How is the struggle for Palestinian freedom bound up in other freedom struggles, and how are activists coming together globally to achieve justice and liberation for all? In this bold book, Palestinian activist Nada Elia unpacks Zionism, from its militarism to its prisons, its environmental devastation and gendered violence. She insists that Palestine's fate is linked through bonds of solidarity to other communities crossing racial and gender lines, weaving an intersectional feminist understanding of Israeli apartheid throughout her analysis. She also looks deeper into the interconnectedness of Palestine with Black, migrant, and queer movements, and with other indigenous struggles against settler colonialism, including that of Native Americans. Greater than the Sum of Our Parts is a powerful and hopeful account, highlighting the role of the Palestinian diaspora, youth, and women, and inspired by activists across the world.

Trances, Dances and Vociferations provides a compelling feminist analysis of gender politics in the works of four major Africana women writers: Toni Morrison, Michelle Cliff, Assia Djebar, and Paule Marshall. Nada Elia explores the way in which black women characters use conjuring, double entendre, and song to empower, liberate and determine their own female insurgency. She also explains how African and Afrodiasporic women have been forced to rewrite history and substitute a communal and individual wholeness for alienation and separation in many different settings, from Algeria to Oklahoma. Ranging over works including Marshall's Praisesong for the Widow, Djebar's A Sister to Scheherazade, Cliff's No Telephone to Heaven and Morrison's Jazz and Beloved, Elia offers essential and provocative insights into the works of some of our most influential Africana women authors today.

Contents:
Table of Contents Acknowledgments Abbreviations of Frequently Cited Titles 1. Introduction: "Pre-Text: In the beginning all was sound" 2. "The Fourth Language:" Subaltern Expression in Assia Djebar's Fantasia: An Algerian Cavalcade and A Sister to Scheherazade. 3. "The Memories of Old Women:" Alternative History in Michelle Cliff's No Telephone to Heaven and Free Enterprise 4. "I'm Breaking My Vow of Silence:" Reclaiming Speech in Paule Marshall's Praisesong for the Widow and Daughters 5. "Under the Weight of Memory and Music:" Contact Zones and Healing in Morrison's Song of Solomon and Paradise 6. Conclusion: "With Nomad Memory and Intermittent Voice:" The Africana Women's Aesthetic Tradition Works Consulted Index

Building on the intellectual and political momentum that established the Critical Ethnic Studies Association, this Reader inaugurates a radical response to the appropriations of liberal multiculturalism while building on the possibilities enlivened by the historical work of Ethnic Studies. It does not attempt to circumscribe the boundaries of Critical Ethnic Studies; rather, it offers a space to promote open dialogue, discussion, and debate regarding the field's expansive, politically complex, and intellectually rich concerns. Covering a wide range of topics, from multiculturalism, the neoliberal university, and the exploitation of bodies to empire, the militarized security state, and decolonialism, these twenty-five essays call attention to the urgency of articulating a Critical Ethnic Studies for the twenty-first century.

Building on the intellectual and political momentum that established the Critical Ethnic Studies Association, this Reader inaugurates a radical response to the appropriations of liberal multiculturalism while building on the possibilities enlivened by the historical work of Ethnic Studies. It does not attempt to circumscribe the boundaries of Critical Ethnic Studies; rather, it offers a space to promote open dialogue, discussion, and debate regarding the field's expansive, politically complex, and intellectually rich concerns. Covering a wide range of topics, from multiculturalism, the neoliberal university, and the exploitation of bodies to empire, the militarized security state, and decolonialism, these twenty-five essays call attention to the urgency of articulating a Critical Ethnic Studies for the twenty-first century.