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The book is organized around 4 sections. The first deals with the
creativity and its neural basis (responsible editor Emmanuelle
Volle). The second section concerns the neurophysiology of
aesthetics (responsible editor Zoi Kapoula). It covers a large
spectrum of different experimental approaches going from
architecture, to process of architectural creation and issues of
architectural impact on the gesture of the observer.
Neurophysiological aspects such as space navigation, gesture, body
posture control are involved in the experiments described as well
as questions about terminology and valid methodology. The next
chapter contains studies on music, mathematics and brain
(responsible editor Moreno Andreatta). The final section deals with
evolutionary aesthetics (responsible editor Julien Renoult).
Chapter "Composing Music from Neuronal Activity: The Spikiss
Project" is available open access under a Creative Commons
Attribution-NonCommercial 4.0 International License via
link.springer.com.
The book is organized around 4 sections. The first deals with the
creativity and its neural basis (responsible editor Emmanuelle
Volle). The second section concerns the neurophysiology of
aesthetics (responsible editor Zoi Kapoula). It covers a large
spectrum of different experimental approaches going from
architecture, to process of architectural creation and issues of
architectural impact on the gesture of the observer.
Neurophysiological aspects such as space navigation, gesture, body
posture control are involved in the experiments described as well
as questions about terminology and valid methodology. The next
chapter contains studies on music, mathematics and brain
(responsible editor Moreno Andreatta). The final section deals with
evolutionary aesthetics (responsible editor Julien Renoult).
Chapter "Composing Music from Neuronal Activity: The Spikiss
Project" is available open access under a Creative Commons
Attribution-NonCommercial 4.0 International License via
link.springer.com.
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Mathematics and Computation in Music - Third International Conference, MCM 2011, Paris, France, June 15-17, 2011. Proceedings (Paperback, Edition.)
Carlos Agon, Emmanuel Amiot, Moreno Andreatta, Gerard Assayag, Jean Bresson, …
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R1,586
Discovery Miles 15 860
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Ships in 10 - 15 working days
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This book constitutes the refereed proceedings of the Third
International Conference on Mathematics and Computation in Music,
MCM 2011, held in Paris, France, in June 2011. The 24 revised full
papers presented and the 12 short papers were carefully reviewed
and selected from 62 submissions. The MCM conference is the
flagship conference of the Society for Mathematics and Computation
in Music. This year's conference aimed to provide a
multi-disciplinary platform dedicated to the communication and
exchange of ideas amongst researchers involved in mathematics,
computer science, music theory, composition, musicology, or other
related disciplines. Areas covered were formalization and
geometrical representation of musical structures and processes;
mathematical models for music improvisation and gestures theory;
set-theoretical and transformational approaches; computational
analysis and cognitive musicology as well as more general
discussions on history, philosophy and epistemology of music and
mathematics.
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