Volume 3 of this comprehensive, multi-volume work includes over 1100 brilliant color photographs of Staffordshire figures portraying animals and animal entertainment, dandies, death, and murder. Among the menagerie of animals presented are cats, dogs, and a host of wild animals and farm animals. There is also valuable information about the makers and design sources, along with a values guide. This impressive series catalogs the enormous range of enamel-painted figures made predominantly in the Staffordshire Potteries between 1780 and 1840. Many of these figures are hauntingly beautiful and have long been hidden from the public eye. Fashioned in an era before photography, they give us rare glimpses of a world that has vanished. To hold one is to touch the past.

"In Volume 4 of this all-encompassing, multi-volume set, which catalogs the vast range of enamel-painted figures produced mostly in the Staffordshire Potteries between 1780 and 1840, figures portraying family, children at play, the Temperance Movement, classical subjects, busts, and much more are covered. The text discusses distinguishing real works from reproductions and evaluating their quality. It includes over 1100 brilliant color photographs, as well as information about the potters and design sources, along with a values guide. Among the figures are contemporary portrayals of weddings, christenings, and other family scenes, forms emblematic of the seasons, elements, and continents, and a multitude of characters portraying classical subjects. Many of these pieces are hauntingly beautiful and have long been hidden from the public eye. These impressive portrayals give us rare glimpses of a world that has vanished long ago.

Introducing a comprehensive, multi-volume work that catalogs the enormous range of enamel-painted figures made predominantly in the Staffordshire Potteries between 1780 and 1840, Volume 1 covers figures portraying people's pastimes and work. It includes over 900 brilliant color photos of pottery, as well as information about its makers and design sources and a guide to values. The attributes of all known makers' work are explored, as are those of groups of related figures whose makers remain anonymous. Some figures in this volume portray the pastimes of gardening, reading, and music, while others depict shepherds and shepherdesses, other farm workers, vendors, and people engaged in a host of trades and occupations. Many of these figures are hauntingly beautiful and have long been hidden from the public eye. Fashioned in an era before photography, they give us rare glimpses of a world that has vanished. To hold one is to touch the past.