November 2010 sees the first elections in Myanmar/Burma since 1990, to be held as the culmination of the military regime's 'Road Map for Democracy' The conditions under which the elections are being held are far from favourable, although the laws and procedures under which they will be conducted have been in place for seven months and quite widely publicized. Political controls remain repressive, freedom of expression and assembly does not exist, and international access is restricted by government controls as well as sanctions. While the elections represent a turning point for Myanmar/Burma, the lead-up period has not been marked by many notable improvements in the way the country is governed or in the reforming impact of international assistance programmes. Presenters at the Australian National University 2009 Myanmar/Burma Update conference examined these questions and more. Leading experts from the United States, Japan, France, and Australia as well as from Myanmar/Burma have conributed to this collection of papers from the Conference.

To come to Burma, one of the few places where despotism still dominates, is to take both a physical and an emotional journey and, like most Burmese, to become caught up in the daily management of fear. Based on Monique Skidmore's experiences living in the capital city of Rangoon, Karaoke Fascism is the first ethnography of fear in Burma and provides a sobering look at the psychological strategies employed by the Burmese people in order to survive under a military dictatorship that seeks to invade and dominate every aspect of life. Skidmore looks at the psychology and politics of fear under the SLORC and SPDC regimes. Encompassing the period of antijunta student street protests, her work describes a project of authoritarian modernity, where Burmese people are conscripted as army porters and must attend mass rallies, chant slogans, construct roads, and engage in other forms of forced labor. In a harrowing portrayal of life deep within an authoritarian state, recovering heroin addicts, psychiatric patients, girl prostitutes, and poor and vulnerable women in forcibly relocated townships speak about fear, hope, and their ongoing resistance to four decades of oppression. "Karaoke fascism" is a term the author uses to describe the layers of conformity that Burmese people present to each other and, more important, to the military regime. This complex veneer rests on resistance, collaboration, and complicity, and describes not only the Burmese form of oppression but also the Burmese response to a life of domination. Providing an inside look at the madness and the militarization of the city, Skidmore argues that the weight of fear, the anxiety of constant vulnerability, and the numbing demands of the State upon individuals force Burmese people to cast themselves as automata; they deliberately present lifeless hollow bodies for the State's use, while their minds reach out into the cosmos for an array of alternate realities. Skidmore raises ethical and methodological questions about conducting research on fear when doing so evokes the very emotion in question, in both researcher and informant.

Throughout South and Southeast Asia, groups battle over definitions of identity-in direction and character-for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics. In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia. Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Benedicte Brac de la Perriere.

Throughout South and Southeast Asia, groups battle over definitions of identity-in direction and character-for their state, a struggle complicated by the legacy of colonialism. The contributors to this volume explore the intricate, dynamic relationships that pertain between women's agency and the state-making institutions and armed forces of Kashmir, India, Sri Lanka, Bangladesh, and Burma (Myanmar). They also address the complex roles of Islam, Hinduism, and Theravada Buddhism in these postcolonial dynamics. In particular, the contributors examine religion as a way of understanding how women's agency is constituted, created, and constrained during times of conflict with the state and other armed actors, such as guerilla groups and paramilitaries. These essays at the intersection of gender, religion, and peace studies will be of interest to a wide range of scholars and students who study conflict and hope for peace in South and Southeast Asia. Contributors: Monique Skidmore, Peter van der Veer, Veena Das, Betty Joseph, Yasmin Saikia, Patricia Lawrence, Alexandra Argenti-Pillen, Mangalika de Silva, Ingrid Jordt, and Benedicte Brac de la Perriere.

"With this book, anthropology takes its place in the world: breaking innovative ground, creating new sensibilities, offering academic inspiration to a crisis."--Carolyn Nordstrom, professor of anthropology, University of Notre Dame "Engaged Observer includes rich ethnographic insights into the personal and social aspects of suffering and represents a significant contribution to debates on anthropological ethics and the place of advocacy in scholarship."--Richard A. Wilson, author of The Politics of Truth and Reconciliation in South Africa "This engaging and compelling volume uses a wide range of case studies to suggest ways that anthropologists and other types of observers can be politically, emotionally, and personally engaged with the work they carry out."--Lynn Stephen, Distinguished Professor of Anthropology, University of Oregon Anthropology has long been associated with an ethos of "engagement." The field's core methods and practices involve long-term interpersonal contact between researchers and their study participants, giving major research topics in the field a distinctively human face. Can research findings be authentic and objective? Are anthropologists able to use their data to aid the participants of their study, and is that aid always welcome? In Engaged Observer, Victoria Sanford and Asale Angel-Ajani bring together an international array of scholars who have been embedded in some of the most conflict-ridden and dangerous zones in the world to reflect the role and responsibility of anthropological inquiry. They explore issues of truth and objectivity, the role of the academic, the politics of memory, and the impact of race, gender, and social position on the research process. Through ethnographic case studies, they offer models for conducting engaged research and illustrate the contradictions and challenges of doing so. Victoria Sanford is an associate professor of anthropology at Lehman College, City University of New York. Asale Angel-Ajani is and assistant professor in the Gallatin School at New York University.