Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Die vorliegende Arbeit soll bei ihrer Beschrankung auf ein Spezialgebiet den Bedurfnissen moeglichst weiter Kreise dienen. Dementsprechend ergab sich in erster Linie die moeglichste Einfach- heit der Darstellungsweise und die Abrundung des Stoffes, um auch dem weniger Vorgebildeten das klare Verstandnis der verschiedenen Eroerterungen zu ermoeglichen. Von der vorliegenden Literatur wurden die einschlagigen Ar- tikel der verschiedenen Fachzeitschriften, ferner das Buch von G. Hanchett: "The modern electric railway-motors", und das aus- fuhrliche Werk von Blondel-Dubois: "La traction electrique" benutzt, insbesondere wurden die Daten der Einleitung aus diesem letzteren Werke entlehnt. Ausserdem wurden umfassendere Arbeiten uber elektromechanische Probleme, wie z. B. von Arnold, Kapp u. a. an geeigneter Stelle verwertet. Die Angaben des siebenten Teiles stutzen sich auf unmittel- bare Mitteilungen der einzelnen Firmen und moechten wir denselben an dieser Stelle unseren Dank fur die freundliche Unterstutzung ausdrucken. Berlin, im Januar 1903. M. Muller. W. Mattersdorft Inhaltsverzeichnis. Einleitung. Seite Die historische Entwickelung der elektrischen Bahnen und der Bahnmotoren . . . . . . . . I. Die Arbeitsbedingungen fur die Bahnmotoren. Der Bewegungswiderstand. 10 1. Rollende Reibung . 11 2. Achslagerreibung . . . . 12 3. Luftwiderstand . . . . . 14 4. Der Widerstand- in Steigungen und im Gefalle 16 5. Der Widerstand in Bahnkrummungen 17 6. Widerstand irrfolge der Beschleunigung . . . 20 7. Gesamtwiderstand, Traktionskoeffizient . . . 21 Zugkraft, Beschleunigung und Verzoegerung 24 Adhasion . . . . . . . . . . . .... . 36 II. Die Wirkungsweise der Motoren im allgemeinen.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ The German Classics From The Fourth To The Nineteenth Century, Volume 1; The German Classics From The Fourth To The Nineteenth Century; Friedrich Max Muller Friedrich Max Muller, Wilhelm Scherer, Franz Lichtenstein Scribners, 1896 Literary Criticism; European; German; German literature; Literary Criticism / European / German

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Zimmerische Chronik, Volume 2; Zimmerische Chronik; Karl August Barack; Volumes 91-94 Of Bibliothek Des Literarischen Vereins In Stuttgart Froben Christof Zimmern (Graf von), Johannes Muller, Wilhelm Wernher Zimmern (Graf von) Karl August Barack Litterarischer Verein in Stuttgart, 1869 Germany; Wurttemberg (Germany)

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

Originally composed in 1786 as a work for orchestra, Haydn's piece inspired by the Seven Last Words of Christ was recast as a string quartet the next year and published as his Op. 51. On his way to London in 1794, Haydn heard an adaptation of his orchestral work for chorus with orchestra made by the Passau kapellmeister Joseph Friebert with German text based upon the original Latin seven words. Impressed, Haydn decided to make his own choral version, with a revised German text by Gottfried van Swieten. The new cantata version was premiered before an invited audience in Vienna on March 17, 1796 and first performed before the public over two years later (April 1, 1798). The vocal score reissued here is an authoritative one originally published in early years of the 20th century by C. F. Peters of Leipzig. As with all PLP scores a percentage of each sale is donated to the amazing online archive of free music scores and recordings, IMSLP - Petrucci Music Library.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.