Corpus Christi College was founded at a time when universities were putting considerable effort into providing better facilities for the study of Greek and Hebrew. Bishop Richard Fox, the founder of Corpus Christi, and John Claymond, the college's first President, therefore ensured that the library should be adequately stocked with Greek printed books and manuscripts. In a famous letter to Claimond in June 1519, Erasmus predicted a great future for the College and alluded to its well-stocked library. Claymond gave the library more than half the present collection of Greek manuscripts, besides seven in Hebrew. His Greek books came largely from the collection of William Grocyn, who had gone to Florence in 1488 to study with Angelo Poliziano and Demetrius Chalcondyles, and doubtless acquired some of his manuscripts there. Remarkably, at the end of the fifteenth century there was a local source of supply for some Greek texts, in the person of Ioannes Serbopoulos, a refugee from Constantinople who had taken up residence near Reading, who supplied Grocyn with MSS 23 and 106 in 1499 and 1495 respectively. It is worth noting in passing that when Grocyn arrived in Florence the printing of Greek texts had barely begun, but by the time the College was founded the demand for manuscript copies of the principal texts used by students and scholars was much reduced, thanks largely to the editions issued by Aldus Manutius After the substantial initial acquisitions of manuscripts the College was not fortunate enough to attract significant additions to its collection, and there is no sign that it contemplated an active policy of enlarging this element of the library's holdings. But it is worth noting that the one manuscript in the collection which is of truly outstanding importance, the ninth-century copy of Aristotle's zoological works (MS 108), was given by one of the Fellows in 1623.

Photius was a ninth-century patriarch of Constantinople who compiled summaries of 280 books he had read, known at the Bibliotheca. It deals with Attic, Hellenistic, Roman imperial and Byzantine sources, about half of which are now lost. Here Nigel Wilson presents an annotated edition in translation of a wide selection from these book reviews, with the aim of revealing the breadth of Photius' interests.

Aldus Manutius (c. 1451-1515) was the most important and innovative scholarly publisher of the Renaissance. His Aldine Press was responsible for more first editions of classical literature, philosophy and science than any other publisher before or since. Aldus was particularly concerned to preserve through the printer's art the most important remains of Greek literature that had survived the age of the manuscript book, and to provide the literati of his own time with the tools they needed to keep the knowledge of Greek alive. This edition contains all of Aldus's prefaces to his editions of the Greek classics, translated for the first time into English, along with other illustrative writings by his collaborators. They provide unique insight into the world of scholarly publishing in Renaissance Venice.

Although it is often thought that Herodotus is a simple author, and that his Histories do not contain many passages requiring textual criticism, closer investigation reveals this view to be inaccurate. Written to accompany and augment the new Oxford Classical Texts edition of the Histories - which has been substantially revised by Nigel Wilson from the original edition by Danish scholar C. Hude in 1906 - this volume attempts to take account of discussion of numerous passages where there is reason to question whether the text as transmitted in ancient or medieval manuscripts is exactly what the author intended. A wide range of conjectures is represented, and work by scholars whose contributions have been neglected or insufficiently appreciated, in particular J. V. Pingel, H. Richards, and J. E. Powell, is taken into account.

One of the remarkable facts about the history of Western culture is that we are still in a position to read large amounts of the literature produced in classical Greece and Rome despite the fact that for at least a millennium and a half all copies had to be produced by hand and were subject to the hazards of fire, flood, and war. This book explains how the texts survived and gives an account of the reasons why it was thought worthwhile to spend the necessary effort to preserve them for future generations. In the second edition a section of notes was included, and a new chapter was added to deal with some aspects of scholarship since the Renaissance. In the third edition (1991), the authors responded to the urgent need to take account of the very large number of discoveries in this rapidly advancing field of knowledge by substantially revising or enlarging certain sections. The last two decades have seen further advances, and this revised edition is designed to take account of them.

This book is designed as a companion to the new OCT of Aristophanes. After a brief introduction giving a sketch of the textual transmission of the plays the editor discusses a large number of passages which present textual or other difficulties. Problems of this kind in many cases require notes that are too long and complex to be incorporated in the relatively limited space allocated to the apparatus criticus in the Oxford series.

Aelian's "Historical Miscellany" is a pleasurable example of light reading for Romans of the early third century. Offering engaging anecdotes about historical figures, retellings of legendary events, and enjoyable descriptive pieces, Aelian's collection of nuggets and narratives appealed to a wide reading public.

Here then are anecdotes about the famous Greek philosophers, poets, historians, and playwrights; myths instructively retold; moralizing tales about heroes and rulers, athletes and wise men; reports about food and drink, different styles in dress, lovers, gift giving, entertainments, religious beliefs, and death customs; and comments on Greek painting. Some of the information is not preserved in any other source. Underlying it all are Aelian's Stoic ideals as well as this Roman's great admiration for the culture of the Greeks (whose language he borrowed for his writings).

This volume is designed as a companion volume to the new text of Sophocles (published in the Oxford Classical Texts series). It aims to explain the editors' views about a large number of disputed passages that occur in the plays. Many of the discussions are too long and complex to be incorporated in the apparatus criticus of the Oxford Classical Texts, and are here expounded in full. The introduction, which gives a historical survey of Sophoclean scholarship, is followed by discussion and comment arranged play by play according to line number. In an appendix the editors offer a partial solution to the puzzle of the unknown manuscripts allegedly used by the sixteenth-century Flemish scholar Livineius.

This book is designed as a companion to the new OCT of Aristophanes. After a brief introduction giving a sketch of the textual transmission of the plays the editor discusses a large number of passages which present textual or other difficulties. Problems of this kind in many cases require notes that are too long and complex to be incorporated in the relatively limited space allocated to the apparatus criticus in the Oxford series.

In this new edition of Herodotus' Histories, Nigel Wilson has revised the original Oxford Classical Text by the Danish scholar C. Hude, published in 1906 and last revised in 1927. As well as incorporating much of the valuable work on the text that has been conducted since the original edition, in particular that of J. Enoch Powell and Paul Maas, Wilson has taken into account new readings from over 80 papyri. In addition, clarity in the apparatus criticus has been improved by the collation of two previously neglected medieval manuscripts, which belong to the so-called Roman family. A number of passages remain puzzling, and Wilson proposes new solutions and provides plausible emendations wherever possible. The editor has also written a commentary volume, Herodotea, to accompany this edition, in which he explains many of the editorial decisions he made while revising this key classical text.

This new edition of Aristophanes is intended to replace the previous Oxford Classical Text published in 1900-1. Since that date it has been possible to construct a far better picture of the transmission of the text from antiquity to the age of printing and to obtain reliable reports of other significant manuscripts. While some of the new information has been taken into account for recent commentaries on individual plays, there is no easily available complete edition. Though the text of the plays is better preserved than that of Greek tragedy, the editor has thought it desirable to record or adopt a fair number of conjectures, some of them little known or unjustly disregarded; in a few passages he has ventured to offer suggestions of his own.

This new edition of Aristophanes is intended to replace the previous Oxford Classical Text published in 1900-1. Since that date it has been possible to construct a far better picture of the transmission of the text from antiquity to the age of printing and to obtain reliable reports of other significant manuscripts. While some of the new information has been taken into account for recent commentaries on individual plays, there is no easily available complete edition. Though the text of the plays is better preserved than that of Greek tragedy, the editor has thought it desirable to record or adopt a fair number of conjectures, some of them little known or unjustly disregarded; in a few passages he has ventured to offer suggestions of his own.

This new text of Sophocles is the product of many years of close collaboration between the two editors. The evidence of the manuscript tradition has been carefully assessed, and the results of one important discovery have been exploited for the first time. It has also been possible to take account of many little known or forgotten conjectures. A number of other conjectures are correctly attributed for the first time, and in a few passages the editors have ventured to offer proposals of their own.

One of the remarkable facts about the history of Western culture is that we are still in a position to read large amounts of the literature produced in classical Greece and Rome despite the fact that for at least a millennium and a half all copies had to be produced by hand and were subject to the hazards of fire, flood, and war. This book explains how the texts survived and gives an account of the reasons why it was thought worthwhile to spend the necessary effort to preserve them for future generations. In the second edition a section of notes was included, and a new chapter was added to deal with some aspects of scholarship since the Renaissance. In the third edition (1991), the authors responded to the urgent need to take account of the very large number of discoveries in this rapidly advancing field of knowledge by substantially revising or enlarging certain sections. The last two decades have seen further advances, and this revised edition is designed to take account of them.

Which famous poet treasured his copy of Homer, but could never learn Greek? What prompted diplomats to circulate a speech by Demosthenes - in Latin translation - when the Turks threatened to invade Europe? Why would enthusiastic Florentines crowd a lecture on the Roman Neoplatonist Plotinus, but underestimate the importance of Plato himself? Having all but disappeared during the Middle Ages, classical Greek would recover a position of importance - eventually equal to that of classical Latin - only after a series of surprising failures, chance encounters, and false starts. This important study of the rediscovery and growing influence of classical Greek scholarship in Italy from the 14th to the early 16th centuries is brought up to date in a new edition that reflects on the recent developments in the field of classical reception studies, and contains fully up-to-date references to aid students and scholars. From a leading authority on Greek palaeography in the English-speaking world, here is a complete account of the historic rediscovery of Greek philosophy, language and literature during the Renaissance, brought up-to-date for a modern audience of classicists, historians, and students and scholars of reception studies and the Classical Tradition.