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Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Die vorliegende Arbeit soll bei ihrer Beschrankung auf ein
Spezialgebiet den Bedurfnissen moeglichst weiter Kreise dienen.
Dementsprechend ergab sich in erster Linie die moeglichste Einfach-
heit der Darstellungsweise und die Abrundung des Stoffes, um auch
dem weniger Vorgebildeten das klare Verstandnis der verschiedenen
Eroerterungen zu ermoeglichen. Von der vorliegenden Literatur
wurden die einschlagigen Ar- tikel der verschiedenen
Fachzeitschriften, ferner das Buch von G. Hanchett: "The modern
electric railway-motors", und das aus- fuhrliche Werk von
Blondel-Dubois: "La traction electrique" benutzt, insbesondere
wurden die Daten der Einleitung aus diesem letzteren Werke
entlehnt. Ausserdem wurden umfassendere Arbeiten uber
elektromechanische Probleme, wie z. B. von Arnold, Kapp u. a. an
geeigneter Stelle verwertet. Die Angaben des siebenten Teiles
stutzen sich auf unmittel- bare Mitteilungen der einzelnen Firmen
und moechten wir denselben an dieser Stelle unseren Dank fur die
freundliche Unterstutzung ausdrucken. Berlin, im Januar 1903. M.
Muller. W. Mattersdorft Inhaltsverzeichnis. Einleitung. Seite Die
historische Entwickelung der elektrischen Bahnen und der
Bahnmotoren . . . . . . . . I. Die Arbeitsbedingungen fur die
Bahnmotoren. Der Bewegungswiderstand. 10 1. Rollende Reibung . 11
2. Achslagerreibung . . . . 12 3. Luftwiderstand . . . . . 14 4.
Der Widerstand- in Steigungen und im Gefalle 16 5. Der Widerstand
in Bahnkrummungen 17 6. Widerstand irrfolge der Beschleunigung . .
. 20 7. Gesamtwiderstand, Traktionskoeffizient . . . 21 Zugkraft,
Beschleunigung und Verzoegerung 24 Adhasion . . . . . . . . . . .
.... . 36 II. Die Wirkungsweise der Motoren im allgemeinen.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ The German Classics From The Fourth To The Nineteenth Century,
Volume 1; The German Classics From The Fourth To The Nineteenth
Century; Friedrich Max Muller Friedrich Max Muller, Wilhelm
Scherer, Franz Lichtenstein Scribners, 1896 Literary Criticism;
European; German; German literature; Literary Criticism / European
/ German
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
++++ The below data was compiled from various identification fields
in the bibliographic record of this title. This data is provided as
an additional tool in helping to ensure edition identification:
++++ Zimmerische Chronik, Volume 2; Zimmerische Chronik; Karl
August Barack; Volumes 91-94 Of Bibliothek Des Literarischen
Vereins In Stuttgart Froben Christof Zimmern (Graf von), Johannes
Muller, Wilhelm Wernher Zimmern (Graf von) Karl August Barack
Litterarischer Verein in Stuttgart, 1869 Germany; Wurttemberg
(Germany)
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
Originally composed in 1786 as a work for orchestra, Haydn's piece
inspired by the Seven Last Words of Christ was recast as a string
quartet the next year and published as his Op. 51. On his way to
London in 1794, Haydn heard an adaptation of his orchestral work
for chorus with orchestra made by the Passau kapellmeister Joseph
Friebert with German text based upon the original Latin seven
words. Impressed, Haydn decided to make his own choral version,
with a revised German text by Gottfried van Swieten. The new
cantata version was premiered before an invited audience in Vienna
on March 17, 1796 and first performed before the public over two
years later (April 1, 1798). The vocal score reissued here is an
authoritative one originally published in early years of the 20th
century by C. F. Peters of Leipzig. As with all PLP scores a
percentage of each sale is donated to the amazing online archive of
free music scores and recordings, IMSLP - Petrucci Music Library.
This is an EXACT reproduction of a book published before 1923. This
IS NOT an OCR'd book with strange characters, introduced
typographical errors, and jumbled words. This book may have
occasional imperfections such as missing or blurred pages, poor
pictures, errant marks, etc. that were either part of the original
artifact, or were introduced by the scanning process. We believe
this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing
commitment to the preservation of printed works worldwide. We
appreciate your understanding of the imperfections in the
preservation process, and hope you enjoy this valuable book.
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