The German polymath Johann Wolfgang von Goethe is often seen as the quintessential eighteenth-century tourist, though with the exception of a trip to Italy he hardly left his homeland. Compared to several of his peripatetic contemporaries, he took few actual journeys, and the list of European cities in which he never set foot is quite long. He never saw Vienna, Paris, or London, for example, and he only once visited Berlin. During the last thirty years of his life he was essentially a homebound writer, but his intensive mental journeys countered this sedentary lifestyle, and the misconception of Goethe as a traveler springs from the uniquely international influence of his writing. While Goethe's Italian Journey is a classic piece of travel writing, it was the product of his only extended physical journey. The majority, rather, were of the mind, taken amid the pages of books by others. In his reading, Goethe was the prototypical eighteenth-century armchair traveler, developing knowledge of places both near and far through the words and eyewitness accounts of others. In Goethe: Journeys of the Mind, Nancy Boerner and Gabrielle Bersier explore what it was that made the great writer distinct from his peers and offer insight into the ways that Goethe was able to explore the cultures and environments of places he never saw with his own eyes.

Johann Wolfgang von Goethe is recognised as a giant of world literature; an exceptionally prolific and versatile writer. As a student, he composed pastoral plays in the style of the waning Rococo. With Gotz von Berlichingen, a drama conceived in the spirit of Shakespeare, he joined the avant-garde Sturm und Drang authors. His epistolary novel The Sorrows of Young Werther elicited fervent responses among those who rejected the traditions of the Enlightenment, and in his tragedy Faust, which evolved over a 60-year period, he created a prototype of the Romantic hero. Furthermore, based on his studies in literary theory, he developed a concept of 'world literature' that he hoped would foster communication among writers of different nations.