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Showing 1 - 6 of 6 matches in All Departments
"...a lot of these things, these impulses, are healthy things, but they just get distorted. Or maybe it's the world that gets - is - distorted, but you see, it's my job to get people to fit in with the world, distorted or not, so that they feel happy. Or, not sad. Or...functioning." Tessa is a psychotherapist who has been instructed to provide a medical report on one of her patients for the criminal court. This has been Tessa's most exceptional case in all her twenty years of practice. As treatment progresses she finds herself asking deeper, more far-reaching questions, not just about her patient, but the world and its motives. The B*easts is a chillingly relevant tale of the pornification of culture and sexualisation of our children, and how far one mum will go to put what her child wants first.
Maisie Williams and Florence Pugh star in this British drama written and directed by Carol Morley. Lydia and Abbie (Williams and Pugh) are best friends at their all-girls boarding school but they are very different people; Lydia is quiet and introverted while Abbie is ambitious and popular. After Abbie jeopardises her friendship with Lydia by sleeping with her brother, a fainting epidemic breaks out at the school and people are left wondering whether the mysterious Lydia could be the key...
Ben Wheatley directs this jet-black British comedy in which a romantic break turns into a bloody killing spree. Sheltered teenager Tina (Alice Lowe) accompanies her new boyfriend, 30-something misanthrope Chris (Steve Oram) on an 'erotic odyssey' - aka a caravan tour of the North of England. But unbeknownst to Tina, Chris harbours a dark secret: he is a serial killer whose explosive outbursts result in the violent deaths of any random strangers who happen to mildly inconvenience him. As the body count mounts, even the clueless Tina starts to suspect that her new boyfriend may not be quite what he seems.
Matthew Warchus directs this British drama inspired by real events during the 1984 miners' strike. When activist Mark Ashton (Ben Schnetzer) garners support at a Gay Pride rally in London for his plan to raise funds in support of the striking miners, he encounters a surprising impediment to his plan: most mining communities refuse to take money from gay and lesbian groups. However, one Welsh village, Dulais, seem grateful for the support. Mark and his friends hire a minibus and visit the villagers to consolidate the relationship. Though the villagers don't completely accept their visitors straight away, the community, which includes Hefina (Imelda Staunton), Dai (Paddy Considine) and Cliff (Bill Nighy), gradually warm to Mark and his friends as they realise the common causes that bind them.
Matthew Warchus directs this British drama inspired by real events during the 1984 miners' strike. When activist Mark Ashton (Ben Schnetzer) garners support at a Gay Pride rally in London for his plan to raise funds in support of the striking miners, he encounters a surprising impediment to his plan: most mining communities refuse to take money from gay and lesbian groups. However, one Welsh village, Dulais, seem grateful for the support. Mark and his friends hire a minibus and visit the villagers to consolidate the relationship. Though the villagers don't completely accept their visitors straight away, the community, which includes Hefina (Imelda Staunton), Dai (Paddy Considine) and Cliff (Bill Nighy), gradually warm to Mark and his friends as they realise the common causes that bind them.
Ben Wheatley directs this jet-black British comedy in which a romantic break turns into a bloody killing spree. Sheltered teenager Tina (Alice Lowe) accompanies her new boyfriend, 30-something misanthrope Chris (Steve Oram) on an 'erotic odyssey' - aka a caravan tour of the North of England. But unbeknownst to Tina, Chris harbours a dark secret: he is a serial killer whose explosive outbursts result in the violent deaths of any random strangers who happen to mildly inconvenience him. As the body count mounts, even the clueless Tina starts to suspect that her new boyfriend may not be quite what he seems.
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