Between South and Central Asia, in the high mountains and cold deserts, India, Pakistan and China have fought brutal wars over barren, uninhabited territory in a bid for control over their national peripheries, including Xinjiang and Tibet in China, and Jammu and Kashmir on the Indian subcontinent. White as the Shroud explores this broader story through the most surreal of such conflicts: the Siachen war, fought between India and Pakistan for control of the eponymous glacier. The tale of Siachen highlights the absurdity of seeking hard borders in such desolate mountains, as well as the brutality of high-altitude warfare-- more soldiers were killed by the weather and terrain than by the fighting. As one of the few people to have visited both sides of the glacier, Indian and Pakistani, Myra MacDonald provides a first-hand view of the battlefield and a wealth of eyewitness testimony from combatants. She sets this account in the overarching narrative of the Kashmir conflict, India's defeat by China in 1962, and the 1999 India-Pakistan Kargil war. White as the Shroud brings a fresh perspective to one of the most volatile corners of the world, raising questions about borders and the wars fought to defend them.

When India and Pakistan held nuclear tests in 1998, they restarted the clock on an intense competition that had begun with Partition. Nuclear weapons restored strategic parity, erasing the advantage of India's much larger military. But the shield offered by nuclear weapons also encouraged a reckless reliance by Pakistan on militant proxies even as jihadis spun out of control within and beyond its borders. In the years that followed, Pakistan would lose decisively to India, sacrificing its own domestic stability in a failed attempt to assert its claim to Kashmir and influence events in Afghanistan.Defeat is an Orphan tracks the defining episodes in the relationship between India and Pakistan from 1998, from bitter conflict in the mountains to military confrontation in the plains, from the hijacking of an Indian airliner to the Mumbai attacks. It is a frank history of an enduringly bitter relationship, set against the background of Islamist militancy in Pakistan and India's economic leap forward.

This text reassesses how women are talked about and constructed visually across a range of popular media. Arguing for the importance of a historical approach, this book examines continuities and changes in dominant myths of femininity, especially in the transition from the modern to the postmodern period. The influences of feminism and consumerism on these developments are given particular attention. The book starts with an orientating chapter on the contributions of a variety of disciplines to our understanding of gender in relation to the media. Psychology, psychoanalysis, sociology, art history and cultural studies are each critically reviewed, enabling students to compare perspectives and to locate the variety of approaches they may encounter in other readings. A chapter on gender and consumerism and a detailed analysis of myths of femininity are also included. Outlining key theoretical debates in an accessible manner this book offers a wide range of examples from advertising, women's magazines, popular television programmes and mainstream film.