The poetry of Muriel Rukeyser (1913-80) confronts the turbulent currents of modern history as it explores with depth and honesty the realms of politics, sexuality, mythic imagination, technological change and family life. Rukeyser was a social activist of unwavering commitment, a tireless experimenter who opened fresh forms and fresh subject-matter in modern American poetry, and a writer who was constantly testing her own limits in a life's work of extraordinary scope. She held a visionary belief in the human capacity to create social change through language, and earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty and racism. Edited and introduced by Adrienne Rich, this new selection provides an indispensable introduction to the adventurous and prolific work of one of the most significant and influential American poets of the 20th century.

The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today.

Observing that poetry is a natural part of our pastimes and rituals, Muriel Rukeyser opposes elitist attitudes and confronts Americans' fear of feeling. Multicultural and interdisciplinary, this collection of essays and speeches makes an irrefutable case for the centrality of poetry in American life.

"At first "Savage Coast" is a train-of-fools comedy; later, it's a cross-cultural love story Hemingway would have envied for its suddenness." --"New York Times Book Review"
"Rejected by her publisher in 1937, poet Rukeyser's newly discovered autobiographical novel is both an absorbing read and an important contribution to 20th-century history.... Ironically, the factors that led to the novel's rejection--Rukeyser's avant-garde impressionistic prose style, alternating with realistic scenes of brutal death and a few descriptions of sexual congress--are what make the book appealing today."--"Publisher's Weekly"

As a young reporter in 1936, Muriel Rukeyser traveled to Barcelona to witness the first days of the Spanish Civil War. She turned this experience into an autobiographical novel so forward thinking for its time that it was never published. Recently discovered in her archive, this lyrical work charts her political and sexual awakening as she witnesses the popular front resistance to the fascist coup and falls in love with a German political exile who joins the first international brigade.

Rukeyser's narrative is a modernist investigation into the psychology of violence, activism, and desire; a documentary text detailing the start of the war; and a testimony to those who fought and died for freedom and justice during the first major battle against European fascism.

Muriel Rukeyser (1913-1980) was a prolific American writer and political activist, influencing generations of poets including Anne Sexton, Adrienne Rich, Sharon Olds, and Alice Walker, to name a few. She wrote on the Scottsboro trial in Alabama, the Spanish Civil War, the Vietnam War, and the imprisonment of poet Kim Chi-Ha in South Korea. She was one of the few modernist writers to champion social justice issues, showing the place of memory and feelings in politics. Rukeyser's centenary will be celebrated in 2013.

Rowena Kennedy-Epstein is a PhD candidate in English at the Graduate Center of the City University of New York.

The Muriel Rukeyser Era makes available for the first time a range of Muriel Rukeyser's prose, a rich and diverse archive of political, social, and aesthetic writings. Eric Keenaghan and Rowena Kennedy-Epstein assemble a selection of unpublished and out-of-print texts, demonstrating the diversity, brilliance, and possibilities of mid-twentieth-century women's intellectual life and sociopolitical engagement. Although primarily known as a poet, Rukeyser produced an expansive and influential body of nonfiction and critical writings. Reflective of a deeply committed thinker, her accessible but philosophically complex prose—including essays, lectures, radio scripts, stories, and reviews—addresses issues related to racial, gender, and class justice, war and war crimes; the prison-industrial complex, Jewish culture and diaspora, motherhood, literature, music, cinema, and translation. Many of the selected texts have been forgotten, have fallen out of print, or were never previously published because of conservative Cold War political and gender orthodoxies. The Muriel Rukeyser Era offers new insight into Rukeyser's radical and strikingly contemporary vision for the role of the writer—especially the woman writer. This selection reveals the centrality of feminism, antifascism, and antiracism to her thinking and thus affirms the resonance and urgency of her work today.

The Poems of Octavio Paz is the first retrospective collection of Paz's poetry to span his entire writing career from his first published poem, at age seventeen, to his magnificent last poem. This landmark bilingual edition contains many poems that have never been translated into English before, plus new translations based on Paz's final revisions. Assiduously edited by Eliot Weinberger-who has been translating Paz for over forty years-The Poems of Octavio Paz also includes translations by the poet-luminaries Elizabeth Bishop, Paul Blackburn, Denise Levertov, Muriel Rukeyser, and Charles Tomlinson. Readers will also find Weinberger's capsule biography of Paz, as well as notes on many poems in Paz's own words, taken from various interviews he gave throughout his long and singular life.