Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

This book takes a fresh look at the fundamental character of education, its history, interaction with society, purpose, changing focus over time and interactions with technology. It surveys the role of research in increasing the body of knowledge leading to new technologies that have helped serve the needs of humankind. In our lifetime there have been profound changes to the world we live in; the technologies used, the problems we struggle with, and the education systems intended to prepare this and following generations for the future. Many of the problems we face now are more complex than in earlier times, requiring broadly based approaches our traditional silo specialisations are ill-prepared to deal with. They involve technologies whose range of positive and negative effects are not well understood. Many of these problems are global in nature and can no longer be treated just as local issues. Our current approach to education does not adequately prepare us to tackle these problems. New approaches to education are needed to prepare us for the changes that are to come. The future of our planet, our civilisation, our community and our economy depend on it. This book proposes changes that will better prepare us for this future.

The most successful of all the collaborations of director Tod Browning and legendary Lon Chaney, "The Man of a Thousand Faces," was LONDON AFTER MIDNIGHT, their long-lost silent "Mystery-Thriller." But now Marie Coolidge-Rask's novelization (based on Browning's original screenplay) is back in print for the first time since its original publication, complete with its original photo-illustrations. Not a facsimile edition, this Couch Pumpkin Classics printing contains additional features exclusive to this edition, including "Transylvania to Prague via London After Midnight" by THRILLER THEATRE host Margali Morwentari.

Gunners with Red horse-hair helmets
The author of this book set his heart on joining 'The Red Men'-the glamorous members of the Bengal Horse Artillery-during boyhood. He achieved his ambition and this book principally concerns his experiences with that famous regiment during the First Sikh War as the British Empire fought to curtail the power of the Sikhs of the Punjab in India. Bancroft was ever in the heart of the battle action and he has given his readers an intimate portrait of the mid-Victorian soldier on campaign during the six battles that could have cost the British India itself. Particularly interesting and enjoyable is his reporting of the speech of the soldiers themselves. It is full of colour and authenticity to the degree that is considered to be the inspiration for Kipling's famous Soldiers Three dialogue.

Beware the curse composed in verse! The night is cold and clear and starry. Don't walk in the woods, or you'll be sorry. ESPECIALLY if you happen to be the last heir of the Hammands! The "super-sensitive" Miss Luna Bartendale, psychic investigator extraordinaire, has had success in the past laying family curses, but the Monster of Hammand will prove harder than any challenge she has faced before. And Dannow Old Manor is home to more than one secret, with a trail that leads from its Hidden Room to the ancient barrow of a Saxon chieftain and back again -- and from a family legacy birthed in the Bronze Age to the Twilight of the Gods!

This book summarizes the salient features of both equilibrium and steady-state thermodynamic theory under a uniform postulatory viewpoint. The emphasis is upon the formal aspects and logical structure of thermodynamic theory, allowing it to emerge as a coherent whole, unfettered by much of those details which - albeit indispensable in practical applications - tend to obscure this coherent structure. Largely because of this, statistical mechanics and reference to molecular structure are, barring an occasional allusion, avoided. The treatment is, therefore, 'classical', or - using a perhaps more appropriate word - 'phenomenological'.
The volume almost exclusively deals with 'ideal' systems, given that the treatment of 'real' systems properly belongs in the realm of applied, rather than theoretical thermodynamics. For these reasons, only selected ideal systems are covered. Ideal gases are discussed extensively. The ideal solution is treated as an example of a liquid system. The amorphous ideal rubber serves as an example of a solid. The formalism developed in these sections is a model for the treatment of other, more complex systems. This short structural overview is written in the hope that a knowledge of steady-state theory will deepen readers' understanding of thermodynamics as a whole.

In Lord Sumption and the Limits of the Law, leading public law scholars reflect on the nature and limits of the judicial role and its implications for human rights protection and democracy. The starting point for this reflection is Lord Sumption's lecture, 'The Limits of the Law', which grounds a wide-ranging discussion of questions including the scope and legitimacy of judicial law-making, the interpretation of the European Convention on Human Rights, and the continuing significance and legitimacy, or otherwise, of the European Court of Human Rights. Lord Sumption ends the volume with a substantial commentary on the responses to his lecture.

The medieval philosopher and theologian John Duns Scotus (1266-1308) was one of the great thinkers of Western intellectual culture, exerting a considerable influence over many centuries. He had a genius for original and subtle philosophical analysis, with the motive behind his philosophical method being his faith. His texts are famous not only for their complexity, but also for their brilliance, their systematic precision, and the profound faith revealed. The texts presented in this new commentary show that Scotus' thought is not moved by a love for the abstract or technical, but that a high level of abstraction and technicality was needed for his precise conceptual analysis of Christian faith. Presenting a selection of nine fundamental theological texts of Duns Scotus, some translated into English for the first time, this book provides detailed commentary on each text to reveal Scotus' conception of divine goodness and the nature of the human response to that goodness. Following an introduction which includes an overview of Scotus' life and works, the editors highlight Scotus' theological insights, many of which are explored here for the first time, and shed new light on topics which were, and still are, hotly discussed. Scotus is seen to be the first theologian in the history of Christian thought who succeeds in developing a consistent conceptual framework for the conviction that both God and human beings are essentially free. Offering unique insights into Scotus' theological writings and faith, and a particular contribution to contemporary debate on Scotus' ethics, this book contributes to a clearer understanding of the whole of Scotus' thought.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.