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Lili Reynaud-Dewar (Paperback): Elisabeth Lebovici, Monika Szewczyk, Diedrich Diederichsen Lili Reynaud-Dewar (Paperback)
Elisabeth Lebovici, Monika Szewczyk, Diedrich Diederichsen
R892 Discovery Miles 8 920 Ships in 12 - 17 working days

The first-ever monograph on Reynaud-Dewar, one of today’s most celebrated multimedia artists

French artist Lili Reynaud-Dewar creates environments and situations in which she uses her own body to examine the dual experience of vulnerability and empowerment that results from acts of exposing oneself to the world. Evolving through a range of media such as performance, video, installation, sound, and literature, her work considers the fluid border between public and private space, challenging conventions related to the body, sexuality, power relations, and institutional spaces. This is the first book to document her remarkable career.

Ives Maes: Recyclable Refugee Camp (Paperback): Dieter Roelstraete, Monika Szewczyk, Philippe Van Cauteren Ives Maes: Recyclable Refugee Camp (Paperback)
Dieter Roelstraete, Monika Szewczyk, Philippe Van Cauteren
R910 Discovery Miles 9 100 Ships in 12 - 17 working days
Jerry Pethick: Shooting the Sun/Splitting the Pie (Hardcover): Grant Arnold Jerry Pethick: Shooting the Sun/Splitting the Pie (Hardcover)
Grant Arnold; Contributions by Monika Szewczyk, John Drury, Jerry Pethick
R948 Discovery Miles 9 480 Ships in 12 - 17 working days

Jerry Pethick: Shooting the Sun/Splitting the Pie is the first major volume dedicated to the career of this multifaceted artist. Pethick's practice has always been difficult to categorize; though his work focused on questions of perception, which have been a central focus in the visual arts over the past four decades, his amalgamations of photography, optical devices, sculpture and drawing - as well as the structures he assembled to create new conceptions of material space - look like no other artist's work. His oeuvre has always evoked something of the amateur scientist and inventor. In the late 1960s and early 70s he became widely known for his pioneering work with holography in London and San Francisco. While he stopped working with holograms when he moved to Hornby Island, British Columbia in the mid-1970s, the nature of visual perception, the history of optics and integral (or fly's eye) photography using multiple lenses remained central to his work. Although Pethick drew upon a sophisticated in-depth understanding of science and art history, his work was constructed from modest materials and found objects, including cheap plastic Fresnel lenses, discarded sinks, hay bales, light bulbs and bicycle tires that could be found in a local hardware store or garbage dump. While Pethick's work has been included in exhibitions across Canada, Europe, the United States and Japan, this publication will accompany the first retrospective exhibition of his work.

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