This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women's achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space-the world fair.

This book argues for the importance of bringing women and gender more directly into the dynamic field of exposition studies. Reclaiming women for the history of world fairs (1876-1937), it also seeks to introduce new voices into these studies, dialoguing across disciplinary and national historiographies. From the outset, women participated not only as spectators, but also as artists, writers, educators, artisans and workers, without figuring among the organizers of international exhibitions until the 20th century. Their presence became more pointedly acknowledged as feminist movements developed within the Western World and specific spaces dedicated to women's achievements emerged. International exhibitions emerged as showcases of "modernity" and "progress," but also as windows onto the foreign, the different, the unexpected and the spectacular. As public rituals of celebration, they transposed national ceremonies and protests onto an international stage. For spectators, exhibitions brought the world home; for organizers, the entire world was a fair. Women were actors and writers of the fair narrative, although acknowledgment of their contribution was uneven and often ephemeral. Uncovering such silence highlights how gendered the triumphant history of modernity was, and reveals the ways women as a category engaged with modern life within that quintessential modern space-the world fair.

This engaging book provides a gateway to larger themes in modern British history through a set of fascinating portraits of individuals that explore important events and movements from the perspective of the people involved. Political developments are illuminated through chapters on John Locke, Charles Townshend, popular radicalism, and Margaret Thatcher. Religion and education are considered through essays on evangelicalism, the Oxford Movement, Charles Bradlaugh, and Sir James Kay Shuttleworth. Industrial and imperial questions are explored through pieces on the Great Exhibition, the Indian Rebellion of 1857, and post-colonial Nigeria. National identity and wartime experience come to life in the lives of G. K. Chesterton and of Barbara Nixon, an Airraid Warden during the Blitz. Many of the chapters examine the experiences of women, including single women in early modern England, suffragettes, and Irish nationalist Mary Butler. As a rich and humanized approach to history, this book offers readers a deeper understanding of key facets of British life in the early modern and modern periods.

This engaging book provides a gateway to larger themes in modern British history through a set of fascinating portraits of individuals that explore important events and movements from the perspective of the people involved. Political developments are illuminated through chapters on John Locke, Charles Townshend, popular radicalism, and Margaret Thatcher. Religion and education are considered through essays on evangelicalism, the Oxford Movement, Charles Bradlaugh, and Sir James Kay Shuttleworth. Industrial and imperial questions are explored through pieces on the Great Exhibition, the Indian Rebellion of 1857, and post-colonial Nigeria. National identity and wartime experience come to life in the lives of G. K. Chesterton and of Barbara Nixon, an Airraid Warden during the Blitz. Many of the chapters examine the experiences of women, including single women in early modern England, suffragettes, and Irish nationalist Mary Butler. As a rich and humanized approach to history, this book offers readers a deeper understanding of key facets of British life in the early modern and modern periods.