This Dictionary offers points of entry into Derrida's complex and extensive works.
This Dictionary offers points of entry into Derrida's complex and extensive works.
From 'aporia' to 'yes', the Dictionary suggests ways into Derrida that show what is at stake in his work.
Demonstrates that Derrida is not just about philosophy, but also about politics and pop music.
Explains why deconstruction matters, and how Derrida can change the way you think.
The A-Z entries are framed by essays on the inherent interdisciplinarity of Derrida's work and on Derrida's relationship to a range of other thinkers.

A Dictionary of Postmodernism presents an authoritative A-Z of the critical terms and central figures related to the origins and evolution of postmodernist theory and culture. * Explores the names and ideas that have come to define the postmodern condition from Baudrillard, Jameson, and Lyotard, to the concepts of deconstruction, meta-narrative, and simulation alongside less canonical topics such as dialogue and punk * Includes essays by the late Niall Lucy, a leading expert in postmodernism studies, and by other noted scholars who came together to complete and expand upon his last work * Spans a kaleidoscope of postmodernism perspectives, addressing its lovers and haters; its movers and shakers such as Derrida; its origins in modernism and semiotics, and its outlook for the future * Features a series of brief essays rather than fixed definitions of the key ideas and arguments * Engaging and thought-provoking, this is at once a scholarly guide and enduring reference for the field

This Dictionary offers points of entry into Derrida's complex and extensive works.
This Dictionary offers points of entry into Derrida's complex and extensive works.
From 'aporia' to 'yes', the Dictionary suggests ways into Derrida that show what is at stake in his work.
Demonstrates that Derrida is not just about philosophy, but also about politics and pop music.
Explains why deconstruction matters, and how Derrida can change the way you think.
The A-Z entries are framed by essays on the inherent interdisciplinarity of Derrida's work and on Derrida's relationship to a range of other thinkers.

"You couldn't use terms like 'text' in an English course without incurring the disapproval of some crusty old moralist...."

"In a postmodern world, literature is just another text.... "

"Forget depth: think surface! ...... everything is a text."

In this brilliantly provocative and comprehensively informative introductory text, Niall Lucy shows the student how postmodern literary theory derives from a late eighteenth-century romantic tradition. In that tradition the literary was conceived as inseparable from the literary theoretical. But for postmodernism, Lucy argues, what was once the romantic space of the literary becomes a general plane of human existence. There, concepts of identity, origin and truth are seen as multiple and structureless assemblages rather than as grounds for understanding human "being" and culture.

Lucy uses the work of Hobbes, Johnson, Rousseau, Kant, Nietzsche, Freud, and Heidegger to historicize his analysis. Levi-Strauss, Barthes, Baudrillard, Derrida, Kristeva, Lyotard, Deleuze and Guattari, and Hassan are among the more recent theorists with whom he engages. His discussion embraces not only "theorists" but also"'writers," including Acker, Auster, Barth, and Pynchon. Lucy's concluding response to the fascinating range of problems and issues he reveals is to propose a pragmatic and ethical, poststructuralist way ahead.