Critical Responses About the Black Family in Toni Morrison's God Help the Child explores the integral role of what Kobi Kambon has called the "conscious African family" in developing commercial success stories such as those of Morrison's protagonist, Bride. Initially, Bride's accomplishments are an extension of a superficial "cult of celebrity" which inhabits and undermines the development of meaningful interpersonal relationships until a significant literal and metaphorical journey helps her redefine success by facilitating the building of community and family.

The Postcolonial Subject in Transit presents in-depth analyses of the complex transitional migratory identities evident in emerging African diasporic writings. It provides insights into the hybridity of the migrant experience, where the migrant struggles to negotiate new cultural spaces. It shows that while some migrants successfully adapt and integrate into new Western locales, others exist at the margins unable to fully negotiate cultural difference. The diaspora becomes a space for opportunities and economic mobility, as well as alienation and uncertainties. This illuminates the heterogeneity of the African diasporic narrative; expanding the dialogue of the diaspora, from one of simply loss and melancholia to self-realization and empowerment.

Critical Responses About the Black Family in Toni Morrison's God Help the Child explores the integral role of what Kobi Kambon has called the “conscious African family” in developing commercial success stories such as those of Morrison’s protagonist, Bride. Initially, Bride’s accomplishments are an extension of a superficial “cult of celebrity” which inhabits and undermines the development of meaningful interpersonal relationships until a significant literal and metaphorical journey helps her redefine success by facilitating the building of community and family.

The Postcolonial Subject in Transit presents in-depth analyses of the complex transitional migratory identities evident in emerging African diasporic writings. It provides insights into the hybridity of the migrant experience, where the migrant struggles to negotiate new cultural spaces. It shows that while some migrants successfully adapt and integrate into new Western locales, others exist at the margins unable to fully negotiate cultural difference. The diaspora becomes a space for opportunities and economic mobility, as well as alienation and uncertainties. This illuminates the heterogeneity of the African diasporic narrative; expanding the dialogue of the diaspora, from one of simply loss and melancholia to self-realization and empowerment.