Folk singer and labor organizer John Handcox was born to illiterate sharecroppers, but went on to become one of the most beloved folk singers of the prewar labor movement. This beautifully told oral history gives us Handcox in his own words, recounting a journey that began in the Deep South and went on to shape the labor music tradition.

This exciting third volume of David M. Honey's comprehensive history of Chinese thought begins with China after nomadic invaders overran the northern regions of the historic kingdom. The differentiation between scholarly emphases-northern focus on the traditional pedagogical commentary, and southern classical school's more innovative commentary-led to an emphasis on the interpretation of the overall message of a text, not a close reading of smaller sections. As Honey explains, serious attention to the phonological nature of Chinese characters also began during in this long era. Based on the work of earlier Sui dynasty classicists, Kong Yinga and his committee produced the Correct Meaning commentary to the Five Classics during the early Tang Dynasty, which is still largely normative today. The book demonstrates that the brooding presence of Zheng Xuan, the great textual critic from the Eastern Han dynasty, still exerted enormous influence during this period, as his ritualized approach to the classics inspired intellectual followers to expand on his work or impelled opponents to break off in new directions.

Descended from African American slaves, Native Americans, and white slaveowners, John Handcox was born to a family of poor Arkansas sharecroppers at one of the hardest times to be black in America. Over the first few decades of the twentieth century, he survived attempted lynchings, floods, droughts, and the ravages of the Great Depression to organize black and white farmers alike on behalf of the Southern Tenant Farmers Union. He also became one of the most beloved folk singers of the prewar labor movement, composing songs such as Roll the Union On and There Is Mean Things Happening in this Land that bridged racial divides and kept the spirits of striking workers high. Though he withdrew from the public eye for nearly forty years, missing the folk boom of the 1960s, he resurfaced decades later - just in time to denounce the policies of the Reagan administration in song - and his work was embraced by new generations of labor activists and folk music devotees. This fascinating and beautifully told oral history gives us John Handcox in his own words, recounting a journey that began in a sharecropper's shack in the Deep South and went on to shape the labor music tradition, all amid the tangled and troubled history of the United States in the twentieth century.

Volume II of David M. Honey’s comprehensive history of Chinese thought covers a vital 500-year stretch in China’s history, from national unification in 221 BCE to the first post-imperial fragmentation into rival northern and southern polities. This volume discusses the reconstitution of the classics after the textual devastation wrought by the policies of the First Emperor of Qin, who destroyed many of them, and their eventual canonization by the crown during the Western Han period. Honey also examines the professionalization of Chinese classical scholarship as a state-sponsored enterprise, whereby private masters gave way to tenured academicians who specialized in single classical works. This volume also covers the development of various subgenres in the discipline of philology by the three great Eastern Han classicists Liu Xiang in textual criticism, Xu Shen in lexicography, and the polymath Zheng Xuan in the exegesis of virtually all the classics. Honey concludes with an examination of Zheng Xuan as the inspiration for other exegetical modes to explain textual complexities following this era.