Spiritualist and extortionist Patrick Seton is coming up for trial. He's been accused of forgery, and suddenly West London's bachelors are all in a tizzy. Described by Evelyn Waugh as the 'cleverest and most elegant of all Mrs Spark's clever and elegant books', The Bachelors is a biting comedy of English manners. This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

Edinburgh, 1930, and the world is on the brink of change. Leading the charge is the glamorous, free-spirited Miss Jean Brodie, schoolteacher at the Marcia Blaine Academy, whose guiding principle is 'Give me a girl at an impressionable age and she ll be mine for life. I am dedicated to you in my prime.' While Miss Brodie manipulates and charms 'her girls' - known as the Brodie Set - with notions of romance and heroism, tragedy and a cruel betrayal beckon.

This is one of the 22 novels written by Muriel Spark in her lifetime. All are being published by Polygon in hardback Centenary Editions between November 2017 and September 2018.

At the staid Marcia Blaine School for Girls, in Edinburgh, Scotland, teacher extraordinaire Miss Jean Brodie is unmistakably, and outspokenly, in her prime. She is passionate in the application of her unorthodox teaching methods, in her attraction to the married art master, Teddy Lloyd, in her affair with the bachelor music master, Gordon Lowther, and--most important--in her dedication to "her girls," the students she selects to be her creme de la creme. Fanatically devoted, each member of the Brodie set--Eunice, Jenny, Mary, Monica, Rose, and Sandy--is "famous for something," and Miss Brodie strives to bring out the best in each one. Determined to instill in them independence, passion, and ambition, Miss Brodie advises her girls, "Safety does not come first. Goodness, Truth, and Beauty come first. Follow me."

And they do. But one of them will betray her.

Before she published her distinguished novels, Muriel Spark first made her name as a critic and poet. Her discerning study of the poet and novelist John Masfield will therefore be doubly welcome, as an example of her earlier work, and as one of the best introductions to Masefield. With characteristic insight, Spark shows Masfield's development as a storyteller, through his early lyrics to his long narrative poems and finally his prose, together with his gift for observation of the life around him. John Masefield (1878-1967) lived a life as varied as his work. At the age of fifteen he went to sea as an apprentice in a windjammer and made the voyage round Cape Horn. The next three years he spent in New York, in a bakery, a livery stable, a saloon and a carpet factory. Back in England, he wrote for the Guardian and in the First World War served with the Red Cross. Throughout these years he had been writing poetry, and when in 1923 his Collected Poems appeared they sold over 200,000 copies. In 1930 he succeeded Robert Bridges as Poet Laureate.He was a prodigious novelist, essayist and poet; among his best known works are The Everlasting Mercy, Dauber, Reynard the Fox, Sard Marker and The Midnight Folk. 'I feel a large amount of my writing on him can be applied generally', wrote Spark in 1992: 'It is in many ways a statement of my position as a literary critic and I hope some readers will recognise it as such.'

From the cruel irony of 'A member of the Family' to the fateful echoes of 'The Go-Away Bird' and the unexpectedly sinister 'The Girl I Left Behind Me', in settings that range from South Africa to the Portobello Road, Muriel Spark probes the idiosyncrasies that lurk beneath the veneer of human respectability, displaying the acerbic wit and wisdom that are the hallmarks of her unique talent. The Complete Short Stories is a collection to be loved and cherished, from one of the finest short story writers of the twentieth century.

In her foreword to All The Poems (2003) Muriel Spark wrote, 'Although most of my life has been devoted to fiction, I have always thought of myself as a poet. I do not write "poetic" prose, but feel that my outlook on life and my perceptions of events are those of a poet.' Including previously uncollected work, this new edition demonstrates her ear for the rightness of a line and her eye for the telling detail, her command of poetic forms and her ability to rise to the different challenges of freer verse. Spark's poems are witty, idiosyncratic and haunting, transforming the familiar into glittering moments of strangeness, revealing the dark - and light - music beneath the mundane.

First published by Peter Owen in 1993, this book brings together Muriel Spark's writings on the Bronte sisters, including a selection of their letters and a selection of Emily Bronte's poems. Perceptively but unsentimentally, Spark considers the Brontes' lives and works, including their generally disastrous attempts at teaching, and reflects on her own fascination, as a writer and a reader, with Emily Bronte and with 'the immortal Wuthering Heights and its nightmare hero'. This edition features a new foreword by Boyd Tonkin, Literary Editor at the Independent.

Caroline Rose has a problem. She hears voices and the incessant tapping of typewriter keys, and she seems to be a character in a novel . . . A comedy of errors, a crime novel, a book about books, Spark's debut remains as otherworldly and mischievous as it was when first published sixty years ago. The publishers acknowledge investment from Creative Scotland towards the publication of this book. Supported by the Muriel Spark Society.

One of the BBC's '100 Novels that Shaped the World' A Hay Festival and The Poole VOTE 100 BOOKS for Women Selection Muriel Spark's classic The Prime of Miss Jean Brodie features a schoolmistress you'll never forget, in this beautifully repackaged Penguin Essentials edition. 'Give me a girl at an impressionable age, and she is mine for life . . .' Passionate, free-thinking and unconventional, Miss Brodie is a teacher who exerts a powerful influence over her group of 'special girls' at Marcia Blaine School. They are the Brodie set, the creme de la creme, each famous for something - Monica for mathematics, Eunice for swimming, Rose for sex - who are initiated into a world of adult games and extracurricular activities they will never forget. But the price they pay is their undivided loyalty . . . The Prime of Miss Jean Brodie is a brilliantly comic novel featuring one of the most unforgettable characters in all literature. 'Muriel Spark's novels linger in the mind as brilliant shards' John Updike 'Spark's most celebrated novel' Independent 'There is no question about the quality and distinctiveness of her writing, with its quirky concern with human nature, and its comedy' William Boyd 'A brilliant psychological figure' Observer Muriel Spark was born and educated in Edinburgh. She was active in the field of creative writing since 1950, when she won a short-story writing competition in the Observer, and her many subsequent novels include Memento Mori (1959), The Ballad of Peckham Rye (1960), The Prime of Miss Jean Brodie (1961), The Girls of Slender Means (1963) and Aiding and Abetting (2000). She also wrote plays, poems, children's books and biographies. She became Dame Commander of the British Empire in 1993, and died in 2006.

Long ago in 1945 all the nice people in England were poor, allowing for exceptions, begins The Girls of Slender Means, Dame Muriel Spark's tragic and rapier-witted portrait of a London ladies' hostel just emerging from the shadow of World War II. Like the May of Teck Club itself -- three times window shattered since 1940 but never directly hit -- its lady inhabitants do their best to act as if the world were back to normal: practicing elocution, and jostling over suitors and a single Schiaparelli gown. The novel's harrowing ending reveals that the girls' giddy literary and amorous peregrinations are hiding some tragically painful War wounds. Chosen by Anthony Burgess as one of the Best Modern Novels in The london Sunday Times Review, The Girls of Slender Means is a taut and eerily perfect novel by an author The New York Times has called one of this century's finest creators of comic-metaphysical entertainment.

Described as 'a metaphysical shocker' at the time of its release, Muriel Sparks' The Driver's Seat is a taut psychological thriller, published with an introduction by John Lanchester in Penguin Modern Classics. Lise has been driven to distraction by working in the same accountants' office for sixteen years. So she leaves everything behind her, transforms herself into a laughing, garishly-dressed temptress and flies abroad on the holiday of a lifetime. But her search for adventure, sex and new experiences takes on a far darker significance as she heads on a journey of self-destruction. Infinity and eternity attend Lise's last terrible day in an unnamed southern city, as she meets her fate. One of six novels to be nominated for a 'Lost Man Booker Prize', The Driver's Seat was adapted into a 1974 film, Identikit, starring Elizabeth Taylor. Muriel Spark (1918 - 2006) wrote poetry, stories, and biographies as well as a remarkable series of novels, including The Prime of Miss Jean Brodie (1961), The Mandelbaum Gate (1965) which received the James Tait Black Prize, and The Public Image (1968) and Loitering with Intent (1981), both of which were shortlisted for the Booker Prize. Spark was awarded the T.S. Eliot Award for poetry in 1992, and the David Cohen Prize for literature in 1997. If you enjoyed The Driver's Seat, you might like Spark's The Prime of Miss Jean Brodie, also available in Penguin Modern Classics. 'An extraordinary tour de force, a crime story turned inside out' David Lodge 'Her spiny and treacherous masterpiece' New Yorker

Romantic, heroic, comic and tragic, unconventional schoolmistress Jean Brodie has become an iconic figure in post-war fiction. Her glamour, freethinking ideas and manipulative charm hold dangerous sway over her girls at the Marcia Blaine Academy - the 'creme de la creme' - who become the Brodie Set, introduced to a privileged world of adult games that they will never forget.

Scottish Stories is a treasury of great writing from a richly literary land, where the short story has flourished for over two centuries. Here are chilling supernatural stories from Robert Louis Stevenson, Eric Linklater and Dorothy K. Haynes; side-splittingly funny stories from Alasdair Gray and Irvine Welsh; a stylish offering from urban realist William McIlvanney. Iain Crichton Smith evokes the Gaelic-speaking highlands, George Mackay-Brown the Orkney islands, Andrew O'Hagan working-class Glasgow; while Leila Aboulela, originally from Sudan, ponders the relations between colonizers and colonized from her home in Aberdeen. Though there is no one 'Scottishness' that binds the authors together, writes editor Gerard Carruthers, each has a Scottish footprint or accent. And perhaps more importantly, all are masters of their form.

From the grimly gothic Not to Disturb to the razor-sharp dissection of manners The Takeover and the mordantly brilliant The Only Problem, in a panoramic sweep taking in the shores of the Italian lakes to the castles of Geneva, Muriel Spark casts her unflinching gaze over the continent and onto some of the odder specimens of human nature abounding there. By turns savage, witty and profound, Spark's Europe reaffirms Muriel Spark as one of the most important novelists of the twentieth century.

'It never really occurred to her that literary men, if they like women at all, do not want literary women but girls.' The May of Teck Club 'exists for the Pecuniary Convenience and Social Protection of Ladies of Slender Means below the age of Thirty Years'. Nevertheless, and though there is a war on, they find the time between elocution lessons to jostle one another over suitors (some more suitable than others) and a single Schiaparelli gown. But can a love of literature, fine clothes and amorous young men save these young ladies from the horrors of the real world? 'Unsettling and exhilarating' William Boyd, Daily Telegraph 'An enduring genius' Guardian

Remember you must die. Dame Lettie Colston is the first of her circle to receive insinuating anonymous phone calls. Neither she, nor her friends, wish to be reminded of their mortality, and their geriatric feathers are thoroughly ruffled. As the caller's activities become more widespread, old secrets are dusted off, exposing post and present duplicities, self-deception and blackmail. Nobody is above suspicion. Witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more. Books included in the VMC 40th anniversary series include: Frost in May by Antonia White; The Collected Stories of Grace Paley; Fire from Heaven by Mary Renault; The Magic Toyshop by Angela Carter; The Weather in the Streets by Rosamond Lehmann; Deep Water by Patricia Highsmith; The Return of the Soldier by Rebecca West; Their Eyes Were Watching God by Zora Neale Hurston; Heartburn by Nora Ephron; The Dud Avocado by Elaine Dundy; Memento Mori by Muriel Spark; A View of the Harbour by Elizabeth Taylor; and Faces in the Water by Janet Frame

The Ballad of Peckham Rye is the wickedly farcical fable of a blue-collar town turned upside down. When the firm of Meadows, Meade & Grindley hires Dougal Douglas (a.k.a. Douglas Dougal) to do "human research" into the private lives of its workforce, they are in no way prepared for the mayhem, mutiny, and murder he will stir up. "Not only funny but startlingly original", declared The Washington Post, "the legendary character of Dougal Douglas...may not have been boasting when he referred so blithely to his association with the devil". In fact this Music Man of the thoroughly modern corporation changes the lives of all the eccentric characters he meets, from Miss Merle Coverdale, head of the typing pool, to V.R. Druce, unsuspecting Managing Director. The Ballad of Peckham Rye presents Dame Muriel Spark at her most devilishly piquant.

'One of her funniest novels . . . Spark at her sharpest, her purest and her most merciful' ALI SMITH In The Finishing School Muriel Spark is once again at her biting, satirical best. On the edge of Lake Geneva in Switzerland, a struggling would-be novelist and his wife run a finishing school of questionable reputation to keep the funds flowing. When a seventeen-year-old student's writing career begins to show great promise, tensions run high. A keen portrait of devouring regret, psychological unravelling and the glittering promise of youth, The Finishing School is the perfect natural partner to Muriel Spark's most famous novel The Prime of Miss Jean Brodie.

The Bachelors displays the best of Sparkian satire, placing her at the heart of a great literary tradition alongside Waugh and Trollope, Wilde and Wodehouse. It demands rediscovery. 'It's easy to see why Waugh admired The Bachelors. On one level, it is a blithely carnivorous satire in the Waugh mould. The bachelors of the title - almost the only men we meet in the narrative - are the thirty-something male barristers, teachers, journalists and museum attendants of a small patch of West London. They lead inturned, doddery, superannuated lives, pottering between grocers, coffee-houses, bedsits and the houses of their mothers and aunts. But the comedy here is serious in a way that Waugh's satanically energetic comedies of misery rarely are . . . comedies of English manners have seldom been darker' Daily Telegraph 'My admiration for Spark's contribution to world literature knows no bounds. She was peerless, sparkling, inventive and intelligent - the creme de la creme' Ian Rankin 'Muriel Spark's novels linger in the mind as brilliant shards, decisive as a smashed glass is decisive' John Updike, New Yorker

Rich and slim, the celebrated author Nancy Hawkins takes us in hand and leads us back to her threadbare years in postwar London, where she spends her days working for a mad, near-bankrupt publisher ( of very good books ) and her nights dispensing advice at her small South Kensington rooming house. Everywhere Mrs. Hawkins finds evil: with aplomb, however, she confidently sets about putting things to order, to terrible effect."

With a cover design by Lucienne Day When Mrs Hawkins tells Hector Bartlett he is a 'pisseur de copie', that he 'urinates frightful prose', little does she realise the repercussions. Holding that 'no life can be carried on satisfactorily unless people are honest' Mrs Hawkins refuses to retract her judgement, and as a consequence, loses not one, but two much-sought-after jobs in publishing. Now, years older, successful, and happily a far cry from Kensington, she looks back over the dark days that followed, in which she was embroiled in a mystery involving anonymous letters, quack remedies, blackmail and suicide.

A funny and clever novel about art and reality and the way they imitate each other, from the author of The Prime of Miss Jean Brodie. With an introduction by Mark Lawson. Would-be novelist Fleur Talbot works for the snooty, irascible Sir Quentin Oliver at the Autobiographical Association, whose members are all at work on their memoirs. When her employer gets his hands on Fleur's novel-in-progress, mayhem ensues as its scenes begin coming true... Spark's inimitable style make this literary joyride thoroughly appealing. 'The most gloriously entertaining novel since The Prime of Miss Jean Brodie.' AN Wilson, Spectator 'I read this book in a delirium of delight ... robust and full-bodied, a wise and mature work, and a brilliantly mischievous one.' New York Times Book Review

Unforgettably astounding and a joy to read, Memento Mori is considered by many to be the greatest novel by the wizardly Dame Muriel Spark. In late 1950s London, something uncanny besets a group of elderly friends: an insinuating voice on the telephone informs each, "Remember you must die." Their geriatric feathers are soon thoroughly ruffled by these seemingly supernatural phone calls, and in the resulting flurry many old secrets are dusted off. Beneath the once decorous surface of their lives, unsavories like blackmail and adultery are now to be glimpsed. As spooky as it is witty, poignant and wickedly hilarious, Memento Mori may ostensibly concern death, but it is a book which leaves one relishing life all the more.

In late 1950s London, something uncanny besets a group of elderly friends: an insinuating voice on the telephone reminds each: Remember you must die. Their geriatric feathers are soon thoroughly ruffled, and many an old unsavory secret is dusted off.