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This book, first published in 1957, is the study of 14th-century Arab historian Ibn Khaldun, who founded a special science to consider history and culture, based on the philosophy of Plato and Aristotle and their Muslim followers. In no other field has the revolt of modern Western thought against traditional philosophy been so far-reaching in its consequences as in the field of history. Ibn Khaldun realized that history is more immediately related to action than political philosophy because it studies the actual state of man and society. He found that the ancients had not made history the object of an independent science, and thought it was important to fill this gap. A factual acquaintance with the conclusions of Ibn Khaldun's reflections on history is not the same as the full comprehension of their theoretical significance. When these fundamental questions are answered, it becomes possible to pose the specific question of the relation of Ibn Khaldun's philosophy of history, or his new science of culture, to other practical sciences and, particularly, to the art of history. After an exposition of the major trends of Islamic historiography, part of this book attempts to answer this question through the analysis of the method and intention of the sections of the 'History' where Ibn Khaldun himself examines the works of major Muslim historians, shows the necessity of the new science of culture, and distinguishes it from other practical sciences.
The stories of ?The Arabian Nights ?(and stories within stories, and stories within stories within stories) are famously told by the Princess Shahrazad, under the threat of death should the king lose interest in her tale. Collected over the centuries from India, Persia, and Arabia, and ranging from adventure fantasies, vivacious erotica, and animal fables, to pointed Sufi tales, these stories provided the daily entertainment of the medieval Islamic world at the height of its glory. No one knows exactly when a given story originated, and many circulated orally for centuries before being written down; but in the process of telling and retelling, they were modified to reflect the general life and customs of the Arab society that adapted them a distinctive synthesis that marks the cultural and artistic history of Islam. This translation is of the complete text of the Mahdi edition, the definitive Arabic edition of a fourteenth-century Syrian manuscript, which is the oldest surviving version of the tales and considered to be the most authentic."
This book, first published in 1957, is the study of 14th-century Arab historian Ibn Khaldun, who founded a special science to consider history and culture, based on the philosophy of Plato and Aristotle and their Muslim followers. In no other field has the revolt of modern Western thought against traditional philosophy been so far-reaching in its consequences as in the field of history. Ibn Khaldun realized that history is more immediately related to action than political philosophy because it studies the actual state of man and society. He found that the ancients had not made history the object of an independent science, and thought it was important to fill this gap. A factual acquaintance with the conclusions of Ibn Khaldun's reflections on history is not the same as the full comprehension of their theoretical significance. When these fundamental questions are answered, it becomes possible to pose the specific question of the relation of Ibn Khaldun's philosophy of history, or his new science of culture, to other practical sciences and, particularly, to the art of history. After an exposition of the major trends of Islamic historiography, part of this book attempts to answer this question through the analysis of the method and intention of the sections of the 'History' where Ibn Khaldun himself examines the works of major Muslim historians, shows the necessity of the new science of culture, and distinguishes it from other practical sciences.
Husain Haddawy's rapturously received translation of The Arabian Nights is based on a landmark reconstruction of the earliest extant manuscript version. Readers of this classic will also want to own Sindbad, a collection of four later stories associated with the Arabian Nights tradition, including "Sindbad the Sailor" and "Aladdin and the Magic Lamp."
This long-awaited reissue of the 1969 Cornell edition of Alfarabi's Philosophy of Plato and Aristotle contains Muhsin Mahdi's substantial original introduction and a new foreword by Charles E. Butterworth and Thomas L. Pangle. The three parts of the book, "Attainment of Happiness," "Philosophy of Plato," and "Philosophy of Aristotle," provide a philosophical foundation for Alfarabi's political works.
In this much-anticipated work, Muhsin Mahdi-widely regarded as the
preeminent scholar of medieval Islamic political
philosophy-distills more than four decades of research to offer an
authoritative analysis of the work of Alfarabi, the founder of
Islamic political philosophy. Mahdi, whose research brought to
light writings of Alfarabi previously known only through medieval
bibliographical references, presents this great thinker as his
contemporaries and followers would have seen him: as a philosopher
who sought to lay the foundations for a new understanding of
revealed religion and its relation to the tradition of political
philosophy.
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