It is a hoarse whisper over a crackling cell phone - "Angel" - and then the connection is lost. Angel is convinced that the voice belongs to his beautiful and enigmatic neighbor, Angela - and that she is terrified for her life. He paces the floor, waiting for the phone to ring again, calls the police, searches her apartment, but there is no trace of her anywhere, not for days. So begins a haunted man's quest to uncover what happened to the woman he has fallen in love with. Only now does he realize that he knows nearly nothing about her. Angel has his secrets, too. He is the son of one of Hollywood's most successful movie producers, but he has turned away from that bright and power-ridden world. Instead, he leads a cloistered existence, nursing an unfinished screenplay as Ridley Scott's Blade Runner loops ceaselessly in his darkened apartment. But now, for the first time in years, because of Angela's sudden disappearance, Angel is propelled into action. Following the few clues he has gathered about her, he trails Angela through the hard glitter of Los Angeles days and nights. With every new piece of knowledge arrives another question and an even more chilling possibility: Did he merely imagine Angela? Is someone deliberately leading him? Is the phantom he is pursuing the very fear he has been running from? In the murky underworld beneath the bright surface of Los Angeles, everything he knew about her - and himself - begins to unravel. In this city of secrets that aren't meant to be told and people who aren't meant to be found, Angel may soon discover that the most dangerous lies of all are the ones you tell yourself.

George Charles Moore Smith (1858-1940) was a renowned literary scholar who graduated from St John's College, Cambridge, with a first-class degree in the classics in 1881. In 1896 he was made professor of English language and literature at Firth College, Sheffield, and he played a key role in building up the social and academic position of the institution after it became the University of Sheffield in 1905. College Plays Performed in the University of Cambridge (1923) includes a chronological table of the Latin plays performed by scholars at the university in the sixteenth and seventeenth centuries. The study also contains Moore Smith's 48-page introduction along with an appendix of actor lists. The introduction provides useful context to sixteenth- and seventeenth-century literary and theatrical culture at the University of Cambridge, discussing both the 'outlines of [the plays] histories' and the 'manner of [their] production'.

Originally written and staged in the late sixteenth century, Club Law was published for the first time more than three centuries later. A colourful satire, the play captures the spirit of a bygone era. Club Law playfully reconstructs the heated debate between the University 'Accademicks' and the town council, who were viciously at odds. Though characters' names had been changed, the play was so true to life in its depiction of contemporary politics that much uproar followed its performance at Clare Hall (now Clare College), Cambridge about 1599. Found titleless and missing some pages and scenes, the play was pieced back together by G. C. Moore Smith in 1907. A detailed introduction outlines the play's setting and historical context, and draws parallels between this satirical Elizabethan play and contemporary society. Comprehensive notes and an index are also included.

Originally published in 1900, this book contains an edited version of Francis Bacon's utopian novel New Atlantis. The text is accompanied by a history of the book's creation, a discussion of the role New Atlantis played in Bacon's philosophy, and an examination of its influence on later literature. This book will be of value to anyone with an interest in the works of Francis Bacon.

A scholarly edition of poems by Edward, Lord Herbert of Cherbury. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of the letters of Dorothy Osborne to William Temple. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.

A scholarly edition of essays by Sir William Temple and his sister Lady Giffard. The edition presents an authoritative text, together with an introduction, commentary notes, and scholarly apparatus.