A powerful new novel about grief and mourning from the acclaimed and prize-winning author of The Old Drift A BARACK OBAMA BOOK OF THE YEAR and NEW YORK TIMES BOOK OF THE YEAR I don't want to tell you what happened. I want to tell you how it felt. Cassandra is twelve; her little brother Wayne is seven. One day, when they're alone together, there's an accident and Wayne is lost forever. Though his body is never recovered, their mother can't stop searching. As Cassandra grows older, she sees her brother everywhere: in cafes, aeroplane aisles, subway cars. But it can't be, of course. Or can it? And then one day, there's another accident, and she meets a man both mysterious and familiar, a man who shares her brother's name and who is also searching for someone... 'In Namwali Serpell's hands, grief is a kind of possession. The Furrows is a piercing, sharply written novel about the conjuring power of loss' - RAVEN LEILANI, author of Luster

A powerful new novel about grief and mourning from the acclaimed and prize-winning author of The Old Drift

Cassandra Williams is twelve; her little brother Wayne is seven. One day, when they are alone together, there is an accident, and Wayne is lost forever. Though his body is never recovered, their mother is unable to stop searching. The missing boy cleaves the family with doubt: How do you grieve an absence? And how does it feel?

As C grows older, she relives and retells her story, and she sees her brother everywhere: in coffee shops, subway cars, cities on both sides of America. Here is her brother's older face, the colour of his eyes, his lanky limbs, the way he seems to recognise her too. But it can't be, of course. Or can it? And then one day, there is another accident, and C meets a man both mysterious and familiar, a man who is also searching for someone, as well as his own place in the world. His name is Wayne.

Namwali Serpell's piercing new novel captures the ongoing and uncanny experience of grief, as the past breaks over the present, like waves in the sea. The Furrows is a bold and beautiful exploration of memory and mourning that twists unexpectedly into a masterful story of mistaken identity, slippery reality, black experience, and the wishful and sometimes willful longing for reunion with those we've lost.

On the banks of the Zambezi River, a few miles from the majestic Victoria Falls, there was once a colonial settlement called The Old Drift.

In 1904, in a smoky room at the hotel across the river, an Old Drifter named Percy M. Clark, foggy with fever, makes a mistake that entangles his fate with those of an Italian hotelier and an African busboy.

So begins a cycle of unwitting retribution between three Zambian families as they collide and converge over the course of the century, into the present and beyond.

Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature's capacity to unsettle, perplex, and bewilder us, and literature's ethical value? To revive this question, C. Namwali Serpell proposes a return to William Empson's groundbreaking work, Seven Types of Ambiguity (1930), which contends that literary uncertainty is crucial to ethics because it pushes us beyond the limits of our own experience. Taking as case studies experimental novels by Thomas Pynchon, Toni Morrison, Bret Easton Ellis, Ian McEwan, Elliot Perlman, Tom McCarthy, and Jonathan Safran Foer, Serpell suggests that literary uncertainty emerges from the reader's shifting responses to structures of conflicting information. A number of these novels employ a structure of mutual exclusion, which presents opposed explanations for the same events. Some use a structure of multiplicity, which presents different perspectives regarding events or characters. The structure of repetition in other texts destabilizes the continuity of events and frustrates our ability to follow the story. To explain how these structures produce uncertainty, Serpell borrows from cognitive psychology the concept of affordance, which describes an object's or environment's potential uses. Moving through these narrative structures affords various ongoing modes of uncertainty, which in turn afford ethical experiences both positive and negative. At the crossroads of recent critical turns to literary form, reading practices, and ethics, Seven Modes of Uncertainty offers a new phenomenology of how we read uncertainty now.

Stunningly-designed new editions of Toni Morrison's best-known novels, published by Vintage Classics in celebration of her life and work. WITH A NEW INTRODUCTION BY NAMWALI SERPELL, AUTHOR OF THE OLD DRIFT As young girls in a poor but close-knit community, Nel and Sula are inseparable. But their paths as adults couldn't be more different: while Nel settles in town to raise a family, Sula escapes for the progressive ideals of the big city. When Sula reappears ten years later, she comes face to face with a community whose values are at odds with her fierce individualism and rebellious ways. Reunited, Nel and Sula must confront the consequences of their actions and the dreadful secret they shared in childhood. Two girls who grow up to become women. Two friends who become something worse than enemies. Terrifying, comic and tragic, Sula overflows with love and life, friendship and betrayal.