In 1996 Trainspotting was the biggest thing in British culture. Brilliantly and aggressively marketed, it crossed into the mainstream despite being a black comedy set against the backdrop of heroin addiction in Edinburgh. Produced by Andrew Macdonald, scripted by John Hodge and directed by Danny Boyle, the team behind Shallow Grave (1994), Trainspotting was an adaptation of Irvine Welsh's barbed novel of the same title. The film is crucial for understanding British culture in the context of devolution and the rise of 'Cool Britannia'. Murray Smith unpicks the processes that led to Trainspotting's enormous success. He isolates various factors - the film's eclectic soundtrack, its depiction of Scottish identity, its attitude to deprivation, drugs and violence, its traffic with American cultural forms, its synthesis of realist and fantastic elements, and its complicated relationship to 'heritage' - that make Trainspotting such a vivid document of its time. Although it heralded a false dawn for British film-making,Trainspotting is, Smith concludes, both authentically vernacular and yet transnational in its influences and ambitions. In his afterword to this new edition, Murray Smith reflects on the original film 25 years after its release, and its 2017 sequel T2: Trainspotting also directed by Boyle. Smith also considers Danny Boyle's subsequent directorial career, with highlights including Slumdog Millionaire (2008) and the 2012 London Olympics opening ceremony.

A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.

A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.

Contents:
1. Basic Principles: The Operating Regime Approach 2. Modelling: Fuzzy Set Methods for Local Modelling Identification 3. Modelling of Electrically Stimulated Muscle 4. Process Modelling Using a Functional State Approach 5. Markov Mixtures of Experts 6. Active Learning With Mixture Models 7. Local Learning in Local Model Networks 8. Side Effects of Normalising Basic Functions 9. Control: Heterogeneous Control Laws 10. Local Laguerre Models 11. Multiple Model Adaptive Control 12. H Control Using Multiple Linear Models 13. Synthesis of Fuzzy Control Systems Based on Linear Takagi-Sugeno Fuzzy Models

1995, the Swiss Alps. Patricia Highsmith, the queen of the thriller, now ageing and ailing, hides away in her study, surrounded by her collection of books and antique weaponry, finding solace in her seclusion, her cats and her cigarettes. A polished young man turns up, sent by her New York publisher to persuade her to write one final instalment of her best-selling series featuring the master manipulator, Tom Ripley. But as day breaks over the mountains, it becomes clear that the charming stranger is set on a far more sinister mission. Joanna Murray-Smith's play Switzerland is a gripping psychological thriller, filled with razor-sharp dialogue. It was first performed at the Sydney Opera House in 2014. The play received its UK premiere at the Ustinov Studio, Theatre Royal Bath, in 2018, before transferring to the Ambassadors Theatre in London's West End.

This book contains papers invited after the First International Workshop on Mobile Social Signal Processing, MSSP 2010, held in Lisbon, Portugal, in September 2010. The 9 revised papers included in this volume represent the diversity of two fields of research, Mobile HCI and Social Signal Processing and areas of overlap. They cover a wide range of topics spanning from approaches for effective interaction with mobile and wearable devices to modelling, analysis and synthesis of nonverbal behaviour in human-human and human-machine interactions.

obtained by simulation more quickly, effec Computer simulation of dynamic systems is a topic which is growing steadily in importance tively and cheaply than by experimentation and testing of the real system. System perfor in the physical sciences, engineering, biology and medicine. The reasons for this trend mance can also be investigated using simula relate not only to the steadily increasing tion for a much wider range of conditions than can be contemplated for the real system power of computers and the rapidly falling costs of hardware, but also to the availability because of operating constraints or safety of appropriate software tools in the form of requirements. Similar factors can apply in simulation languages. Problem-oriented lan other fields, such as biomedical systems guages of this kind assist those who are not engineering. specialists in computational methods to trans System simulation, using digital computers, can relate either to models based on continu late a mathematical description into a simula tion program in a simple and straightforward ous variables or to discrete-event descriptions. fashion. They can also provide useful diag Continuous system simulation techniques are applied to systems described by sets of differ nostic information when difficulties are encountered. Therefore, a simulation lan ential equations and algebraic equations.

A central theme in the study of dynamic systems is the modelling and control of uncertain systems. While 'uncertainty' has long been a strong motivating factor behind many techniques developed in the modelling, control, statistics and mathematics communities, the past decade, in particular, has witnessed remarkable progress in this area with the emergence of a number of powerful newmethodsforbothmodellingandcontrollinguncertaindynamicsystems. The speci?c objective of this book is to describe and review some of these exciting new approaches within a single volume. Our approach was to invite some of the leading researchers in this area to contribute to this book by submitting both tutorial papers on their speci?c area of research, and to submit more focussed research papers to document some of the latest results in the area. We feel that collecting some of the main results together in this manner is particularly important as many of the important ideas that emerged in the past decade were derived in a variety of academic disciplines. By providing both tutorial and researchpaperswehopetobeabletoprovidetheinterestedreaderwithsu?cient background to appreciate some of the main concepts from a variety of related, but nevertheless distinct ?elds, and to provide a ?avor of how these results are currently being used to cope with 'uncertainty. ' It is our sincere hope that the availability of these results within a single volume will lead to further cro- fertilization of ideas and act as a spark for further research in this important area of applied mathematics.

Haptic human-computer interaction is interaction between a human computer user and the computer user interface based on the powerful human sense of touch. Haptic hardware has been discussed and exploited for some time, particularly in the context of computer games. However, so far, little attention has been paid to the general principles of haptic HCI and the systematic use of haptic devices for improving efficiency, effectiveness, and satisfaction in HCI.This book is the first one to focus on haptic human-computer interaction. It is based on a workshop held in Glasgow, UK, in August / September 2000. The 22 revised full papers presented were carefully reviewed and selected from 35 submissions. Besides a brief historic survey, the book offers topical sections on haptic interfaces for blind people, collaborative haptics, psychological issues and measurement, and applications of haptics.

Thriller starring Susan George. After their parents divorce, one daughter lives with her mother in England while the other lives with her father in Portugal. Following the death of her mother, Marianne (George) stands to inherit a large sum of money and also a number of documents containing information that will incriminate her father, who was a crooked judge. As knowledge of her new found wealth circulates, would-be kidnappers conspire to kill her and claim the substantial sum of money. While her father wants the documents, her sister wants the money and they will each stop at nothing to get what they want.

A reconciliation between a mother and the daughter she gave away at birth. Anna is a successful film editor in her 40s who has defined herself through her political conscience. Living alone in a cold, stylish apartment she believes she has come to terms with her history, until a young woman called Billie arrives at her door. Billie acts in soap operas, doesn't believe in political action and wants a mother. Together these two fractured women confront the implications of distance; between then and now, between generations and between the one who gave away and the one who was let go.

This must-read text/reference provides a practical guide to processes involved in the development and application of dynamic simulation models, covering a wide range of issues relating to testing, verification and validation. Illustrative example problems in continuous system simulation are presented throughout the book, supported by extended case studies from a number of interdisciplinary applications. Topics and features: provides an emphasis on practical issues of model quality and validation, along with questions concerning the management of simulation models, the use of model libraries, and generic models; contains numerous step-by-step examples; presents detailed case studies, often with accompanying datasets; includes discussion of hybrid models, which involve a combination of continuous system and discrete-event descriptions; examines experimental modeling approaches that involve system identification and parameter estimation; offers supplementary material at an associated website.

Engage: Designed for the needs of Entry 3/Level 1 learners with a full-colour, spread-based approach, and topics broken into clear, bite-sized chunks to retain learners' attention. Lively activities, mini case studies and clear checklists and summaries help learners engage with - and remember - content. Achieve: Covers 11 units of the Level 1 specification - enough for a Diploma -and 3 Units of the Entry Level 3 specification - enough for an Award, giving learners all the content they need to help them achieve their qualification. Edexcel's own Assignment tips, written by BTEC experts, help learners to achieve their potential in assessments. Activities mapped to the assessment criteria in each unit, provide support and clear direction for learners, helping them to work towards the criteria. Progress: Prepares learners for employment with a focus on employability skills and definitions of key terms. Helps learners progress to BTEC Level 2 First by building their confidence with the style of BTEC qualifications.

Six funny and perceptive monologues about the stresses of modern female life. Meryl Davenport - A mother who tells the story of her non-stop day in a rapid-fire internal monologue. Tiggy Entwhistle - A cactus lover bravely attempting to rise above her relationship crisis. Mary O'Donnell - A feisty teenage schoolgirl competing in a talent quest. Theresa McTerry - An increasingly disillusioned bride on her wedding day. Winsome Webster - A widow with an appetite for the unexpected. Zoe Struthers - An American cabaret singer who's had her fair share of personal problems. Joanna Murray-Smith's play Bombshells was first performed by Caroline O'Connor at the Fairfax Theatre, Victorian Arts Centre, Melbourne, Australia, in December 2001. It was revived at the same venue in 2004, transferring to the York Theatre in Sydney in April 2004. A reduced version consisting of four monologues was performed by Caroline O'Connor as part of the Edinburgh Festival Fringe at the Assembly Rooms, Edinburgh, in 2004. This production - now consisting of all six monologues - transferred to the Arts Theatre in the West End in September 2004.

This must-read text/reference provides a practical guide to processes involved in the development and application of dynamic simulation models, covering a wide range of issues relating to testing, verification and validation. Illustrative example problems in continuous system simulation are presented throughout the book, supported by extended case studies from a number of interdisciplinary applications. Topics and features: provides an emphasis on practical issues of model quality and validation, along with questions concerning the management of simulation models, the use of model libraries, and generic models; contains numerous step-by-step examples; presents detailed case studies, often with accompanying datasets; includes discussion of hybrid models, which involve a combination of continuous system and discrete-event descriptions; examines experimental modeling approaches that involve system identification and parameter estimation; offers supplementary material at an associated website.

An unsettling play about infidelity seen from the perspective of the three women involved: the wife, the lover and the daughter. George and Honor have been happily married for thirty-two years. She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist - on an assignment to 'profile' George - quite deliberately seeks to undermine that understanding. The fallout is dreadful - but beautifully and convincingly portrayed in all its painful consequences. Joanna Murray-Smith's play Honour was first performed at the Playbox Theatre, Melbourne, Australia, in November 1995. It received its UK premiere, in this revised version, at the National Theatre, London, in February 2003, and was revived in the West End in 2006.

A deliciously wicked comedy that proves that the female of the species is not only deadlier, but funnier than the male. From the author of the West End-hit, Honour. Thirty years ago Margot Mason, pioneer of the 1970's Women's Liberation movement and fearless academic, wrote her groundbreaking work, The Cerebral Vagina. Numerous best-sellers and international adulation followed, but now she has writer's block. As she sits in her country house struggling with a deadline, in walks Molly Rivers, student, idealist and daughter of one of Margot's most dedicated followers. Initially flattered, Margot is less pleased when Molly handcuffs her to the desk and pulls a gun... Joanna Murray-Smith's play The Female of the Species was premiered in Melbourne, Australia, in 2006. This revised version was premiered at the Vaudeville Theatre in the West End in 2008.

In this unique volume, the International Institute for Research and Education's current and previous co-directors explain its origins, activity and challenges. On 11 June 1981, the Institut international de recherches et de formation pour promouvoir le socialisme scientifique et democratique (later shortened to the more versatile Institut International de Recherche et de Formation) was founded by a Belgian royal charter. It fulfilled a plan by Jacob Moneta, the editor-in-chief of the important big German trade union journal Metall, the Belgian Marxist economist Ernest Mandel, the Swiss economist Charles-Andre Udry and the philologist Jan Philipp Reemtsma. The following summer, the IIRE opened in Amsterdam as a centre for education and research in the service of progressive activists, linked closely to the Marxist and workers' movements worldwide. After three decades, hundreds of successful seminars, schools and lectures have taken part at the IIRE, with many dozens of participants from every continent the IIRE. In Amsterdam, as in the new IIREs in Manila and Islamabad, its meeting rooms and bedrooms are used by a wide range of progressive activists and organisations. The IIRE is also the home for projects like the Notebooks for Study and Research, the Ernest Mandel Study Centre and the Institute for Critical Research.