy, and empowerment of its female members, by concentrating on their actions and writings.

Joss Whedon has created plethora of TV series, movies, comics and one sing-along-blog, all of which focus on societal problems in the metaphorical guise of monsters-of-the-week and over-arching big-bads. We examine structural violence through interdimensional law firm Wolfram & Hart's legal representation of evil. We explore the limits of consent through the Rossum Corporation's coercion and manipulation. We rehearse the struggle to find meaningful freedom from the crew of Serenity. This study traces a theme of anarchist theory through the multiple strings of the Whedonverse-all of his works show how ordinary heroes can unite for the love of humanity to save the world from hierarchy and paternalism.